• 600,00 kr.

    Adler Petersen, Lene. – Christiansen, Ursula Reuter. – Rex, Jytte. – Justesen, Kirsten. – Pedersen, Jane. – Mertz, Susanne. – Hanne Lise Thomsen. – Pontoppidan, Birgit med flere: . Kvindeudstillingen Charlottenborg 1975. Charlottenborg, 1975. 4to. (48) sider inklusiv omslaget. Lidt kantslitage men ren og alt i alt velbevaret Det originale…

  • Out of Stock

    Redigeret af Signe Arnfred med flere: Kvinder og kvindebevægelse. 11 rødstrømpehistorier. Forlaget Tiderne Skifter, København 1974. 153 sider. Med enkelte illustrationer i s/h. Heftet. Omslag godt slidt Første udgave, 1. oplag. Med omslag af Kirsten Justesen

  • 200,00 kr.

    “Valie Export: Zeit und Gegenzeit – Time and Countertime”. Published by Walther Koenig, 2010. Large heavy 4to hardcover, with jacket. 303 pages, richly illustrated. Text in both German and English Thorough introduction to the works of Valie Export 1st edition. Fine / as new

  • 200,00 kr.

    Edited by Sabine Breitwieser: White Cube / Black Box Skulpturensammlung Video Installation Film Werkschau Valie Export und Gordon Matta-Clark. EA – Generali Foundation, Vienna, 1996. 8vo (23 x 16 cm) in wraps as issued. 399 pp with colour and b&w illustrations. German and English text. Fine clean copy 1st edition…

  • 245,00 kr.

    Berlin: diálogo ViaArte, 2000 / Galerie der Stadt Fellbach 2000 / Städtisches Kramer-Museum & Kempener Skulpturenprojekt, Kempen, 2000 / Kreissparkasse Göppingen 1999. 4 x 4to in wraps in slipcase First edition (s) “How should one describe her work? When the Düsseldorf Art Academy was forcibly closed by the ministry in…

  • 100,00 kr.

    Gegenstände / Objects. Berlin: Künstlerhaus Bethanien, 1985. 4to in wraps as issued. 162 pages. Illustrated. Text in German. Soiling to cover (see photo) else very good and clean inside First edition

  • 160,00 kr.

    This book presents a collection of 200 black and white photographs and 100 lines of words gathered by the artist spanning the years from 1968 to 1989. The images were captured as entries in a photographic sketchbook and are represents in pairs that demonstrate visual congruities in form and shading. Opposite the photographs, textual phrases appear in Danish, Icelandic, English, and Swedish. The words have lodged themselves in the artist’s consciousness after appearing in newspapers, in conversations and on TV, rearranging themselves over time. Influenced by Alison Knowles’ work The Big Book, which was conceived as a locus for contemplating personal evolutions, this book maps out the circuitous development of memory over time. The translations from Danish into other languages are by Alison Knowles, Anna Sjödahl, and Rúrí

  • 400,00 kr.

    Rare catalogue from groundbreaking survey exhibition of female artists

  • 500,00 kr.

    “La Movida, the post-Franco countercultural movement, was “somewhere between party scene, artistic school and heedless free-for-all”

  • 300,00 kr.

    Bang Larsen, Lars (cur.): Koenig Books and Moderna Museet, Stockholm, 2019. Heavy to in wraps as issued, with protective jacket. 335 pages. English and Swedish text. Richly illustrated. Fine copy 1st edition Taking its title from an installation by Robert Rauschenberg and an essay by science fiction writer Ursula K.…

  • 300,00 kr.

    First edition from 1998 of the classic comprehensive monograph on Tom of Finland, presenting every phase of his career, from the excited sketches of a young boy in Finland to his last drawings in America

  • 950,00 kr.

    “Tom’s Men: all bulging pectorals, washboard abs, and chiseled jawlines, scantily clad in uniforms or tight leather and jeans—formed archetypal images of gay culture throughout the latter half of the 20th century. From their origins as pictures passed between friends and lovers to their status today as a homoerotic lingua franca, Tom of Finland’s drawings portray a radical vision for their time: a world not simply normalizing but celebrating the trappings of gay desire and masculine fantasy”. Touko Laaksonen became Tom of Finland in 1957; the artist’s drawings had until then remained private material exchanged between friends as he worked by day at the advertising firm McCann Helsinki. At the encouragement of his small Helsinki audience, Laaksonen submitted artwork to photographer Bob Mizer’s Los Angeles-based Physique Pictorial in 1956. Pamphlet-style publications cheap to print and easy to hide—so-called “physique mags”—legally circulated homoerotic imagery under the watchful eyes of censors in postwar America. Mizer ran Physique Pictorial from his LA home, featuring local photography, painting, and drawing. Upon seeing Laaksonen’s submission, Mizer knew the artist’s smiling, sometimes-clothed heroes would make perfect content. For clarity and marketing’s sake, Mizer added “of Finland” to Laaksonen’s normal “Tom” signature; much to the artist’s chagrin, the name stuck. “At the time [before World War II], a gay man was made to feel nothing but shame about his feelings and his sexuality. I wanted my drawings to counteract that, to show gay men being happy and positive about who they were… I knew—right from the start—that my men were going to be proud and happy men!” —Tom of Finland