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100,00 kr.Gyldendal Bekkasinbøger, 1962. 107 pp. Hæftet. Godt rent eksemplar med kun små ydre brugsspor Omslag: Austin Grandjean Første danske oplag
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245,00 kr.Farvekunstens elementer. Subjektive oplevelser og objektiv erkendelse som vejledning til kunsten.Dansk udgave Borgen, 2000. Original kartonbind. 95 pp. Med farvetavler. Een side med understregninger og et lille navn på titelsiden ellers rent og pænt eksemplar
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100,00 kr.Vicente Huidobro (1893-1948) blev født i Santiago i Chile. I 1916 rejste han til Paris, hvor han var medarbejder ved Guillaume Apollinaire og Pierre Reverdys avantgardetidsskrift Nord-Sud. Han lancerede sin egen poetiske bevægelse, creacionismen. I Spanien var han med til at grundlægge den spanske ultraisme. Han har skrevet en lang række digtsamlinger, teaterstykker, manifester, romaner og politiske traktater, og han arbejdede sammen med bl.a. Edgard Varèse, Hans Arp, Robert Delaunay og Jorge Luis Borges. Vicente Huidobro skrev på spansk og fransk. Hans poetiske hovedværk er Altazor (1919-31). Arktiske digte er en komplet gendigtning af samlingen Poemas árticos, som udkom i Madrid i 1918
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50,00 kr.Vicente Huidobro (1893-1948) blev født i Santiago i Chile. I 1916 rejste han til Paris, hvor han var medarbejder ved Guillaume Apollinaire og Pierre Reverdys avantgardetidsskrift Nord-Sud. Han lancerede sin egen poetiske bevægelse, creacionismen. I Spanien var han med til at grundlægge den spanske ultraisme. Han har skrevet en lang række digtsamlinger, teaterstykker, manifester, romaner og politiske traktater, og han arbejdede sammen med bl.a. Edgard Varèse, Hans Arp, Robert Delaunay og Jorge Luis Borges
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120,00 kr.Vicente Huidobro (1893-1948) blev født i Santiago i Chile. I 1916 rejste han til Paris, hvor han var medarbejder ved Guillaume Apollinaire og Pierre Reverdys avantgardetidsskrift Nord-Sud. Han lancerede sin egen poetiske bevægelse, creacionismen. I Spanien var han med til at grundlægge den spanske ultraisme. Han har skrevet en lang række digtsamlinger, teaterstykker, manifester, romaner og politiske traktater, og han arbejdede sammen med bl.a. Edgard Varèse, Hans Arp, Robert Delaunay og Jorge Luis Borges
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200,00 kr.Lautréamont, Le Comte de (Ducasse, Isidor):. Maldoror & the Complete Works of the Comte de Lautréamont. Exact Change, Cambridge 2011. 8vo paperback. 347 pages. Fine copy The only complete annotated collection of Lautreamont’s writings available in English, in Alexis Lykiard’s superior translation. For this latest edition, Lykiard updates his introduction…
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100,00 kr.‘Les enfants terribles’ translated by Rosamond Lehmann. Illustrated by Author. Penguin Modern Classooc Paperback 1964. 152 pp. Near fine, clean copy
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350,00 kr.10 books on running a commercial art gallery, among these: It’s mine – A Tribute to Art Collectors, Seven Days in the Art World (hardcover). SOTHEBY’s The Inside Story, “What Makes a Great Exhibition?”
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199,00 kr.The New Complete translation of The Second Sex. Vintage paperback, 2019. XXV, 822 pp. New.
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100,00 kr.London: Four Square Paperback, 1960. 416 pages. Somewheat worn, very charming vintage edition
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100,00 kr.Forlaget Rhodos, 1975. 211 pp. Hft. Omslag med brugsspor. Indvendig ren Eet af Brøgger’s hovedværker og et hovedværk i dansk litteratur i det hele taget Med omslag af Michael Malling
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100,00 kr.New York, Signet Books, 1956. 128 pages. Paperback. Neat name to innercover else clean. Some wear to exterior First Printing, July, 1956
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70,00 kr.London: Four Square Paperback, 1959. 143 pp. Illustrated edition. Somewhat worn
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300,00 kr.HARING, Keith. – BURROUGHS, William S. – Leary,Timothy. – Barry Blinderman et al (ed.):. Keith Haring: FUTURE PRIMEVAL. Illinois, University Galleries Gallery, 1990. 4° in softcover. 125 pages, richly illustrated, partly in colors. Fine clean copy First edition,3rd printing, softcover version
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100,00 kr.Richard Hamilton. The Tate Gallery 12 March – 19 April 1970 London: Tate Gallery, 1970. Square 8vo hardcover, no dustjacket. 99 pages. Illustrated b/w. Name to free front endpaper, else clean and very good copy 1. edition
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50,00 kr.Penguin New Art Series #2. London, 1971. 8vo in wraps as issued. 64 pages, illustrated. Fine copy
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160,00 kr.London: Waddington Galleries, 1981. 8vo in original printed wraps as issued. Around 60 pages, illustrated. Text in English. Stamp from Danish gallery Asbaek to titlepage, else fine and clean copy First edition, first printing. Booklet designed by Janet Jones
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80,00 kr.MR. PALOMAR. Translated from the Italian by William Weaver. Canada: Lester & Orpen, 1985. 130 pages. Softcover. Some wear to edges else very good and clean copy First Canadian edition
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100,00 kr.MARCOVALDO. Translated from the Italian by William Weaver. Canada: Lester & Orpen, (1983). 121 pages. Softcover. A very good and clean copy First Canadian edition
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80,00 kr.New York: Harcourt Brace – A Helen Kurt Wolff Book, 1985. Paperback. 290 pages. Some edgewear anmd a bit dog-eared to front, but clean copy
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160,00 kr.New York: Harcourt Brace – A Helen Kurt Wolff Book, 1988. 8vo in publishers hardcover with unclipped jacket. 86 pp. Fine clean copy First US edition
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200,00 kr.SIX MEMOS for the NEXT MILLENNIUM. Cambridge MA: Harvard University, 1988. Publishers hardcover, with fine unclipped jacket. (10) 124 pp. Fine clean well preserved copy First edition of Calvino’s Charles Eliot Norton Lectures at Harvard
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100,00 kr.Pynchon, Thomas:. V. Bantam Paperback, 1968. 463 pages. Name at front else clean with only wear to exterior. Lovely contemporary US edition V. was the debut novel of Thomas Pynchon, published in 1963. It describes the exploits of a discharged U.S. Navy sailor named Benny Profane, his reconnection in New…
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200,00 kr.Den reddede tunge / Faklen i øret / Øjenspillet (Komplet) Gyldendal & Samlerens Bogklub, 1986 til 1988. 3 originale hæftede omslag. 314, 328, 291 pp. Godt sæt Canettis erindringer er et af det 20. århundredes vigtigste erindringsværker
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100,00 kr.Stemmerne fra Marrakesh. Notater efter en rejse. Forlaget Politisk Revy / Rævens Sorte Bibliotek, 2007. 110 pp. Hft. Som ny nærmest
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New York: E.P. Dutton, 1976. Publishers hardcover with slightly worn but protected and unclipped jacket. 143 pages. Clean and overall a very good copy First US edition, 1st printing
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400,00 kr.Berlin: Galerie Albrecht, 2021. 4to in blue clothed hardcover with pasted on photo to front. 80 pages, illustrated throughout. Light shelfwear else a clean beautiful copy First edition Steffen Diemer (b.1966) worked for the magazine Der Spiegel, for the FAZ or The Guardian as a foreign reporter. Through his work…
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Urformen der Kunst. Photographische Pflanzenbilder. First edition. Third printing Berlin: Ernst Wasmuth Verlag, 1941 (1935 / 1928). 4to in original hardcover, with a worn original dustjacket. XVI, 96 pp. Illustrated throughout. Dustjacket very worn but is now protected in acid-free mylar. Cloth of binding with some discoloring, but else the…
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69,00 kr.“The Medium is the Massage. An Inventory of Effects”. Penguin Paperback, 2020. 12mo. Unpaginated. Illustrated in b/w throughout. A classic in modern graphic design. New copy
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445,00 kr.GOD’S OWN JUNKYARD. THE PLANNED DETERIORATION OF AMERICA’S LANDSCAPE. New York: Holt, Rinehart & Winston, 1964. Small 4to in wraps as issued (27×21 cm). 144 pages with 157 photos. Some edgewear but clean, and overall a very good clean copy First edition Blake (1920-2006) was born in 1920 into a…
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160,00 kr.Dick Hebdige. – Alison and Peter Smithson. – Richard Hamilton. – Leo Castelli. – Claes Oldenburg etc. – Wallis, Brian (ed.): . Modern Dreams : The Rise and Fall of Pop. MIT Press Cambridge, MA, 1988. Square 8vo in softcover as issued 19.5 x 19.5 cm. 191 pages, illustrated. Very…
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950,00 kr.Warhol, Andy et al. – Melin, John. – Pontus Hulten, K. – Carlo Derkert / (ed.): . Amerikansk pop-konst. 106 former av kärlek och förtvivlan / American Pop Art – 106 forms of love & despair 1964. Sweden: Moderna Museet, Stockholm 1964. Square small 8vo 21,5 x 21,5 cm in…
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2.000,00 kr.Edited by Alice Koegel and Nicholas Laughlin: PETER DOIG: Studiofilmclub – SIGNED COPY Cologne: Museum Ludwig, Koln / Walther Koenig, 2005. Large 4to in original colour printed stiff card covers as issued, 142pp on thick art paper, colour plates, etc. With dual text in English and German. Light wear to…
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400,00 kr.With text by Richard Shiff and Judith Nesbitt: PETER DOIG Frankfurt: Dumont for Schirn-Kunsthalle Frankfurt, 2008. 4to in heavy hardcover, no jacket as issued. 175 pages, richly color illustrated. Text in German. A hint of wear to cover edges (see photos), else a clean, very well preserved copy. First edition…
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300,00 kr.“Inside the White Cube. The Ideology of the Gallery Space”. Expanded edition University of California Press, 1999. Square 8vo in white wraps, as issued. 113 pages, with illustrations. Fine clean copy
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245,00 kr.The Galerie Konrad Fischer is a German contemporary art gallery. It was founded in 1967 by Dorothee and Konrad Fischer in Düsseldorf, in a disused alley in the center of the city. The gallery’s first exhibition presented the work of Carl Andre to European audiences. The gallery has focussed on minimal art, conceptual art and arte povera since its founding. The gallery has exhibited contemporary artists including Bernd and Hilla Becher, Wolfgang Laib, Sol LeWitt, Bruce Nauman, Thomas Schütte, Robert Smithson a.o.. Artists who had their first solo exhibitions with him included Richard Long, Hanne Darboven, Lawrence Weiner and On Kawara
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550,00 kr.SIEGELAUB, SETH et al. – Bonaspetti, Edoaredo & Jens Hoffmann (ed.): . Mousse # 46 – Special Issue: Artists’ Words. Milan: Mousse Mag, 2014 / 2015. Large, in original magazine wraps. 256 pages, with text in both English / Italian. Light wear to exterior, mainly spine ends, else very good…
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499,00 kr.Edited by Walter Robinson and Joshua Cohn, Art-Rite was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. Art-Rite moved easily through the expansive community it mapped out, paying homage to an emergent generation of artists, including many who were—or would soon become—the defining voices of the era. Through hundreds of interviews, reviews, statements, and projects for the page—as well as artist-focused and thematic issues on video, painting, performance, and artists’ books—Art-Rite’s sharp editorial vision and commitment to spotlighting the work of artists stands as a meaningful and lasting contribution to the art history of New York City and beyond
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2.000,00 kr.The legendary artists’ book originally published by Seth Siegelaub with large sections created by Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol Lewitt, Robert Morris and Lawrence Weiner
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445,00 kr.The catalogue as exhibition / The exhibition as catalogue
“Major source on this key figure widely known as ‘The Godfather of Conceputal Art’ : “The books chapters explore the various facets of and connections in Siegelaubs work, from his groundbreaking projects with Conceptual artists and his research and publications on mass media and communications theories to hisArtists books interest in handwoven textiles and non-Western fabrics. It also highlights his collecting activity, which culminates in a unique ensemble of books on the social history of textiles and a textile collection comprising over 750 items from around the world”
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700,00 kr.Sherman, Cindy. – Mendietta, Ana. – Weil, Susan. – Wilke, Hannah. – Spero, Nancy. – Lippard, Lucy R. – Apgar, Evelyn (cur.):. Views By Women Artists New York City February, 1982 – Sixteen Independently Curated Theme Shows Sponsored by the New York Chapter of the Women’s Caucus for Art New…
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400,00 kr.– “an invaluable record of the thinking of the artists—a historical survey and essential reference book for the period”. “Lucy R. Lippard’s famous book, itself resembling an exhibition: In 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard. “Six Years”, sometimes referred to as a conceptual art object itself, not only described and embodied the new type of art-making that Lippard was intent on identifying and cataloging, it also exemplified a new way of criticizing and curating art.”
