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800,00 kr.David Lynch: The Air Is on Fire (Foundation Cartier) – ENGLISH VERSION. Published by Steidl 2010 for (true 1st was Paris: Fondation Cartier, 2007). Large heavy 4to, no jacket as issued. 452 pages, richly illustrated, complete with two CDs included. Text in English. Spine sunned else only minor edgewear and…
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345,00 kr.Klüv”Giant Size $1.57 each” – Interviews with 11 Artists booklet Published by Experiments in Art and Technology, NY, 1981. 16mo. Printed wraps in plastic comb binding, 5-1/2 x 4-1/2 inches. 45 pages. Minimal wear only “During March 1963 I produced an hour-long record of interviews with eleven artists – Jim…
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Charming photobook in colour by American photographer Don Snyder, who started travelling in 1964 in the U.S., portraying the gurus, flower children, communes, rock- festivals, love-ins, light-shows and much more characteristic stuff in the era. “250 colour photographs, incl. the Haight-Ashbury, light shows, The Grateful Dead, Janis Joplin, Millbrook, head shops, the Print Mint, The Fugs, Bobby Beausoleil, Michael Hollingshead, Allen Cohen, Ira Cohen, the Living Theatre, Hetty MacLise, psychedelic projections on nude dancers at the Electric Circus, Yayoi Kusama’s ‘orgy creations’, skinny-dipping hippies… all of that!”
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Koberg, Don. – Bagnall, Jim: Universal Traveler: A Soft-Systems Guide to Creativity, Problem-Solving and the Process of Reaching Goals 1974 copy. Los Altos: W. Kaufmann 1974 (1973 / 1971). 4to in original wraps, with minor wear only. 128 pages, richly illustrated. Overall a very good copy First trade edition of…
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175,00 kr.A “comprehensive history of psychedelic music in Britain and America during the Sixties, it differs from others in delving more deeply into sociological and cultural issues, especially during the second half of the book on “Psychedelia UK.” A recurring theme is the influence of LSD on psych, not only on the music but on lyrics, light shows, fashion, and posters. “Acid sugar-cubed and blotter-soaked and tidal-waved its way across the universe in ways unparalleled before or since,” as he sums up on the last page. But Chapman also discusses the influence of nostalgia, utopianism, media coverage, censorship, racism, and psychology on the music as well. This is as much a cultural history of psych as a music survey”
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700,00 kr.” forty years of feminist art history. While the topic of art and feminism has both its champions and its critics, all agree on one thing: feminism has permanently changed the artistic landscape. Providing an extensive survey of the work of eighty-eight female artists organized by the Museum voor Moderne Kunst in Arnhem it juxtaposes works by different generations of artists. Among the artists are Carolee Schneemann, Adrian Piper, Annette Messager, Valie Export, Marlene Dumas, Barbara Kruger, Elke Krystufek, Nancy Spero, Hannah Wilke, Maria Roosen, Monica Bonvicini, Gina Pane and many others. Essays by Riet Van der Linden, Tineke Reijnders, NGoné Fall, Mirjam Westen, Ingelies van der Meulen and others”.
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Edition of 100. In Chronicles Vol.2, artist Kim Gordon (1953 Los Angeles, California) brings together some of her most personal and unique drawings from a collection gathered over a period of years for her daughter Coko, her nieces, Thurston, and friends. Gordon’s second release for Nieves goes beyond the photographic glimpses of the ‘musician’ Kim pictured in Chronicles Vol.1, the artist is ‘carrying’ the reader through her private compilation of drawings, collages and paintings, also containing works from projects that were never shown in public before. Together with Thurston Moore, Lee Renaldo, and Richard Edson, Kim Gordon formed Sonic Youth in 1981, a band that she has been a member of ever since. Gordon has directed videos for The Breeders, co-produced Hole’s album, “Pretty on the Inside”, and, in 1994, started the clothing line, X-girl. The artist- musician has lived and worked in New York since 1980
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“Kraftwerk: Dance Forever offers a comprehensive documentation of the visual evolution of the pioneering German electronic music group from the early 1970s to the present day. This publication accompanied an exhibition tour that began in Detroit, the birthplace of techno and dance music, where Kraftwerk’s influence loomed large. The catalogue vividly portrays the group’s iconic machine music aesthetic through a diverse array of materials, including promotional items, sheet music, vintage recorded media, posters, photographs, and musical toys.”
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345,00 kr.Th”Geniale Dilletanten (Brilliant Dilletantes) was the deliberately misspelled title of a music festival that took place at the Tempodrom in Berlin in 1981 and which became a synonym for a brief era of artistic awakening. An avant-garde blossomed, in particular in the context of art schools, that was characterized by artistic vehemence, cross-genre experimentation, and the desire for self-organization. Bands such as Einstürzende Neubauten, Deutsch Amerikanische Freundschaft, Ornament und Verbrechen, Der Plan, Palais Schaumburg, Die Tödliche Doris, or Freiwillige Selbstkontrolle committed themselves to this principle. The catalogue follows the bands, artists, filmmakers, and designers through the clubs, bars, and galleries of their day, enabling even contemporary readers to experience the feeling of emergence into a new era and aesthetic freedom.”
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Peter Louis-Jensen. – Bodil Marie Nielsen et al. – Knudsen, Normand (red.): GRABBERNE VÆK! Nr 1. 11-18 September 1970. Huset København, 1970. 4to. 16 sider med omslag. Lidt kantslidt. Illustreret. Sjælden! Indhold “Kløvedal Coma” (Thy Lejren), “Tag kampen op” (Hjardemål aktionen nævnes – 31. august 1970 besætter gruppen »Grabberne Væk«…








