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  • New
    100,00 kr.

    Borgens Forlag, 2000. 125 pp. Hft.

  • New
    100,00 kr.

    Oversat til dansk ved Henrik Bjelke. Arena, 1973. 126 pp. Hft. Pænt eksemplar

  • Out of Stock
    200,00 kr.

    Henri Michaux. Særudstilling af Silkeborg Museums samlinger, 1962-63. Med forord af Asger Jorn. Silkeborg Museums Samlinger, 1962. Gennemillustreret. 120 sider. Hft. Grafisk tilrettelagt af Asger Jorn med forord af denne First edition of this very fine, profusedly illustrated, exhibition catalogue arranged by Asger Jorn: Asger Jorn was fascinated by Michaux’…

  • 4.000,00 kr.

    “Lihn was without a doubt the best poet of his generation, the so-called Generación del ‘50, and one of the three or four best poets born between 1925 and 1935. Or maybe one of the two best. Or maybe he was the best. “— Roberto Bolaño

  • 800,00 kr.

    Suárez, Osbel; Paternosto, Césaro; García, María Amalia; Gullar, Ferreira; Oramas, Luis Pérez; Pérez-Barreiro, Gabriel: . Cold America : Geometric Abstraction in Latin America. Published by Fundación Juan March, Madrid, 2011. Oversized hardcover.504 pages. Text in English. Richly illustrated. Some wear to corners of binding else clean and overall very good.…

  • 240,00 kr.

    Knud Wedel Hvidberg (1927-1986), Danish painter and sculptor:

    Born in Holstebro in central Jutland, Hvidberg was a self-taught artist. In the early 1960s, he first painted in a Constructivist style inspired by Gunnar Aagaard Andersen and other members of the Linien II artists association. His sculptural creations were mobiles made of roof gutters, plexiglass and iron driven by electric motors with shining lights. One, developed together with William Soya, also had a sound and light component, predating later installations. His 1965 POEX exhibition combined avant-garde developments in art, poetry and drama. Hvidberg sought to give his mobiles associations with the cosmos and with ancient civilisations

  • 800,00 kr.

    David Lynch: The Air Is on Fire (Foundation Cartier) – ENGLISH VERSION. Published by Steidl 2010 for (true 1st was Paris: Fondation Cartier, 2007). Large heavy 4to, no jacket as issued. 452 pages, richly illustrated, complete with two CDs included. Text in English. Spine sunned else only minor edgewear and…

  • 445,00 kr.

    Extremely rare! One of the 48 original issues of the Danish avantgarde artist magazine, the “newspaper” HÆTSJJ (Haetsjj = “Kerchoo”) published between 1968 and 1970 – this being issues 34 from 1969. – Content: “Guide to abortion” and short article on the June 69 sit-in protest at the Rijksmuseum in Amsterdam, where around 100 artists were occupying the gallery room housing Rembrandt’s famous painting The Night Watch. –

  • 175,00 kr.

    Kraus, Chris:. Video Green: Los Angeles Art and the Triumph of Nothingness . New York & Los Angeles: Published by Semiotext(e) / Active Agents Series, 2004. 8vo paperback as issued. 220 pages, with b/w illustrations. Fine clean copy. “Slow-witted, fat, 14, and dreaming constantly of being fucked by other boys,…

  • 700,00 kr.

    ” forty years of feminist art history. While the topic of art and feminism has both its champions and its critics, all agree on one thing: feminism has permanently changed the artistic landscape. Providing an extensive survey of the work of eighty-eight female artists organized by the Museum voor Moderne Kunst in Arnhem it juxtaposes works by different generations of artists. Among the artists are Carolee Schneemann, Adrian Piper, Annette Messager, Valie Export, Marlene Dumas, Barbara Kruger, Elke Krystufek, Nancy Spero, Hannah Wilke, Maria Roosen, Monica Bonvicini, Gina Pane and many others. Essays by Riet Van der Linden, Tineke Reijnders, NGoné Fall, Mirjam Westen, Ingelies van der Meulen and others”.

  • Out of Stock

    “Kraftwerk: Dance Forever offers a comprehensive documentation of the visual evolution of the pioneering German electronic music group from the early 1970s to the present day. This publication accompanied an exhibition tour that began in Detroit, the birthplace of techno and dance music, where Kraftwerk’s influence loomed large. The catalogue vividly portrays the group’s iconic machine music aesthetic through a diverse array of materials, including promotional items, sheet music, vintage recorded media, posters, photographs, and musical toys.”