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1.200,00 kr.In 1966, Bochner curated an exhibition of working drawings collected from artist friends and colleagues. This landmark show of conceptual collaboration included work by Donald Judd, Robert Smithson, Eva Hesse, Sol LeWitt, Robert Mangold, Dan Graham, John Cage, and others. Also included were contributions from composers, mathematicians, choreographers, and engineers. The work was Xeroxed and then bound into four identical volumes that were then mounted on pedestals in the center of the gallery. This is a 1997 recreation of that event
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600,00 kr.Fine, handsome introduction to the works and philosophies of Mel Bochner via interviews between him and, in order, John Coplans, Frederic Valabreque, Joan Simon and James Meyer. Mel Bochner (born 1940) is an American conceptual artist. “As Richard Kalina wrote in Art in America in 1996, Bochner was one of the earliest proponents, along with Joseph Kosuth and Bruce Nauman, of photo-documentation work in which the artist “created not so much a sculpture as a two-dimensional work about sculpture.” His 1966 show at the School of Visual Arts, “Working Drawings And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art”, is regarded as a seminal show in the conceptual art movement. Bochner photocopied his friends’ working drawings, including a $3,051.16 fabricator’s bill from Donald Judd. He collected the copies in four black binders and displayed them on four pedestals. Bochner began making paintings in the late 1970s, and his paintings range from extremely colorful works containing words to works more clearly connected to the conceptual art he pioneered
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345,00 kr.DAGRAM or DAWID : DIAGRAM) Sweden: Malmö Konsthall, 1989. Folio oversize in original creamy white stiff wrappers (36×30 cm). with (25) loose pages as issued. Minor wear to cover and edges, overall a very good copy First edition Book designed by Johan Vipper. ‘Documentary pictures – do they really exist?!’…
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175,00 kr.Imhasly, Anisha (intro): . The Most Beautiful Swiss Books 2011 / Die schönsten Schweizer Bücher / Les plus beaux livres suisses. Federal Office Of Culture Bern, 2012. Tall 4to in wraps as issued. 80 pages, complete with insert
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300,00 kr.Imhasly, Anisha (intro): . The Most Beautiful Swiss Books 2014 / Die schönsten Schweizer Bücher / Les plus beaux livres suisses. Federal Office Of Culture Bern, 2015. Tall 4to in wraps as issued. 17, 173, 17 pages, complete with insert. Light edgewear else clean and fine copy
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149,00 kr.Hacienda Books Zürich, 2014. 4to in wraps as issued. [72] pages, illustrated throughout. Fine clean copy First edition The first publication by the Zurich art space Hacienda, which is run by three young curators, is characterized by an unusually close collaboration between the artist and designer. The works presented in…
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300,00 kr.Imhasly, Anisha et al (ed.): The Most Beautiful Swiss Books 2012 / Die schönsten Schweizer Bücher / Les plus beaux livres suisses. Federal Office Of Culture Bern, 2013. Tall 4to in wraps as issued. 64 pages, complete. Fine unopened copy
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400,00 kr.NEGAR AZIMI & Lisa Farjam, babak radboy et al:. BIDOUN ISSUE 22 Fall 2010 : LIBRARY. New York, 2010. 4to in original magazine wraps. Around 180 pages. Some minor wavyness to pages and light wear to cover, mainly lower spine but solid and clean and complete BIDOUN: Arts and Culture…
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140,00 kr.“The landscape is changing; now institutional exhibitions are being outshined by smaller, independent productions. Young curators are being favored over the out of touch establishment and spontaneous art happenings preferred more than stuffy, formal functions. The Cairo Biennale, for example, was awash in the tired ideologies of identity and the “Role of the Arab” in today’s world — a theme that has been so overused that it has been pushed to the brink of irrelevance. Is this because Middle Easterners are tired of talking about who they are? No, it is because we are tired of other people telling us who we are. Instead of constantly being taken out of context by others, people are taking matters in to their own hands. From popular reality television shows like Arabic Big Brother to homegrown independent movies shot on DV, there is a whole movement of self-documentation. In this, our first issue, we try to bring together some of the people who are bringing these projects to the public. We Are Spatial because we are bringing the private into public space; because we are redefining the boundaries between inside and outside. We Are Spatial because we are transforming the spaces in which we work and live. We Are Spatial because, although we are spread all across the world, we try, in some small way, to come together here. Without judgment”
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400,00 kr.“The landscape is changing; now institutional exhibitions are being outshined by smaller, independent productions. Young curators are being favored over the out of touch establishment and spontaneous art happenings preferred more than stuffy, formal functions. The Cairo Biennale, for example, was awash in the tired ideologies of identity and the “Role of the Arab” in today’s world — a theme that has been so overused that it has been pushed to the brink of irrelevance. Is this because Middle Easterners are tired of talking about who they are? No, it is because we are tired of other people telling us who we are. Instead of constantly being taken out of context by others, people are taking matters in to their own hands. From popular reality television shows like Arabic Big Brother to homegrown independent movies shot on DV, there is a whole movement of self-documentation. In this, our first issue, we try to bring together some of the people who are bringing these projects to the public. We Are Spatial because we are bringing the private into public space; because we are redefining the boundaries between inside and outside. We Are Spatial because we are transforming the spaces in which we work and live. We Are Spatial because, although we are spread all across the world, we try, in some small way, to come together here. Without judgment”
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Arbid, George (cur.): . Architecture from the Arab World : 1914-2014 (a selection) ; [Fundamentalists and Other Arab Modernisms, Kingdom of Bahrain National Participation ; 14th International Architecture Exhibition ; La Biennale di Venezia 2014]. Ministry of Culture, Kingdom of Bahrain : Manama & Arab Center for Architecture, Beirut. 2014.…
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300,00 kr.“Merz to Emigre and Beyond: Avant-Garde Magazine Design of the Twentieth Century”. London: Phaidon, 2003. Large 4° in softcover with dustjacket. 240 pages, richly illustrated. Fine clean copy A historical survey of avant-garde cultural and political magazines and newspapers from the early 20th century to the present. It features a…
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445,00 kr.The functional graphic design, initiated by the “New Typography” movement in the 1920s, broke with tradition and established a new advertising design based on artistic criteria. It aimed to achieve a modern look with standardized typefaces, industrial DIN norms, and adherence to such ideals as legibility, lucidity, and straightforwardness, in line with the key principles of constructivist art. For the first time, this comprehensive publication showcases Moholy-Nagy’s wall charts which have recently been rediscovered in Berlin’s Kunstbibliothek. Renowned authors provide insights into this treasure trove by each contributing to this alphabetized compilation starting with “A” for “Asymmetry” and ending with “Z” for “Zukunftsvision”
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445,00 kr.Triest Verlag, 2018. 4to. German/English, 120 pages, ca. 200 images, 21 × 25 cm, brochure with open spine and jacket. Text in English. Only minor shelfwear, clean fine, unread copy 1st edition The book designed by Tissi, winner of Grand Prix Design Award 2018 and First solo monograph about Rosmarie…
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400,00 kr.NEGAR AZIMI & Lisa Farjam. – babak radboy. – (?): BIDOUN LIBRARY – FURTHER READING. Bidoun Projects, 2011. 8vo in original blue hardcover, gilt titles, no jacket as issued. 104 pages, chiefly illustrations black and white. Text in English. Fine clean copy First edition Further Reading a glossary of sort,…
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200,00 kr.Omar Sosa, Marco Velardi, Nacho Alegre (ed.):. The World of Apartamento: Ten Years of Everyday Life Interiors. Abrams Inc., 2018. Large, tall, and heavy hardcover. 306 pages, illustrated. Well preserved and clean, near fine copy “The World of Apartamento: Ten Years of Everyday Life Interiors brings together some of the…
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A Visual Inventory (hardcover) Phaidon, 2012. 4to hardcover, complete with original dustjacket – 26,5×20,5 cm. 283, (21) pages, mainly photographs. Lower corners of binding and cover lightly dented else a clean and well preserved copy 1st edition
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70,00 kr.ANTON Forening for Boghaandværk, 1989. 12mo. 43 pp. Illustreret. Heftet. (Design Biblioteket, nr 1.)
