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    “Who influenced the style of the Wiener Werkstätte (WW) from the moment it was founded in 1903? Names that immediately come to mind are those of the great male artists Josef Hoffmann, Koloman Moser, and Dagobert Peche. Yet, from the outset, women artists were also involved in the WW’s creations. Their number grew constantly until the company’s liquidation in 1932, and especially in the interwar years Mathilde Flögl, Maria Likarz, Felice Rix, or Vally Wieselthier defined the look of the WW with fantastic fabric patterns and expressive ceramics. In the course of our research, about 180 female artists were identified and approximately half of these are represented in this exhibition book. Educated at the Vienna School of Arts and Crafts and employed at the WW by Hoffmann, the women designed fabrics, fashion, home accessories, toys, and commercial art and, in addition, also took over the field of ceramics where they were able to work purely artistically. Furthermore, they also developed exceptional murals for interiors—be it flats, restaurants, or exhibition spaces. Although highly recognized at their time, the women artists were mostly forgotten after the end of the WW. The catalog and exhibition want to give them a face and raise awareness for an oeuvre that was involved in constituting the unique position of the Wiener Werkstätte between Art Nouveau and Bauhaus”

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    Edited by Germano Celant & Lisa Dennison. New York, New York: Fifty Years of Art, Architecture, Photography, Film, and Video. Milan: Published by Skira, 2006. Large very heavy hardcover with jacket. 546 pages, richly illustrated. Text in English. Light wear to edges and jacket. Overall a very good or near…

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    “EAST UP WEST DOWN – Fotografiske skitser fra New York”. SIGNED COPY. Selfpublished, 1988. Oblonged small 8vo in wraps as issued. (50) pp. Some edgewear to cover else well preserved copy Extremely rare (never seen another copy..) Danish artist book with photographs and collaged photos by Per Henriksen. Keith Haring’s…

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    “Nick Knight’s debut publication presents an unflinching vision of skinhead culture. A reaction to the Hippie lifestyle of the sixties and seventies, and strongly influenced by Mods and Jamaican rude boys, the skinhead movement itself was started in the mid-sixties by working-class youths in England. Knight immersed himself in their world and was able to create a genuine portrait of the youth subculture in the early eighties.The book features both written and visual musings on the style, music and behaviour that came to define the movement. The now-iconic Skinhead has become an essential fashion reference which helps to contextualise Nick Knight’s artistic and photographic trajectory”

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    Cy Twombly (English Version), edited by Jonas Storsve. Paris: Centre Georges Pompidou / Sieveking 2020 (2016). Oversized squarish 4to hardcover with dustjackeyt. 320 pages with over 200 illustrations in color. Text in English. New copy Great retrospective from the Centre Pompidou show

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    Andy Warhol. Moderna Museet, Stockholm, February-March 1968 (The Stockholm Catalogue, First Edition, 1st Printing). Stockholm: Moderna Museet, 1968. 4to. Original pictorial wrappers – IN THE ORIGINAL SLIPCASE and therefore overall extremely well preserved. The cover is printed in pink, yellow, orange, and green, lettered in black on spine. (638 pp.).…

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    Fristaden Christiania’s Stemme. 1. årgang, nr. 3, april 1974. Christinia, 1974. 8vo i original løst heftet omslag. 24 sider inklusiv omslag. Rigt illustreret med duplikerede fotos og tegninger. Lidt slidt men ikke slemt Uhyre sjældent original udgivelse hvor christianitterne kommer til orde og diskuterer retningslinierne for deres samfund samt forholder…

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    Uhyre sjældne originale dokumenter fra Thy-Lejren udgivet af medlemmer af Det Ny Samfund, Thylejren eller Frøstrup Lejren, herunder reklameskriftet Regnbueavisen og reklame for Sommerlejren og numre af “Kraka”, alle fra 1970 Alle i A 4 format, klammeheftede, nogle løse. De fleste velbevarede dog er enkelte med tidstypiske brugsspor og nogle…

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    “Strikning. Strikketeknik og modelberegning”. Borgen, 1980. 4to. 171 pp. Hft. Illustreret

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    SOLVOGNEN. – Jensen, Erik m.fl. (red.):. Rebild-bogen : undertrykkelse, teater, medier, meningsdannelse : en dokumentation for skole og hjem (REBILDBOGEN / SOLVOGNEN). Demos, 1976. 8vo. 227 pp. Hft. Rigt illustreret. Med brugsspor 1. oplag

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    Jean Paul-Goude with Patrick Mauriès: SO FAR SO GOUDE (Tout Goude). Prinyted by Steidl for Thames and Hudson, 2005 . Large very heavy hardcover with jacket. 349 pages. Complete with DVD. Only minor wear to corners of cover else clean and fine First edition in English

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    599,00 kr.

    “Muhammad Ali, Zurich, 26.12.1971 shows the iconic American smooth-talking rhymester-boxer before and during his prize fight in Zurich against German heavyweight Jürgen Blin on December 26, 1971. Hans-Ruedi Jaggi, a Swiss hustler and promoter, succeeded in bringing the champ to Zurich for the fight. At Zurich’s Playboy Bar, Jaggi made a bet with Jack Starck, a society reporter for the Swiss tabloid Blick, for a bottle of Ballantine’s that, after having already got Jimi Hendrix and the Rolling Stones to give concerts in Zurich, he would now lure the mighty Muhammad Ali to town for a fight. He subsequently flew to the States three times but couldn’t get an “in” with Ali. Eventually he made it through to Ali’s Black Muslims. When asked by the clan’s spiritual leader Herbert Muhammad, “What’s with the dough?” he pulled $10,000 — pretty much all the money he had at the time — out of his silver ankle-boots and a preliminary deal was promptly signed and sealed on a sheet of hotel stationery. Zurich photographer Eric Bachmann accompanied Ali during his ten-day stay, on his winter jog through Zurich’s woods or buying shoes in a working-class neighborhood, going through his training drills and, finally, during the big fight, which rapidly climaxed in the seventh round when he knocked out the blond German giant Jürgen Blin. Muhammad Ali, Zurich, 26.12.1971 documents the events in brisk chronological order, as befits a boxer who “floats like a butterfly, stings like a bee,” in a rapid-fire succession of impressively intimate and humorous shots against the placid urban backdrop of mid-’70s Zurich. The book is richly illustrated with a great many facsimiled boxing match program pages and newspaper clippings”