Art
Filters
Done-
New
1.200,00 kr.Edited by Lawrence Rubin: Frank Stella: Paintings, 1958 to 1965 : A Catalogue Raisonne. New York: Stewart, Tabori & Chang, 1986. Large very heavy 4to hardcover with jacket. 279 pages on heavy paper. Profusedly illustrated. Text in English. Fine clean copy First edition, 2nd Printing
-
New
245,00 kr.By Richard Axsom: Frank Stella: Prints : A Catalogue Raisonné Jordan Schnitzer Family Foundation, 2016. Large very heavy hardcover with jacket. 430 pages. Text in English. Profusedly color illustrated. Fine clean copy 1st ed “In addition to his achievements in abstract painting and sculpture, Frank Stella has also made major…
-
Out of Stock
Tim Stüttgen: IN A QU*A*RE TIME AND PLACE: Post-Slavery Temporalities, Blaxploitation, and Sun Ra’s Afrofuturism between Intersectionality and Heterogeneity . SUM magazine, in accordance with the publishing house of The Royal Danish Academy of Fine Arts, Schools of Visual Art, Copenhagen, 2014. 8vo. Softcover. 188 pp. Illustrated. As new
-
Out of Stock
Edited by Patrice Forest, with contributions by Dominique Païni, text(s) by Chihiro Minato: David Lynch: Lithos, 2007-2009. Hatje Cantz,2010. Oblong 4to in publishers hardcover with slightly worn dustjacket. 192 pages with 250 illustrations. Text in both English and French. Overall a clean and near fine copy First edition. – “In…
-
Out of Stock
DAP / Distributed Art Publishers, 2017 (1977). Oblonged 4to hardcover with dustjacket. 92 pages with 61 duotone and 25 black and white illustrations. Designed by Victor Mingovits. Introduction by Sandra S. Phillips. Foreword by Robert F. Forth. Text in English Excellent, clean copy Second printing of Evidence. Included in Parr…
-
600,00 kr.
Albers, Anni & Josef. – Cage, John. – Cunningham, Merce. – Buckminster Fuller. – Creeley, Robert. – Brody, Martin et al. – Katz, Vincent (ed.):. Black Mountain College: Experiment in Art. MIT Press, Cambridge, MA, 2013 (2002). Folio, a heavy oversized in wraps, as issued. 328 pages, with black-and-white and…
-
345,00 kr.
“Josef Albers’ rigorous investigations into color have had a decisive effect on art in the twentieth century and beyond. His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson. Published for an exhibition at the Morgan library, and with an abundance of previously uncollected works, this volume unveils the full bounty of Albers’ works on paper: lithographs, linocuts, woodcuts, screenprints and etchings. Since the prints lack the just-visible brushwork of Albers’ paintings, allowing color to emerge without surface blemish, some have argued that they constitute a more effective illustration of his color theory”