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200,00 kr.Arkitektens Forlag, 2002. Stort format. Hardcover, med smudsomslag. 242 sider. Rigt illustreret. Omslag med lidt brugsspor, ellers ren og pæn Manden bag mange fine klassiske logo’er og kendt grafisk design, fx. Hellesen’s batterier
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950,00 kr.MEET THE DANES. Photos Jesper Hom. Text Henning Nystad. Copenhagen: Rhodos, International Science Publishers, 1965. 4to. Original wrappers. (128) pp. Illustrated throughout with very fine b/w photos First edition. High contrast black and white photographs. Jesper Höm (1931-2000 – father to photographer Marc Hom) author of “Say Cheese and Cry”
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Christiansen, Ole & Finn Larsen: DANSKE TRUCKERE (‘Danish Truck Drivers’) Chaffeur Nyt, 1981. 4to. Softcover as issued. (79) pp. Illustrated throughout with photos. Short texts in Danish. Light edgewear to cover else a clean and fine copy First edition, scarce 1st printing in well preserved condition – Inscribed and dated…
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Danmark på hjul. En fotobog om Scania lastbiler og busser i hverdagen (“Denmark on Wheels. A photobook about Scania trucks and buses in everyday life”). INSCRIBED by MORTEN BO to Danish photographer Stig Stasig Denmark, 1987. Oblong small 4to in publishers hardcover with fine dustjacket. Around 60 pages, illustrated in…
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700,00 kr.Kalkværket (Kalkvaerket – The Lime Factory). Denmark: AS N.Olaf Møller, 1978. 4to. Original printed wraps as issued. (28) pp. Illustrated throughout with high contrast black and white photos. Only minior edgewear to cover, else fine copy First and only edition, 1st printing
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500,00 kr.Borgen, 1971. Stort format. Hardcover. Upagineret. Gennemillustreret i farver. Ren og velholdt Sjælden første danske udgave, 1. oplag / Rare First Danish edition
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160,00 kr.OLSEN, IB SPANG: . REGNEN. Illustreret af forfatteren. Gyldendal, 1963 Tværformat. Hardcover. Upagineret. Ryg og hjørner lidt slidt men solid og indvendig ren 2. oplag
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400,00 kr.A definitive chronology of Fluxus performances and events that occurred between 1959 through 1970. Profusely illustrated with black-and-white reproductions of posters, advertisements, photographs, ephemera and more. Includes contributions by Tadeusz Kantor, Ben Vautier, Ay-o, Nam June Paik, Ken Friedman, Al Hansen, Bici Hendricks, Robert Filliou, George Brecht, Bazon Brock, Tomas Schmit, Red Grooms, Carolee Schneemann, Philip Corner, Joe Jones, Tetsumi Kudo, Claes Oldenburg, Hermann Nitsch, Arthur Koepcke, Otto Muehl, Günter Brus, Geoff Hendricks, Robert Watts, J.J. Lebel, Milan Knizák, Eric Andersen, Robert Whitman, Emmett Williams, and Wolf Vostell. Includes a bibliography and a pre-chronology with parallels between the chronologies of the artists in the exhibition
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245,00 kr.Edition Bløndal, 1991. 102 pp. Hft. Solbleget ryg ellers ren og pæn Smuk lille bog, tilrettelagt af Michael Jensen for Bløndal. 1. oplag
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245,00 kr.Kvalme – dansk udgave af ‘La Nausée’ Gyldendals Bekkasinbøger, 1967. 209 pp. Hft. Navn streget ud på titelblad ellers ren og ganske pæn
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399,00 kr.Pragtudgave, indbundet, i stort format (27 x 24 cm), 672 sider med 140 helsides blæktegninger af Niels Krag. Oplaget er begrænset og hvert eksemplar er nummereret og signeret af tegneren (dette er nummer 984)
Oversættelsen er Wiberg og Feilbergs, sat op i de samme spalter og med samme 3.000 fodnoter som i udgaven fra 2019, som for længst er udsolgt. Her får man sangteksterne, avissladderen og den katolske liturgi serveret lige ved hånden.Bent Wibergs og Jens Feilbergs nye oversættelse af Ulysses er resultat af mange års arbejde med at skabe en præcis gengivelse på dansk
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950,00 kr.Ann Goldstein et al: Martin Kippenberger: The Problem Perspective Cambridge, Massachusetts: The MIT Press, 2008. Thick heavy hardcover with red metallic lettering and original dustjacket. 370 pages, richly illustrated, mainly color illustrations. Text in English. Issued in conjunction with a 2008-2009 exhibition of artwork by German artist Martin Kippenberger (1953-1997).…
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CHARADE / ROCHADE 2012. Berlin: Distanz Publishers for Paris Bar / Haubrokshows, 2012 / 2013. 4to in wraps as issued. 152 pages, chiefly color illustrations. Short text in German. Only minor shelfwear to cover, a fine clean copy First edition “For the past year, Berlin has witnessed a memorable shell…
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200,00 kr.Susanne Kippenberger: Martin Kippenberger : The Artist and His Families. J & L Books Paperback, 2013 (2011). 592 pages. Worn, with dog-eaered pages, skewed binding, first part with damp wavyness. A just about acceptable reading copy Second printing thus “Over the course of his 20-year career, Martin Kippenberger (1953-1997) cast…
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700,00 kr.Milano: Mousse Publishing for Museion, Bozen / Bolzano, 2010. Small 4to in wraps with the original see through jacket and a folded poster inside at end. 90 pages. Illustrated. Text by Letizia Ragaglia in both German, Italian and English, as well as inserted artists contributions in English by Monica Bonvicini,…
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245,00 kr.Isa Genzken – URLAUB / HOLIDAY. New York: Lukas & Sternberg, 2000. Tiny small 12vo in wraps as issued. 135 pp. Illustrated. Text in both German and English. Fine clean copy 1st edition
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120,00 kr.Der Prozess. Roman. Frankfurt am Main: S. Fischer, 2007 (1935). Hardcover, ohne Umschlag. 312 Seiten. Gut erhalten “Dieser Sonderausgabe liegt die Kritische Ausgabe der Werke von Franz Kafka zugrunde. Sie wurde anhand der Originalmanuskripte erarbeitet und bietet die authentischen, oft fragmentarischen Texte unter Beibehaltung von Orthographie und Zeichensetzung. Der Einband…
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300,00 kr.Manden uden egenskaber 1-4 (Komplet sæt). Gyldendal 1994 til 1998. 4 hæftede omslag. Lidt slid på omslag men ellers et pænt og rent sæt. Første danske udgave, 1. oplag. Komplet sæt af den nye oversættelse ved Karsten Sand Iversen.
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Manden uden egenskaber 1-4 (KOMPLET, alle fire dele fordelt i to bind). Gyldendal, 2015. 1596 sider. Hft. Navn foran i første bind i øvrigt et pænt, ulæst sæt af Karsten Sand Iversen’s nyoversættelse Med forord af Jeppe Brixvold
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950,00 kr.Alexander Alberro. – Martha Gever. – Miwon Kwon & Carol Squier (ed.): Barbara Kruger. New York: Rizzoli International Publications, 2010. Large heavy hardcover with dustjacket. 307 pages, profusedly illustrated. Introduction by Hal Foster. Fine copy First edition
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300,00 kr.KRUGER, BARBARA. – Gorner, Veit. – Wagner, Hilke and Moll, Frank-Thorsten (text):. BARBARA KRUGER: DESIRE EXISTS WHERE PLEASURE IS ABSCENT. Kerber Verlag Bielefeld, 2006. 4to hardcover no jacket as issued. 104 pages, richly illustrated. Text in both German and English. Fine clean copy First edition “Since the 1980s, Barbara Kruger…
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200,00 kr.Taylor, Mark C. – Sharp, Amanda. – Higgs, Matthew (ed.): Contemporary Artists in Conversation (Press: PLAY). Phaidon, 2005. Thick heavy 8vo in original flexi boards w jacket. 714 pages, illustrated. Text in English. Near fine and clean copy with only minor wear to exterior First edition With: Vito Acconci —…
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500,00 kr.Acts, States, Times, Perspectives – SIGNED IN HAND BY ANTONY GORMLEY, dated 2008 Copenhagen: Edition Copenhagen / World House Editions, 2008. Large landscape 4to in black hardcover, no jacket as issued. 45pp on thick art paper, colour plates (two folding), etc. Text in English throughout. Fine copy First edition
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369,00 kr.Thomas Ruff is one of the most important contemporary German photographers living today. Studying under Bernd and Hilla Becher, Ruff experimented with large-format printing. This comprehensive book focuses on his photographic series from the past twenty years. These series are based on found photographs from a variety of sources. The source materials range from early nineteenth century photography to machinemade photographs of distant planets, from post-war press photos to propaganda images from the People’s Republic of China, and from Internet pornography to computer generated photograms. In each series, Ruff explores the historical and technical conditions of photography by examining these highly varied pictorial worlds. At the same time, he takes into consideration the afterlife of the images in archives, databases, and on the Internet, thus formulating highly complex perspectives on the photographic medium and the world that has already been photographed. With contributions from Martina Dobbe, Susanne Holschbach, Falk Wolf
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950,00 kr.Matthias Winzen: “Thomas Ruff. Fotografien 1979 – Heute” Cologne: Buchhandlung Walter König, 2001. Folio hardcover with jacket. 267 pages, illustrated throughout. Text in German. First (blank) page with a closed tear and some tears in jacket but now protected and else a very good copy First edition Complete compilation of…
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175,00 kr.Edited by Boris v. Brauchitsch: Thomas Ruff. Frankfurt am Main: Museum für Moderne Kunst, 1992. Small slim 8vo in yellow wraps as issued. 56 pages, illustrated in color with text vin both German and English First edition
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175,00 kr.Schellmann, Jörg & Thomas Weski: “Thomas Ruff: Editions 1988-2014” (Catalogue Raisonne – English Version). Hatje Cantz., 2014. Fine 4to hardcover with fine jacket. 180 pages with 211 illustrations. Text in English. Fine clean copy 1st edition. The works are organized chronologically, not according to the year the image was created…
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120,00 kr.Edited by René Denizot: On Kawara Published by Frankfurt am Main: Museum für Moderne Kunst, 1991. 8vo in wraps as issued. 122 pages. Richly illustrated, partly in color. Text in both German and French. Scarred cover from a priced removed from front (see photo) else clean and overall a good…
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300,00 kr.Cooke, Lynn & Beat Wismer et al: Bridget Riley. Bilder und Zeichnungen / Paintings and Drawings 1959 – 2005. Aargauer Kunsthaus & British Council, Aarau, 2005. Large oversized folio hardcover, no jacket as issued. 228 pages, richly illustrated with text in both German and English (at end). Minor wear to…
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200,00 kr.Bridget Riley: Complete Prints 1962-2005. Second Revised Edition. London: Ridinghouse 2005 – Softcover, 110 pages; . 8vo. Stiff wraps. 110 pp. Text in English. Illustrated. Some edgewear to cover else fine, clean copy Second revised and enlarged edition.
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345,00 kr.Christian Spies & Neville Rowley: Giorgio Morandi Cologne: Galerie Karsten Greve, 2017. Oblong large 4to in hardcover, no jacket as issued. 130 pages, richly color illustrated. Text in both German, French and Italian. Fine clean copy First edition
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200,00 kr.Seventeen Magazine, March 1954: Spring Song. Seventeen Magazine, 1954. Large magazine format in original wrappers. 192 pages. Complete magazine. Some edgewear, overall well preserved A rare original vintage Seventeen Magazin
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245,00 kr.Vogel, Lucien et al (ed.): LE JARDIN DES MODES, N°315, MARS 1948, Des Chapeaux, Des Tissues, Des Robes Paris, March 1948. Original magazine wraps. 56 pages, illustrated richly in bw and color. Text in French. Near fine, very good copy Original vintage magazine, complete. – Bon exemplaire du 315ème numéro…
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New York: Aperture / A New Images Book, 1986. Large oblong hardcover with fine protected dustjacket. 59 pages with 50 full-page b&w photos. An excellent, clean fine copy First edition
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99,00 kr.Rachel Carson’s Silent Spring alerted a large audience to the environmental and human dangers of indiscriminate use of pesticides, spurring revolutionary changes in the laws affecting our air, land, and water. Recognized as one of the most influential books of the twentieth century, Silent Spring exposed the destruction of wildlife through the widespread use of pesticides. Rachel Carson succeeded in creating a new public awareness of the environment which led to changes in government and inspired the ecological movement
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300,00 kr.URBAN SPACE (STADTRAUM). With a Foreword by Colin Rowe. Academy Editions London, 1984 (1979). 4to in wraps 22 x 24 cm., 174pp, fully illus. with photos, plans, diagrams. Text in English. Minor edgewear but clean
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199,00 kr.“Delirious New York. A Retroactive Manifesto for Manhattan”. A New Edition. New York: Monacelli Press / Rotterdam, 010 Publishers, (1994 / 1978). 8vo. Original wrappers. 318 pp. Illustrated. Fine clean copy with only minor edgewear First edition of the new version 1994 “Since its original publication in 1978, Delirious New…
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New York: Rizzoli 1984 (1980 / 1979). Small squarish 4to in wraps as issued. 213 pages, richly illustrated. Fine, clean and tight copy First edition, later (1984) printing
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300,00 kr.Et sted å være. Essays og artikler. Utvalg og forord ved Gordon Hølmebakk Gyldendal Norsk Forlag, Oslo, 1986. Stor 8vo. Originalt helsjirtingbind med vareomslag (hardcover). 327 s. Illustrert i svart/hvitt. Navn og lidt brukstegn på omslag, ellers i god stand
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300,00 kr.The MIT Press, 1974 (1968). Small sqarish 4to in wraps as issued. 242 pages and 102 plates. Text in English. Name(neat) of previous owner to free front endpaper else clean and well preserved. Very good copy / near fine First edition, Third printing
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200,00 kr.BAUHAUS DESSAU. – Engelmann, Christine. – Schädlich, Christian:. Die Bauhausbauten in Dessau. Berlin: Verlag für Bauwesen, 1991. 4to hardcover. 119 pages, richly illustrated, partly in color. Fine clean copy
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200,00 kr.Edited by Manfred Speidel: Bruno Taut. Retrospektive. Natur und Fantasie 1880-1938 Berlin: Ernst & Sohn, 1995. Lex8° in publishers hardcover with jacket. 344 pages, richly illustrated. Text in German. Jacket worn else a very good clean copy First edition “Bruno Taut Retrospective. Nature and Fantasy” 1994 in Tokyo und Kyoto…
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300,00 kr.Harry Francis Mallgrave: Gottfried Semper. Architect of the Nineteenth Century New Haven & London: Yale University Press, 1996. Small 4to in hardcover w jacket. 443 pages. Illustrated in b/w and colours. Fine clean and well preserved copy 1st edition.
