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    PIA ARKE (dansk udgave). Louisiana Museum of Art, 2021. 8vo. 116 pp. Hft. Illustreret. Lidt kantslid. Danish version

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    Pia Arke for SAS. Original kunstmappe med 6 reproduktioner af malerier – komplet med informationsark (menukort til SAS, Greenland Polar Class 1989). Copenhagen: Interprint / Scanlith Repro – Trykt for SAS (S.A.S. Scandinavia Airlines), (1989). 4to. 7 løse ark i original mappe. En anelse solfarvning i kant af mappen, eller…

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    “Giv agt: Mertz”. Lommebog, nr. 38. Med et essay af Jan Würtz Frandsen. Statens Museum for Kunst, 1987. 12mo. 16 pp. Illustreret med tegninger af Mertz udført til denne udgivelse.  Pænt eksemplar. Første oplag

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    “WIR SPIELEN (WE PLAY) / The Peoplemover 1968 – A demonstration poem”. Berlin nGbK 2013. 8vo in silvery wraps as issued. 348 pp. Text in German and English. Light edgewear else clean and fine WIR SPIELEN (WE PLAY) is an artistic investigation on the topic of collectivities and the significance…

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    Paul Gadegaard 17.11.-1.12 1960. Kunstnernes Kunsthandel, 1960. Original litograferet omslag. (12) pp. Illustreret med fotos af Gadegaard’s ‘rummalerier’ fra Angli A/S i Herning. Smukt udført katalog. Stempel fra Asbæk på titelblad.

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    Paul Gadegaard Herning Kunstmuseum 1982. Angligården & Herning Kunstmuseum, 1982. 8vo i original heftet omslag. 40 pp. Hft.

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    185,00 kr.

    No Beginning, No End situates Max Bill within the context of his cultural moment. With more than two hundred illustrations of works by Bill and his contemporaries,

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    Panel 13 Information / Edition Panel, 1969. 4to folded pink sheet as issued. 4 pages. Illustrated. Well preserved copy. Henning Christiansen, Joseph Beuys, Stig Brøgger, Poul Gernes, Peter Louis-Jensen, Herman de Vries et al. First printing. Scarce!

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    Classic monograph on El Lissitzky “Beyond the Abstract Cabinet: Photography, Design, Collaboration”. Edited by Margarita Tupisyn. Fine copy.

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    Rare original folder published on the occasion of the Soviet exhibition at Pressa Cologne 1928. The exhibition showed graphic design, publishing and press material and El Lissitzky was in charge. His design for the exhibition brought together architecture, graphics, photography, film and sound. He combined photomurals, and letters of every thickness and type running in every direction, turning the Soviet pavilion into a vast multimedia installation. The present folder is a text only and Sergey Ingulov writes on the situation of the newspaper in the Soviet Union of 1928. Cover possibly by Solomon Telingater or maybe even El Lissitsky.

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    Gammelbo, Poul. – Andersen, Troels et al (red.): CRAS. Tidsskrift for kunst og kultur I-LXIV – KOMPLET SÆT. Silkeborg, 1973 – 1993. 66 originale hæftede omslag. Illustreret. Inklusiv index nummer. Fint velholdt sæt