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400,00 kr.hristian Frederik Hansen 1756-1845 LUND, HAKON & ANNE LISE THYGESEN: . C. F. Hansen 1 & 2. Arkitektens Forlag, 1995. Stort format. Indbundet. 707 sider. Rigt illustreret. I den originale kassette. Fint rent sæt af den originale danske udgave Første udgave
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500,00 kr.Böhm (Boehm), Gottfried. – Bienefeld, Heinz & Karljosef Schattner. – Weisner, Ulrich:. Neue Architektur im Detail. 2. durchges. Aufl. Bielefeld: Kerber Verlag, 1991. Tall 4to in wraps as issued. 137 pages, illustrated. Text in German. Near fine copy Second revised edition. Scarce
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200,00 kr.Archer, B. J. (ed.): Houses for Sale: Architects: Emilio Ambasz, Peter Eisenman, Vittorio Gregotti, Arata Isozaki, Charles Moore, Cesar Pelli, Cedric Price, Oswald Mathias Ungers Published by Rizzoli for Leo Castelli, 1981. 4to large softcover. XXVII, 115 pages, illustrated. Fine copy. 2nd revised edition.
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300,00 kr.RARE FIRST SIGNET PAPERBACK EDITION – T3800. Signet Paperback, 1969 (1968). 159 pp. Light edgewear to cover else a very good and clean copy First edition thus
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Gyldendal, 2023. Hardcover. 350 sider. Nyt eksemplar New Danish edition of ‘The Left Hand of Darkness’
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700,00 kr.Justin Morin: KLEIN CALVIN. Bunk Editions, 2012. 4to in wraps as issued. Unpaginated, illustrated throughout. Covers shelfworn anmd with many surface marks. Inside clean and overall a good to very good copy First edition – one of only 150 copies “For KLEIN CALVIN (2012) Justin Morin compiled Calvin Klein advertising…
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400,00 kr.YVES KLEIN. – Ottmann, Klaus:. Yves Klein By Himself: His Life and Thought. Editions Dilecta Paris, 2010. First edition, full orange padded cloth with gilt titles to cover and spine, no dust jacket as issued. All edges gilt, gold ribbon bookmark bound in. All text in English. A fine clean…
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Brougher, Kerry. – Vergne, Philippe; Ottmann, Klaus. Cabañas, Kaira. – Hickey, Andria:. Yves Klein: With the Void, Full Powers. Hirshhorn Museum and Sculpture Garden Walker Art Center, 2010. 4to in blue hardcover, with all blue edges, no obi-band. 352 pp. Richly color illustrated. Text in English. First part of book…
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500,00 kr.YVES KLEIN. – Bois, Yve-Alain. – Morineau, Camille et al:. Yves Klein : corps, couleur, immatériel. Centre Pompidou, 2006. Heavy “gold” hardcover with blue title. 319 pages, richly illustrated. Text in French. Near fine / fine clean copy First edition
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199,00 kr.Director Francois Levy-Kuentz’s film uses previously unreleased archival material, such as Klein’s personal films, to capture the artist’s astonishing career, from its beginning in 1954 to his death in 1962. In those eight short years, Klein turned the modern art world upside down. Besides inventing IKB, he was at the forefront of monochrome paintings, was early to photo manipulation (his most famous, Le Saut dans le Vide, has him flying from a wall, diving)
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175,00 kr.Morrison, Jim. – Crumb, Robert. – Kostelanetz, Richard et al. – Goldstein, Richard. (editor) US: A Paperback Magazine # 1 Bantam Books, 1969. Apaperback original. 190 pages, richly illustrated. Well preserved and clean copy 1st edition
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700,00 kr.“An Anthology of Concrete Poetry” was the first American anthology on the international movement of Concrete poetry. The movement itself began in the early 1950s, in Germany–through Eugen Gomringer, who borrowed the term “concrete” from the art of his mentor, Max Bill–and in Brazil, through the Noigandres group, which included the de Campos brothers and Decio Pignatari. Over the course of the 1960s it exploded across Europe, America and Japan, as other protagonists of the movement emerged, such as Dieter Roth, Öyvind Fahlström, Ernst Jandl, bpNichol, Mary Ellen Solt, Jackson Mac Low, Ian Hamilton Finlay, Bob Cobbing, Dom Sylvester Houédard, Pierre Garnier, Henri Chopin, Brion Gysin and Kitasono Katue. By the late 1960s, poet Jonathan Williams could proclaim: “If there is such a thing as a worldwide movement in the art of poetry, Concrete is it.” The work of the 77 writers collected in this anthology varies greatly in its aims and forms, but all can be said to emphasize the visual dimension of language, manipulating individual letters and minimal semantic units to produce poems that are for contemplating as much as for reading. Emmett Williams, the book’s editor, added explanatory commentary for the poems and biographies of their authors, making this volume the definitive anthology of this movement, which has so influenced artists and writers of subsequent generations”
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345,00 kr.A Guide for the Perplexed: Conversations with Paul Cronin. New York: Farrar, Strauss, and Giroux, 2014. Hardcover, with jacket. XLI, 542 pp. Light wear to jacket, else a fine and clean copy Most of what we’ve heard about Werner Herzog is untrue. The sheer number of false rumors and downright…
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400,00 kr.Kinski Uncut: The Autobiography of Klaus Kinski Bloomsbury Publishing Paperback, 1997 (1996). (2), 325 pages. Very good and clean solid copy Second paperback printing
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100,00 kr.Finn Terman Frederiksen: Manzoni, Piero:. Merda d’artista. Omkring et kunstværk af Piero Manzoni. Randers Kunstmmuseums Forlag, 1999. 78 sider. Heftet. Med illustrationer SIGNERET af forfatteren
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100,00 kr.RAY, MAN. – Marianne Nanne-Bråhammar (ed.): Man Ray: Fotografier, Rayogram, Teckningar, Objekt, Grafik Lund Sweden: Lunds Konsthall, 1986. Tall slim 4to in publishers thick hardcover, no jacket as issued 29,5×18,5 cm. 59, (1) pp. Illustrated bw. Exhibition catalogue with texts in Swedish by Marianne Nanne-Bråhammar, Oscar Reutersvärd, Lasse Söderberg and…
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100,00 kr.Bebop Forlag, 2005. 88 sider. Hft. Pænt eksemplar 1. oplag. På dansk ved Manni Crone og Asger Schnack. Omslag: Per Kirkeby
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200,00 kr.New York: Simon & Schuster, 2000. Small square hardcover with jacket. Unpaginated. Fine, clean copy
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175,00 kr.Gyldendal, 2017. Hardcover. Upagineret. Nærmest som ny 1. oplag L’usage du mot (Brugen af ord) er en digtsamling, på mestendels engelsk, fransk og tysk
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ABOUT SENDING AND RECEIVING LETTERS
Since I was very young, until my early thirties, I had serious problems in opening and reading any letters I received.
Letters would stay on my table for weeks before I found the courage to open them, and during this time my sense of guilt would grow and grow.Most of the time, when I finally opened the letters, it was too late to answer them and my sense of guilt was worse than ever.
I kept every single letter, from the first notes received from my mother, in I965, up to the time I left Belgrade for ever in I979.I decided to chronologically write down the first sentence from all of these letters, without noting the name of the senders.
When finished, I was astonished to see how it was possible to trace all my life just by reading the text created by all these first lines.Later I heard that Marcel Duchamp, on receiving a letter, opened, answered, and immediately burnt the letter he’d received.
Jean Tinguely never opened or answered any letter, and every Christmas he made a ritual of burning unopened envelopes, which sometimes included important information, and even checks.
M. A. -
750,00 kr.First edition first impression of Teller’s first book designed and edited by Cornel Windlin
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199,00 kr.“I 1968 foreslog Erker-Galerie i St. Gallen i Schweiz filosoffen Martin Heidegger (1889-1976) at udføre et bogværk i samarbejde med billedhuggeren Eduardo Chillida (1924-2002). Heidegger indvilligede, og i foråret 1969 kunne Erker-Verlag udgive Die Kunst und der Raum. Til bogen skabte Chillida, udover omslaget, syv litografiske collager. Heideggers egenhændige håndskrevne tekst blev ligeledes trykt litografisk. Resultatet er en ualmindelig intens dialog mellem tekst og billede. Denne originaludgave er i dag uhyre sjælden og kostbar. Forlaget Wunderbuch har imidlertid fået rettighederne til at gengive dette klenodie. Kunsten og rummet indledes således med en faksimile af originalens litografiske værker af Chillida og Heideggers håndskrevne tekst. Oversættelsen af Heideggers tekst begynder med en dedikation han skrev til Chillida under deres arbejde. Herefter følger Heideggers tekst Kunsten og rummet. I den indledende dedikation skriver Heidegger: »De følgende overvejelser angår kunstens gåde, den gåde, som selve kunsten er. Fordringen på at have løst gåden ligger fjern. Opgaven består i at se gåden. Undertiden har vi stadig følelsen af, at der allerede længe er blevet gjort vold på det tingslige ved tingene og at tænkningen er på spil i denne voldsomhed, hvorfor man afsværger tænkningen, i stedet for at bestræbe sig på at gøre tænkningen mere tænkningen.”
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500,00 kr.“De følgende overvejelser angår kunstens gåde, den gåde, som selve kunsten er. Fordringen på at have løst gåden ligger fjern. Opgaven består i at se gåden. Undertiden har vi stadig følelsen af, at der allerede længe er blevet gjort vold på det tingslige ved tingene og at tænkningen er på spil i denne voldsomhed, hvorfor man afsværger tænkningen, i stedet for at bestræbe sig på at gøre tænkningen mere tænkningen”
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100,00 kr.Being and Time. Translated by J. Macquarrie and E. Robinson. Oxford: Basil Blackwell, 1996 (1967). Paperback. 589 pp. Clean copy
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199,00 kr.De Fabriek – Blecheintopf (Music for Modern Art Exhibitions, Volume II). New copy. This copy with Goodiepal insert Label: Futura Resistenza – RESLP013 Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered Tracklist Position Title/Credits Duration A1 Kleeblat Arranged By, Producer, Performer – Wolff P. Rillings Arranged By, Producer, Performer, Written…
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175,00 kr.Prince, Richard:. Richard Prince SAME MAN. Louisiana Museum of Modern Art, 2022. 12 inch poster printed on both sides, designed as an LP cover that can be unfolded to 121 x W: 83.5 cm. Text in both Danish and English. Design by K GRAFIK Michael Jensen. As new 1st edition
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Larry Clark: BERLIN 2012. Berlin C/O Berlin, 2012. Catalogue published in conjunction with the exhibition “Larry Clark” held at at C/O Berlin summer 2012. Takes the form of a doublevinyl album record sleeve (12 inch) with a thin catalogue tucked in the back and two large posters (47 x 23.5…
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245,00 kr.“During the 1960s and 1970s, Amsterdam was a nexus of intense art activities, drawing artists from all over the world including Stanley Brouwn, Gilbert & George, Sol LeWitt, Charlotte Posenenske, Allen Ruppersberg, and LawrenceWeiner. Reciprocally, some of the most influential Dutch artists traveled abroad extensively before establishing themselves in Amsterdam: Jan Dibbets studied in London, while Ger van Elk and Bas Jan Ader trained in Los Angeles. As a result of this new mobility, a dynamic cross-pollination of ideas and influences took place between artists of different nationalities, and many produced works directly related to the notion of travel and the city that fostered them. In & Out of Amsterdam presents more than 120 works including works on paper, installations, photographs and films by artists who were part of this remarkable creative culture. Essays, accompanied by lively illustrations and documentary photographs, illuminate the significance of these works as well as the unprecedented role that prints, bulletins, posters, mail art, artists books and ephemera played in the artists discourse”
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Lawrence Weiner – 7. Yvon Lambert Paris 1972. Near mint copy, looks unplayed Artist edition published by Yvon Lambert Gallery, Paris, 1972. In cover designed by the artist. On Side A Weiner reads texts accompanied by the flute of Pierre-Yves Artaud. The same text is read in French on Side…
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“Riffing on an installation by artist Alfredo Jaar, One Million Finnish Passports, in which a million blank passports were piled up to speak about illegal immigration and displacement, Weiner used the device of his friend and colleague, to turn one such passport into a booklet of musings and a metaphor of his own. Suomi Finland Passi Port Passport is the identity of the artist, his calling card, and his certificate of existence. Weiner’s work, his musings, his hopes, and desires, rolled into a plaintive song about waves, and water, love, and a floating sense of longing”
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200,00 kr.Shinkichi & Ferdi Tajiri (Ferdina Jansen): Shinkichi Tajiri: A BRIEF ACCOUNT OF EVENTS SINCE 1923 & FERDI 1927-1969 HORTISCULPTURE (complete set). Eindhoven, Van Abbe Museum, 1970. 2 x 8vo booklet / leporello (accordion book) 15×20,5cm in original plastic pocket. Fine copies First edition Ferdi – Ferdina Jansen – was born…
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750,00 kr.Shinkichi Tajiri was born as Shinkichi George Tajiri on 7 December 1923 in Los Angeles, died in Holland 2009. He was a versatile artist. Although he expressed himself in many disciplines, he made his contribution to Cobra as an experimental sculptor. In addition, he was a painter and also made photographs, films and computer drawings. With Tajiri, versatile also means internationally oriented: American because of his birthplace, Japanese because he was born to Japanese parents from an old aristocratic Samurai family, French because his artistic career started in Paris, and Dutch because he moved to the Netherlands in 1956.
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345,00 kr.– an alternative history of sculpture, featuring an international array of innovative artists, including such pioneers as Marcel Duchamp, whose works serve as a conceptual touchstone for the show. Artists in the show included Lynda Benglis, Lee Bontecou, Louise Bourgeois, Marcel Broodthaers, Alberto Burri, Marcel Duchamp, Lucio Fontana, Robert Gober, Felix Gonzalez-Torres, Eva Hesse, Jasper Johns, Yayoi Kusama, Piero Manzoni, Allan McCollum, Josiah McElheny, Bruce Nauman, Gabriel Orozco, Robert Rauschenberg, Cy Twombly, and Rachel Whiteread
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Mark Godfred, Eduardo Abaroa, Tom McDonough et al: Francis Alÿs: A Story of Deception London: TATE Publishing and The Museum of Modern Art, New York, 2010. 8vo in wraps as issued. 199 pages. Illustrated. Text in English. Fine clean copy First edition Monograph published on Belgian / Mexican artist Francis…
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140,00 kr.MIT press Semiotext(e) paperpack, 2001 (1980). 126 pp. Fine clean copy 1st edition thus
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140,00 kr.Beyond the Pleasure Principle. Edited and Translated by James Strachey (International Psycho-Analytical Library No 4). Hogarth Press, London, 1971 (1950). Publisher’s original red clothed hardcove, gilt titles to spine, including an unclipped dusjacket. xii, 68 pages. Well preserved and clean copy
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700,00 kr.London & New York: Thames and Hudson in association with Violette Editions, 2005. Small 8vo in original hardcover orange cloth with pink stamped title, no jacket as issued. 155 pp. Richly illustrated. Minimal wear to cover, overall a very good well preserved copy First English edition.
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345,00 kr.With contributions by Hans-Ulrich Obrist et al: SOPHIE CALLE: Reader. Whitechapel Gallery / Louisiana, 2009. Original white softcover with gilt title. 175 pp. Text in English. Fine, clean copy First edition “Interviews with the artist, critical commentaries by an international range of critics, curators, artists and art historians and an…
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2.000,00 kr.Paris: Actes Sud, 2007. Large heavy 4to in original pink silvery hardcover boards. 424 pp. Richly illustrated. English version. Fine copy First trade edition, this copy SIGNED IN HAND BY SOPHIE CALLE / INSCRIBED to half title: “Peter (Take Care of Yourself) / Amicalement / S Calle” The book consists…
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200,00 kr.A survey of Fontana’s unique works & hand-made editions, lithographs, screenprints, bronzes, ceramics, multiples, jewelry, fashion, design, and selection of posters, books and more
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300,00 kr.Peintures et sculptures / Paintings and Sculptures / Bilder und Skulpturen (= Catalogue 2). Paris, Galerie Karsten Greve, 1989. 4° hardcover in original slipcase. 141 psages, richly illustrated with text in both German / Englsih and French. Fine clean copy First edition Publié à l`occasion de l`exposition Lucio Fontana Peintures…
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175,00 kr.A survey of Fontana’s unique works & hand-made editions, lithographs, screenprints, bronzes, ceramics, multiples, jewelry, fashion, design, and selection of posters, books and more
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245,00 kr.Edited by Alexander Tolnay: Günther Uecker: TWENTY CHAPTERS – English Version Published by Hatje Cantz, 2006. Large 4to in hardcover w jacket. 203 pages. Richly illustrated. Text in English. Near fine well preserved copy. First edition, published in conjunction with the Exhibition “Günther Uecker. Zwanzig Kapitel” at the Martin-Gropius-Bau, March…
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Det. Gyldendal, 1969. 239 pp. Hft. Omslaget af Austin Grandjean. Første udgave, 4. oplag. Lidt brugsspor på omslag (se foto)i øvrigt et godt eksemplar
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Fodboldenglen. En beretning. Tiderne Skifter / Samlerens Bogklub, 1979. 264 pp. Hft. Små brugsspor
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Strunge, Michael. – Camilla Høiby. – Thomsen, Søren Ulrik. – SODS. – m.fl.:. Sidegaden Nr. 1, 1981. Forlaget Fremad, 1981. Stort format. 32 pp. Illustreret. Lidt slidt Ultimativt firsermagasin med originalbidrag af bl.a. Strunge og S.U.T. samt tekster om SODS og The Au Pairs og Scatterbrain og meget mer
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100,00 kr.Michael Strunge. – Merete Torp. – Søren Ulrik Thomsen. – Henrik S. Holck. – Knud Odde m.fl.: . Platform. Tekster og billeder fra ’80. Samlerens Bogklub / Gyldendal, 1981. 112 pp. Hft. Tekster af bl. a. Michael Strunge, Merete Torp, Søren Ulrik Thomsen og Henrik S. Holck. Illustreret af bl.a.…
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60,00 kr.Delta of Venus. Erotica by Anaïs Nin. Penguin Paperback, 2022. 224 pp. Fine clean copy
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Kvalme (‘La Nausée’). Gyldendals Bekkasinbøger, 1963. 209 pp. Hft. Noget slidt eksemplar af den smukke udgave i omslag af Austin Grandjean. Første danske udgave, 1. oplag
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100,00 kr.Das Tagebuch des Witold Gombrowicz. Neske, Pfullingen, 1961. 8vo. Publishers green clothed hardcover w unclipped dustjacket. 403 pages. Text in German. Very good clean copy First German edition, and the First translation of Gombrowicz’ Diaries to any language from the original Polish, by Walter Tiel
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300,00 kr.COSMOS (Kosmos). English version by Eric Mosbacher. London: MacGibbon & Kee, 1967. Publishers hardcover, with unclipped fine and protected dustjacket. 166 pages. Name to free front endpaper else a fine clean copy First English edition, 1st printing Jacket design by John Farman
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Homers Iliade. På dansk af Otto Steen Due. Illustreret af Peter Brandes. Gyldendal 2017. Hardcover, med omslag. 567 sider. Godt eksemplar
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Homers Odyssé. På dansk af Otto Steen Due. Inklusiv ‘Ledsager’ til Odysseen. Gyldendal 2017. 512 pp. Paperback
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400,00 kr.Morgan, Jessica & Jones, Leslie editors. With contributions by Marie de Brugerolle, Bice Curiger, Douglas Eklund, Russell Ferguson, Rainer Fuchs, Tim Griffin, Friedrich Meschede, David Salle, John C. Welchman London: Tate Publishing, 2009. Large oversized in softcover. 329, (3)pp. Richly illustrated. Text in English. Minor surface marks to cover and…
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200,00 kr.ANOTHER MAGAZINE #9 Autumn/Winter 2005 ~ Jodie Foster Chloe Sevigny and Kate Moss, John Baldessari, Richard Prince and much more. Huge issue with 456 pages. Some wear to cover and edges, overall very good copy
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300,00 kr.In John Baldessari’s new book, Yours in Food, the founding member of the conceptual art movement explores America at the table, savoring the nuances of breaking bread in carefully composed vignettes culled appropriated video and film. Reflections on food and eating specially commissioned from a smorgasbord of contemporary writers on culture and the arts, from novelist David Eggers to musician David Byrne, offer up the perfect accompaniment to Baldessari’s work. Paired with his images, these humorous, insightful, and, in some cases, bizarre meditations investigate one of the most fundamental and telling of all human experiences. A visual and intellectual feast, Yours in Food is sure to entertain and delight readers of fiction, art history, and cultural criticism and all lovers of food.”
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120,00 kr.John Baldessari: Somewhere Between. Almost Right and Not Quite (With Orange). Distributed Art Publishers & Solomon R. Guggenheim Foundation & Deutsche Guggenheim, 2004 to 2005. 4to hardcover, no jacket as issued. 104 pages, richly illustrated. Text in English. Fine copy First edition
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120,00 kr.John Baldessari: MUSIC. Cologne: Koenig Publishers, 2007. Large 8vo in stiff wraps as issued. 141 pages, richly illustrated. Text in both German and English. Fine copy First edition
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300,00 kr.How important is your hometown to who you are today? For artist John Baldessari, spending his youth in National City still impacts the way he sees the world – National City is located in the South Bay region, San Diego County, California. The exhibition and catalogue from Museum of Contemporary Art San Diego explores in which ways National City influenced his work
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300,00 kr.Edited by Sharon Coplan Hurowitz: John Baldessari – A Catalogue Raisonné of Prints and Multiples 1971-2007 Manchester & New York, Hudson Hills Press, 2009. Oversized heavy hardcover with jacket (31 x 23.5 cm). 540 pp. Profusely illustrated in b/w and colour. Near fine / fine clean copy First edition. –…
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299,00 kr.“I’d like to sing for you some of these sentences that Sol LeWitt has written on conceptual art. I feel this is a tribute to him. I think that these sentences have been hidden too long in the pages of exhibition catalogs, and that perhaps by me singing them for you, it will bring these sentences to a much larger public. I’ll use the same ordering and numbering, that he has. I’ll try to pause between each statement, for clarity. And maybe then occassionally I will have to sing one sentence over more than once, and that I might not get the phrasing correct” (John Baldessari)
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“I wanted to make a show that would disappear completely. It had a lot to do with disappearance and learning. It was also about trying to be a threat to the art-marketing system, and also, to be really honest, it was about being generous to a certain extent. [..] Freud said that we rehearse our fears in order to lessen them. In a way this ‘‘letting go’’ of the work—this refusal to make a static form, a monolithic sculpture, in favor of a disappearing, changing, unstable, and fragile form—was an attempt on my part to rehearse my fears of having Ross disappear day by day right in front of my eyes”
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950,00 kr.A Selection of Snapshots Taken by Felix Gonzalez-Torres. A.R.T. Press (Art Resources Transfer), 2010. 8vo hardcover, no jacket as issued. 160 pages, illustrated in color throughout. Fine sharp, clean copy First edition “This book presents a selection of snapshots and accompanying inscriptions sent by Felix Gonzalez-Torres to Doug Ashford, Julie…
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500,00 kr.Gonzalez-Torres, Felix. – Ault, Julie (ed.): . Felix Gonzalez-Torres. Published by Steidl Dangin, 2006. Large heavy 4to in publishers hardcover with dustjacket. 410 pages. Richly illustrated. Text in English. Essays by Robert Storr, Robert Nickas, Russell Ferguson, Lewis Baltz, Nancy Spector, Joseph Kosuth, and Miwon Kwon among others A very…
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500,00 kr.GONZALEZ-TORRES, Felix. – Spector, Nancy (ed.):. Felix Gonzalez-Torres: AMERICA. Venice Biennale / Guggenheim Museum, 2007. Small oblonged 8vo in wraps as issued. 80 pages. Illustrated in color, text in English. Some peeling to cover laminate else fine and tight, clean copy First edition “Felix Gonzalez-Torres representing the United States at…
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3.000,00 kr.“The use of audio cassette and video tape is characteristic for Gregor Hildebrandt’s work. The artist is not only interested in the specific materiality, but also in the texture of the audiotape as a storage medium for music. Including the multifaceted cosmos of Hildebrandt’s references into music, film, literature and the history of art, his work appears as a complex collage of figurative associations. Hildebrandt avails of his everyday’s reality and uses this as a material without any aesthetic-theoretical barriers. In this process, he connects aspects of Conceptual and Minimal Art with personal life and the experience of pop culture. The catalogue is published in conjunction with the exhibitions …und doch lässt etwas Kirschen blühen im April, Vattenfall Europe Mining & Generation, Cottbus, and Der Himmel im Raum, Berlinische Galerie, Landesmuseum für Moderne Kunst, Fotografie und Architektur.” – “From large scale installations to smaller objects, almost every one of Hildebrandt’s artworks literally carries within it a specific song, film or poem – all sourced from the artist’s huge archive of cassette tapes and vinyls”
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700,00 kr.HILDEBRANDT, GREGOR. – Auer, Barbara et al:. Gregor Hildebrandt – SIGNED by the artist with original artwork added. Kerber Verlag, 2009. Large 4to in publishers hardcover, no jacket as issued. 126 pages. Richly illustrated. Text in both German and English. Fine copy 1st edition. – INSCRIBED by the artist in…
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175,00 kr.Edited by Annette Tietz et al: Gregor Hildebrandt – SIGNED by the artist. Berlin & Mainz: Arsenal & Pankow Galerie, 2004. Large 4to in wraps as issued. Unpaginated, around 60 pages. Richly illustrated. Text in both German and English. Fine copy 1st edition. – INSCRIBED by the artist in hand…
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200,00 kr.“Duchamp left a large volume of correspondence, a thousand documents that form a valuable source for our knowledge of the artist’s personality and work. In his letters, Duchamp talks of his plans and works in progress. He discusses important projects, including the ‘ready-made’ — a concept that was radically to change the course of 20th-century art.
A selection of 285 of Duchamp’s most telling and important letters are here transcribed and published for the first time, in a book which will be essential for students and scholars with an interest in the artist. The editor has devoted twenty years to assembling traceable letters, translating and annotating them. Providing a detailed introduction to each correspondent, he also comments on the historical content of each letter. This volume of fundamental importance contains the letters in their original language, together with translations into English.” -
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Kornelia von Berswordt-Wallrabe. – Gerhard Graulich. – Herbert Molderings: Marcel Duchamp: Respirateur (Bilingual Edition) Published by Hatje Cantz, 1995. 8vo in hardcover, no jacket as issued. 235 pages, illustrated with text in both German and English. Fine clean copy First edition Beautiful made book, designed by Eduard Keller-Mack published on…
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Grenoble: 7 doc, 2009. Small 8vo in stiff wraps as issued. App. 50 pages, illustrated. Text in French
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First edition, 1st printing w full number line – : “expatriate, a wanderer, living and working in Paris, New York, and Buenos Aires and escaping from them in turn. But exile, argues T. J. Demos in this innovative reading, is more than a fact in Duchamp’s biography. Exile–in the artist’s own words, a “spirit of expatriation”–infuses Duchamp’s entire artistic practice. Indeed a profound sense of dislocation–from geographical situation, national identity, and cultural conventions–deeply informs the mobile objects and disjunctive spaces of Duchamp’s readymades and experimental exhibition installations. Duchamp’s readymade constructions, his installations for surrealist exhibitions in Paris and New York, and his “portable museum” (the suggestively named La bo & i te-en-valise), Demos writes, all manifest, define, and exploit the terms of exile in multiple ways. Created while the artist was living variously in New York, Buenos Aires, and occupied France, during the global catastrophes of war and fascism, these works express the anguish of displacement and celebrate the freedom of geopolitical homelessness. The “portable museum,” a suitcase containing miniature reproductions of Duchamp’s work, for example, represented a complex meditation–both critical and joyful–on modern art’s tendency toward itinerancy, whereas Duchamp’s 1942 installation design entangling a New York gallery in a mile of string announced the dislocated status that many exiled surrealists wished to forget. Demos connects Duchamp’s condition of exile to forms of displacement within photographic practice and modern museum exhibitions, theorized extensively at the time by Walter Benjamin, Andre Malraux, and Frederick Kiesler. He claims that in the period of fascism’s elevation of the home as the site of national imagination, Duchamp’s antinational identity became a form of resistance, just as his artistic practice represented a complex response to capitalism’s increasing institutionalization and marketing of art. Duchamp’s exile, writes Demos, defines a new ethics of independent life in the modern age of nationalism and advanced capitalism, offering a precursor to our own globalized world of nomadic subjects and dispersed experience”
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800,00 kr.“Published to commemorate the fortieth anniversary of the original installation of Étant donnés and to accompany the first major exhibition on the work and its studies, this richly illustrated book presents a wealth of new research and documents that draw upon previously unpublished works of art, photographs, and other materials. Examines the critical and artistic reception of Étant donnés, as evidenced by the subsequent work of Les Levine, Hannah Wilke, Robert Gober, Marcel Dzama, Ray Johnson, and other artists who have engaged with Duchamp’s provocative and challenging tableau-construction.” Étant donnés was Marcel Duchamp’s final work and, per his instructions, installed after his death. The piece was a surprise to the public because it was assumed Duchamp had retired completely from art making after 25 years spent playing competitive chess. A gorgeously produced catalog benefiting from the filter of time through which the meaning, context, and influence of this challenging work of art can be better understood”
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550,00 kr.Very well made facsimile edition of Duchamp’s own original Manual for ÉTANT DONNÉS – first thus / Complet de l’introduction d’Anne d’Harnoncourt. Manual of Instructions was prepared by the artist for the disassembly of Étant donnés in his New York studio and its reassembly at the Philadelphia Museum of Art. First published more than twenty years ago, the manual has had far-reaching ramifications for the study of Étant donnés and Duchamp. Illustrated with 116 black-and-white Polaroids taken by the artist and 35 pages of his handwritten notes and sketches, the revised edition includes a new essay by Michael R. Taylor on the pivotal importance of the manual to an understanding of Duchamp’s artistic practice as well as the first English translation of the artist’s text
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I Ching – Forvandlingernes Bog. På dansk ved Jens Windeleff. Forlaget Klitrosen, 2021. 712 pp. Hft. Nyt eksemplar Første gang på dansk i en samlet udgave, hvor også den 3die bog er medtaget
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“The I Ching or The Book of Changes”. The Richard Wilhelm Translation rendered into English by Cary F. Baynes. Foreword by C. G. Jung. Preface to the Third Edition by Hellmut Wilhelm (Bollingen Series XIX). London: Routledge & Kegan, 1997 (1951). Original hardcover with dustjacket. LXII, 740 pp. Light shelfwear…
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Lao Tzu eller Lao Tse: Vejen & Kraften – Den kinesiske visdomsbog Dao de jing, oversat til Dansk ved Lars booktrader Rasmussen. Det Poetiske Bureaus Forlag, 2022. 650 pp. Paperback. Nyt eksemplar Dao de jing af Lao Zi eller Tao-te-King af Lao Tse. Bogen er – sammen med den berømte…
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The 120 Days of Sodom (The One Hundred & Twenty Days of Sodom) and Other Writings. With an Introduction by Simone de Beauvoir and Pierre Klossowski Grove Press Paperback, 1991. XII, 799 pages. Some wear to cover, back flap with a fold. Inside clean and overall very good
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100,00 kr.Faber & Faber, 1988. 628 pages. Paperback. Name else clean and well preserved
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75,00 kr.Oversat til dansk. Gyldendal Paperback, 2014. 712 pp. Navn ellers rent eksemplar
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Carl Aigner, Heinz Cibulka, Wolfgang Denk, Wieland Schmied and Romana Schuler (ed.): Museum Hermann Nitsch. ENGLISH VERSION Hatje Cantz, 2007. Large very heavy hardcover with jacket. 257, (9) pages, richly illustrated. Small tears to jacket edge, else a clean unread and fine copy First edition. Published in conjunction with the…
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Hoffmann, Jens / Berg, Stacen (eds.): Paul McCarthy’s Lowlife Slowlife: Tidebox Tidebook. Ostfildern, Hatje Cantz Verlag, 2010. Large octavo, cardboard cover, in cardboard box, with b/w and colour photographs. 646 pages. Box with some wear and a closed tear (see photos) else book is in pristine condition and overall a…
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1.200,00 kr.“This artist’s book is based on Cyprien Gaillard’s “Geographical Analogies,” a collection of 900 Polaroids, carefully and rigorously arranged in a total of 100 showcases, telling many stories about landscapes, monuments, modernist buildings, and architectonic utopias, and just as many stories about decay, destruction, and devastation. As Rein Wolfs puts it in the introduction of this publication “Gaillard’s epic work, outmodedly analog … reflects a computation of time that seems to have disappeared …. In the disintegrating medium of Polaroid photography the aspect of disappearance inherent to time is documented and allegedly temporarily halted–until in foreseeable time these originals too will have disappeared beyond recall … Decay, disappearance, remembrance and decline are omnipresent motifs in this work … Numerous devastated concrete landscapes, unfinished holiday developments, monuments, ruins, modernist high-rise estates, cemeteries, landscapes and–as a counterpoint–golf courses stand for an equal number of failed ambitions, or decaying cultural testimonies to their time … But the ‘Geographical Analogies’ can be conserved for perpetuity in the format of this book which, like an atlas arranging things at a different level, represents a further stage of scientific classification: a global atlas full of ruins of the Gaillard trademark. A world atlas against disappearance.”
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500,00 kr.Cyprien Gaillard (born 1980) created a pyramid of beer crates for his exhibition at Berlin’s KW Institute. Sitting on the pyramid at the opening, the audience drank the beer, so that the cases eventually collapsed, leaving behind a ruined monument
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175,00 kr.Eje Högestätt & Ingvar Claeson (ed.): Vasarely. Retrospektivt 1980 Sweden: Malmö, 1980. Small 4to in original wraps as issued. 64 pages, illustrated, mainly in color. Bilingual in Swedish and English. Spine sunned else a fine copy 1st edition. Book design by John Melin
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245,00 kr.Claudia Milburn & Louise Weller: POP! Art in a Changing Britain Pallant House Gallery, 2018. Large folio oversized heavy hardcover. 156 pages, richly color illustrated. Fine copy First edition. Large heavy item – extra shipping may apply “The book features an overview of how the Pop collection at Pallant House…
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300,00 kr.By Joe Houstn: “Optic Nerve: Perceptual Art of the 1960s” (OP ART). London & Culumbus Museum of Art, Merrell Publishers, 2007. 4to. Large very heavy hardcover with jacket. 208 pages, richly color illustrated. Fine clean copy First edition
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In 2006, in order to realize the photographic work Grotto, Thomas Demand used a postcard as his starting point in recreating a grotto located on the island Maiorca. Employing 30 tons of grey cardboard, shaped with the help of a computer and laid out to form a stratification with 900,000 sections, the artist recreated the rock chamber, stalactites and stalagmites displayed on the postcard in order to photograph the work.
For the opening of Fondazione Prada’s new venue, this grotto motif returns as Processo grottesco (Grotesque Process), for which Demand sets documentary materials including postcards, books, tour guides, catalogue illustrations, various advertisements and the massive reconstruction of the Spanish grotto alongside the photograph Grotto. In this manner, the artist allows visitors to explore the creative process that led to the realization of the photograph, opening a window onto the way the artwork has been transformed over the course of time through continuous investigation. The grotto theme is a recurring subject in the history of art and architecture, and implies a provocative, bizarre approach, typical of painting techniques of the 1500s known as ‘grottesca’ (grotesque).
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1.200,00 kr.In 2006, in order to realize the photographic work Grotto, Thomas Demand used a postcard as his starting point in recreating a grotto located on the island Maiorca. Employing 30 tons of grey cardboard, shaped with the help of a computer and laid out to form a stratification with 900,000 sections, the artist recreated the rock chamber, stalactites and stalagmites displayed on the postcard in order to photograph the work.
For the opening of Fondazione Prada’s new venue, this grotto motif returns as Processo grottesco (Grotesque Process), for which Demand sets documentary materials including postcards, books, tour guides, catalogue illustrations, various advertisements and the massive reconstruction of the Spanish grotto alongside the photograph Grotto. In this manner, the artist allows visitors to explore the creative process that led to the realization of the photograph, opening a window onto the way the artwork has been transformed over the course of time through continuous investigation. The grotto theme is a recurring subject in the history of art and architecture, and implies a provocative, bizarre approach, typical of painting techniques of the 1500s known as ‘grottesca’ (grotesque).
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1.200,00 kr.“Laura Letinsky has developed her practice since the late 1990s through meticulously composed still life photographs influenced by 17th Century Renaissance painting. Using a large format camera in a controlled studio environment, her work resembles the aftermath of a meal, where stained tablecloths, spilled wine and squashed, misshapen fruit allude to mortality, frustrated desire and melancholy. Letinsky’s new series, Ill Form and Void Full(2010-11), and marks a significant development in her work since 2009. Letinsky became increasingly interested in the artificiality of the photograph and its potential as a self-reflexive space. Here Letinsky has begun incorporating paper cut-outs from lifestyle magazines and art reproductions of food and tableware into her studio arrangements. The series title Ill Form and Void Full continues Letinsky’s interest in playing with representations of space and time, but departs from the narrative potential of the still life. It focuses on the relation between positive and negative space, and a more muted depiction of a subject where two and three dimensional forms from different sources co-exist uneasily.”
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100,00 kr.Published by Viborg Kunsthal, 2013. Square 8vo in wraps as issued. 100 pages. Fine copy First edition
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300,00 kr.Bom Dia Boa Tarde Boa Noite, Museum Sønderjylland, Kunstmuseet Brundlund Slot, 2013. Tall slim 4to in clothed boards as issued. 208 pages, richly color illustrated. Text in German, Danish and English. Light shelfwear else a clean and fine copy’ First edition. Texts: Morten la Cour, Sally O’Reilly, Solvej Helweg. Lucky…
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175,00 kr.“Samling af udklip og fotografier. Temaer som madopskrifter, dobbeltkvinder. Læs billederne. Smuk bog”.
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200,00 kr.“Samling af udklip og fotografier. Temaer som madopskrifter, dobbeltkvinder. Læs billederne. Smuk bog”.
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100,00 kr.Published by Revolver / Galleri Christina Wilson, 2007. Lex8vo. Original wrappers. 136 pp. Richly illustrated in colour. Fine copy First edition
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200,00 kr.“Winckelmann’s book was published on the 100-year anniversary of the constitutional amendment of 1915 that allowed women as well as other ‘non-owning citizens’ to vote. The assemblages of one-handed tools resting on top of magazines for men, women, transgender, hetero, gay, etc., makes for a metonymic commentary on the underlying categorizations that allow political disenfranchisement – and at the same time points to the possibility of the unintended alliances that arise from such categorization. Consisting of 50 double-sided, unbound A3 sheets, the book can be dissembled and reassembled at will, making it into a malleable, shifting photographic multitude in red tinted and monochrome”
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100,00 kr.Glaser, Milton et al: Work, Life, Tools : The Things We Use to Do the Things We Do. The Monacelli Press / Steelcase Design, 1997. Tall 8vo in wraps. 238 pp. Illustrated. Inscription to titlepage else clean First edition
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100,00 kr.Copenhagen: Rhodos Publishers, 1978. Original full cloth with slightly worn dustjacket. 98 pp. Illustrated b/w. 1st ed. Book designed by Michael Malling
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Wanscher, Ole. – Paulsson, Gregor m.fl.: Møbelsnedkeri (Haandværkets Bog om Mobelsnedkeri) Copenhagen: Lindfors Bogforlag, 1937. 4to. Original solidt hellærred med skindtitelfelt. (10), 524 pp. Rigt illustreret. Lidt ydre brugsspor og lidt aldersplettet men ikke slemt og alt i alt et godt og solidt eksemplar 1. ed. The classic Danish book…
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Visuel guide der præsenterer 113 primært danske stole af designere som bl.a. Klint, Koch, Wegner, Juhl og Kjærholm. Viser med fotos, tegninger og beskrivelser, hvordan danske stole bygger på historiske møbeltyper.
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JUHL, FINN. – Noritsuga Oda et al:. Finn Juhl Memorial Exhibition 1990. Osaka: Tada Architectural Studio, 1990. 8vo in original printed white wraps as issued (about 257×183 mm. (4), 5-159, (1) pp. Richly illustrated. Text in Japanese and English. Near fine copy, clean and well preserved Exhibition sites were Osaka,…
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Per H. Hansen & Klaus Petersen: Den store danske møbelguide. 6. reviderede udgave. Aschehoug, 2015. Original hardcover. 393 pp. Gennemillustreret i farver. Lidt brugsspor Denne reviderede og forøgede udgaver omhandler 500 danske møbelklassikere
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200,00 kr.Strandbergs Publishing – Ny Carlsbergfondet 2016. 4°. Stor tung hardcover. 447 sider. Rigt illustreret. Pænt eksemplar
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Det danske møbelboom 1945-1975. Copenhagen: Strandberg Publishing, 2017. Stor hardcover. 384 sider. Rigt illustreret. Pænt rent eksemplar I 10 omfattende kapitler kommer bogen rundt om alle de store danske designpersonligheder – Wegner, Arne Jacobsen, Børge Mogensen, Kjærholm, Panton og mange flere – og beskriver alle de nye tendenser og fremstillings-…
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349,00 kr.Strandberg Publishing, 2023. Hardcover, no jacket as issued. 336 pp. Illustrated. Text in English. New copy The new revised edition of the classic survey of the work of architect and furniture designer Arne Jacobsen Book design by K Grafik Michael Jensen
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Room 606 – The SAS House and the Work of Arne Jacobsen. New York & London: Phaidon Press, 2003. Hardcover, no jacket as issued. 271 pp. Illustrated. Text in English. Lower right corners of binding and pages lightly dented else a very good clean copy First edition of the classic…
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700,00 kr.Lausanne: Musée de l’Elysée Idpure – Art Pradier, 2011. 8vo. Hardcover. 94, (2) pp. Fine, clean excellent copy “Colours” was edited by Sam Stourdzé for the Art Pradier collection First edition of this not very common Saul Leiter item
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1.400,00 kr.“The true success of the work is that while Sassen successfully creates an imaginary Africa that is clearly deeply desired by the West, once in it, there’s a tension that doesn’t allow the viewer to relax or want to stay very long. This is a play and tension that needs a book to unfold, and that isn’t evident in her luscious individual prints”
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500,00 kr.What do you see when you look at water? Artist book from Horn’s long-term project documenting the River Thames
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“In 1990 Félix González-Torres encountered an artwork by Roni Horn called Gold Field (1980/82), a simple sheet of gold foil placed on the floor of the Los Angeles Museum of Contemporary Art. González-Torres was deeply moved and wrote to Horn, beginning an exchange between the artists that would last until González-Torres’ passing in 1996. Félix González-Torres Roni Horn was created as a photographic essay with the intention of sharing the experiential qualities of the artists’ work and the profound relationships underlying it. It explores four iconic works (among others)—“Untitled” (For Stockholm) (1992) and “Untitled” (Blood) (1992) by González-Torres, and Well and Truly (2009–10) and a.k.a. (2008–09) by Horn—and emphasizes notions of doubling, duality, repetition, and identity. Images of these pieces, taken on the occasion of a 2022 exhibition at the Bourse de Commerce–Pinault Collection in Paris, reveal both artists’ radical visual vocabularies, as well their shared passion for language, writing and poetry. Their intention emerges as two-fold: to create a tension between artist, viewer and object; and to grasp the inexpressible, the immeasurable”
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140,00 kr.Edited by Thomas Kellein: Roni Horn: Making Being Here Enough. Installations from 1980 to 1995. Basel: Kunsthalle Basel & Hannover / Kestner-Gesellschaft, 1995. Small quarto in pink hardcover, no jacket as issued. 103 pages. Illustrated. With texts by Kellein and Horn, all of them in both German and English. Fine…
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200,00 kr.Four booms in one: The debut in 1995 photos in clubs, at Gay Pride, at fashion events, and in everyday life and the follow-ups volume Burg (1998), truth study center (2005), and Neue Welt (2012)
This 40th-anniversary publication from TASCHEN combines the best of the four books in one volume. Wolfgang Tillmans himself has compiled this edition, partly redesigned it, added some recent works, and written a new foreword
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189,00 kr.Four booms in one: The debut in 1995 photos in clubs, at Gay Pride, at fashion events, and in everyday life and the follow-ups volume Burg (1998), truth study center (2005), and Neue Welt (2012)
This 40th-anniversary publication from TASCHEN combines the best of the four books in one volume. Wolfgang Tillmans himself has compiled this edition, partly redesigned it, added some recent works, and written a new foreword
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Nan Goldin & James Crump: VARIETY. Photographs by Nan Goldin New York: Skira Rizzoli, 2009. 4to in publishers hardcover with jacket (260 x 260 mm). 127 pages with 150 colour photos. Text in English. Light egewear to jacket (see photo) else clean and fine copy First edition, first printing.
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300,00 kr.Norman Mailer: Marilyn by Norman Mailer. Pictures by the World’s Foremost Photographers New York: Grosset & Dunlap, 1973. 4to. Original clothed and decorated hardcover boards with the original dustjacket unclipped. 27,5×24 cm. 270, (1, 1 blank) pp. Richly illustrated in b/w and colour. The jacket is slightly creased at spine…
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500,00 kr.San Francisco: Fraenkel Gallery, 2004. Oblong octavo hardcover in slipcase. An accordion-styled fold-out with the books in the collection of Arbus with a booklet in pocket at end. Fine copy with only most minimal shelfwear First edition. A fascinating look at the books and items from Diane Arbus’s personal library
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1.200,00 kr.“One of the highlights of 20th century photographic literature” . – “When Diane Arbus died in 1971 at the age of 48, she was already a significant influence-even a legend-among serious photographers, although only a small number of her pictures were widely known. The publication of Diane Arbus : An Aperture Monograph in 1972, and the posthumous retrospective at the Museum of Modern Art, offered the public its first encounter with Arbus’ achievements”
One of the best and most copied photobooks of all
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345,00 kr.“Girls, Girls, Girls,” by Swedish photographer Julia Peirone. Born in 1973, a Stockholm-based artist, he first encountered photography at the age of 10 and fell in love with Robert Capa’s work collection when his mother came at the age of 14. Initially, journalism, documentaries and even street photography. Seems to have been the center of interest. However, since I learned about Cindy Sherman’s works, the world of “art photography” is not only about telling the facts and showing records, but also about creating photographs that create a functional world view and inspire readers with various imaginations. I am fascinated by the charm. This book is a collection of catalog works published at the occasion of Peirone’s retrospective exhibition that visited two Swedish museums from 2017 to 2018. We will emphasize it by making a still image of the momentary beauty, ugliness, transience, and loneliness that a woman shows. It is a number of works filled with real charm that can be conveyed only by photographs”
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Mexico-based Graciela Iturbide – 2008 Hasselblad Award winner – is one of Latin America’s most influential photographers and Juchitan de Las Mujeres one the best Mexican photobooks of all time, a masterwork, comprising ten years of travels along the Isthmus of Tehuantepec, near Southern Oaxaca, where she lived among the pre-Columbian Zapotec culture indigenous to the remote region
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500,00 kr.EMMET GOWIN: PHOTOGRAPHS – 1st edition. New York: Alfred A. Knopf / A Light Gallery Book, 1976. Small squarish 4° in softcover. 101 pages with 68 black and white photographs, finely printed. Minor edgewear to cover else clean inside and overall a very good copy First edition, softcover version of…
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An October Book / Cambridge: MIT press, 2005. 8vo (24x18cm) in wraps. xi,338 pp. Illustrated. Fine clean copy. First edition, softcover “The art of Louise Bourgeois stages a dynamic encounter between modern art and psychoanalysis, argues Mignon Nixon in the first full-scale critical study of the artist’s work. A pivotal…
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400,00 kr.Nordic Watercolour Museum, 2011. 4to. Hardcover, with jacket. 112 pages. Illustrated throughout in color. Text in both English and Swedish. Only very light wear to edges of cover else clean and overall a fine copy First edition – attractive copy “Bourgeois was born on 25 December 1911 in Paris, but…
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299,00 kr.Didion, Joan. – Als, Hilton (ed.): . Joan Didion: What She Means. D.A.P. / DelMonico Books, 2022. Tall 4to in yellow clothed hardcover – 9 x 12.5 inch. / 128 pgs / 80 color / 32 bw. New, unopened copy First edition Tribute to Didion published to accompany the Hilton…
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300,00 kr.Caroline Zoob: Virginia Woolfs have – historien om haven ved Monk’s House. Forlaget Lindhardt & Ringhof, 2013. Stort format. Hardcover, m omslag. 192 sider. Rigt illustreret, mest i farver. Omslag med lidt kantslid ellers pænt eksemplar
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Orlando. A Biography. Penguin Vintage, 2017. Hardcover. 273 pp. Beautiful new edition with cover by Coralie Bickford-Smith. New copy
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175,00 kr.Grete Jalk et al (ed.): Franka Rasmussen. Copenhagen: Dansk Arkitekturcenter, 1987. 4to i original heftet omslag. 48 pp. Rigt illustreret i sort og hvid 1. oplag. – Om billedvæveren Franka Rasmussens liv og hendes kunstneriske arbejder i tekstil og metal. Udgivet i forbindelse med udstilling i Dansk Arkitekturcenter, Gammel Dok,…
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200,00 kr.ART & STRIPES publications Mads Nørgaard, 2015. 8vo in wraps as issued.96 pages. Illustrated richly. Text in English. Near fine / fine clean copy. 1st edition “In PLEASE BE HERE NOW, Dwelling #1: The Body, the main theme of exploration was the performers own, female body – as private, public…
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“Edited by the artist herself from an archive of work stretching back before the beginnings of her career in the late 1980s, A Thousand Drawings is at once a collection of Emin’s works on paper, an exposé of her life as an artist, and a collectible artifact in itself. Many of these works on paper shed light on well-known multimedia pieces, previously studied in Works 1963-2006, published by Rizzoli in 2006. Stripped of the distractions of form and context, her bare and enigmatic drawings are presented on bible-thin paper in a uniquely beautiful volume, with an introduction by the artist. From considered self-portraits to pen-and-ink drawings and informal studies on lined notebook paper, this remarkable collection is as much a catalogue of Emin’s preoccupations as it is a monument to her raw and evocative talents as an artist.”
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Freedman, Carl & Rudi Fuchs (ed.): . Tracey Emin: Works 1963-2006. New York: Rizzoli, 2006. Large oversize hardcover ( 32,5 x 25 cms.). 414, (2) pp. richly illustrated. Fine copy First edition NB: Due to the size and weight of this item extra shipping may apply: please inquire before ordering…
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345,00 kr.Thames & Hudson, 2010. Large thick and heavy 8vo hardcover, no jacket as issued. 1020, LXII pp. Illustrated richly. A small dent to lower back edge (see photos) else a very good and clean copy with only minor edgewear First edition – extensive volume documenting more than 700 works produced…
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100,00 kr.Ikon Gallery, 2008. Large 4to in wraps as issued. 72 pages, illustrated. Edgewear, overall very good clean copy. First edition. Exhibition catalogue, produced to accompany his exhibition held at the Ikon gallery, Birmingham and the Hiroshima City Museum of Modern Art, Japan. 72 pages, soft back, fully illustrated. Text: Jonathan…
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100,00 kr.Reaktion Books, 2006. 196 pp. Paperback. Fine copy From the “Critical Lives” series
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345,00 kr.Curated by H. Szeemann & Jean Clair. Venice: Alfieri editore, 1975. Tall 8vo ( 27,5 x 14,5 cm) in original stiff wrappers (no jacket). 236 pages, illustrated. Text in both French and German. Name stamp of previous owner to innercover. Clean inside. Overall a near fine copy 1st edition of…
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Complete set of the German original of “Male Fantasies”: These two volumes center upon the fantasies that preoccupied a group of men who played a crucial role in the rise of Nazism. Theweleit draws upon the novels, letters, and autobiographies of these proto-fascists and their contemporaries, seeking out and reconstructing their images of women. Heavily illustrated with cartoons, advertisements, engravings, and posters of the era. These two volumes center upon the fantasies that preoccupied a group of men who played a crucial role in the rise of Nazism. Theweleit draws upon the novels, letters, and autobiographies of these proto-fascists and their contemporaries, seeking out and reconstructing their images of women. Heavily illustrated with cartoons, advertisements, engravings, and posters of the era
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500,00 kr.Anette Hüsch & Peter-Klaus Schuster (ed.): Jörg Immendorff, Male Lago Cologne: Koenig for Neue Nationalgalerie, Staatliche Museen zu Berlin – Stiftung Preußischer Kulturbesitz, 2005. 4°. THICK VERY BIG BOOK in wraps, as issued. 880 pages, mostly illustrations. Minor wear to exterior, mainly lower edge (see photo) else a near fine…
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Nancy Spector (cur.): Matthew Barney – The Cremaster Cycle. English Version Hatje Cantz for Paris: Musée d’Art Moderne de la Ville de Paris / Museum Ludwig & Solomon R. Guggenheim Museum in New York, 2002 / 2003. Large extra heavy thick 4to in linen covered softover, no jacket as issued.…
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175,00 kr.Spector, Nancy (ed.): Matthew Barney & Joseph Beuys: All in the Present Must Be Transformed. Deutsche Guggenheim, 2006. Hardcover cloth. 164 pp. Illustrated in colour. Text in German. Fine copy 1st edition
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220,00 kr.In early 1974 Joseph Beuys, Klaus Staeck and Gerhard Steidl sat in a Boeing 747 from New York to Düsseldorf, returning home after Beuys’ American tour. The trip had been a controversial success, and its every stage carefully documented by Staeck and Steidl in videos, photographs and audio their trusty Sony TC-50 cassette recorder was always at Beuys’ side during his lectures, conferences and workshops. To relieve the boredom of the flight, the three listened to some of the recordings and Beuys surprisedly noticed just how much he laughed: why not edit this laughter into a single, surreal track? Steidl subsequently gave the original tapes to the young sound engineer Siegfried Schäfer, who set to work reducing bass and background noise, and created a final edit of 20 minutes.
Steidl played this master to a delighted Beuys, who decided to issue it as an audiotape edition, in the mold of his 1969 recording Joseph Beuys – Ja Ja Ja Nee Nee Nee. Yet the master tape of Beuys Laughing was then sadly lost for a period of 46 years, only to resurface in 2020. Now, re-mastered and digitized by Schäfer and Pauler Acoustics, it is finally available to the public, in a limited-edition vinyl EP.
