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Published by Motto Books and Chert Gallery 2013. 16 pages. 17 x 11 cm postcard style accordion booklet with color photographs and text. Fine / as new copy First edition, 1st printing Accordion book of digital photographs was created in conjunction with David Horvitz’s installation at Art Basel in 2013,…
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Published by Art in America, 2014. 16 pages 11 x 15 cm. (folded) 88 x 15 cm. (unfolded) postcard style accordion booklet with color photographs and text. Fine copy First edition, 1st printing Somewhere in Between the Jurisdiction of Time is an accompaniment to David Horvitz’s exhibition at Blum and…
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KACHO GA DEN “Sketchbook of Flowers and Birds”: ORIGINAL JAPANESE WOODBLOCK PRINT BOOK WITH BIRDS & FLOWERS FROM MEIJI PERIOD by Katsushika Taito (“Dog Hokusai”). Japan, Meiji Period (1868-1912). Original binding, 15,5×22,5cm app. Colors are black and white and “flesh” plus a very fine “colophon” page printed with blue. Complete.…
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HOKUSAI. – Katsushika, Hokusai 1760-1849:. HOKUSAI MANGA V. 5. Japan, presumably Meiji Period (1868 –1912) but maybe earlier, t.i. Edo. Original binding, title upsidedown (original) 15,5×22,5cm app. Well preserved with only minor discolorations and some minor stains. More photos available upon request! Rare original Meiji period woodblock printed ukiyo-e (‘pictures…
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445,00 kr.The catalogue as exhibition / The exhibition as catalogue
“Major source on this key figure widely known as ‘The Godfather of Conceputal Art’ : “The books chapters explore the various facets of and connections in Siegelaubs work, from his groundbreaking projects with Conceptual artists and his research and publications on mass media and communications theories to hisArtists books interest in handwoven textiles and non-Western fabrics. It also highlights his collecting activity, which culminates in a unique ensemble of books on the social history of textiles and a textile collection comprising over 750 items from around the world”
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700,00 kr.Sherman, Cindy. – Mendietta, Ana. – Weil, Susan. – Wilke, Hannah. – Spero, Nancy. – Lippard, Lucy R. – Apgar, Evelyn (cur.):. Views By Women Artists New York City February, 1982 – Sixteen Independently Curated Theme Shows Sponsored by the New York Chapter of the Women’s Caucus for Art New…
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– “an invaluable record of the thinking of the artists—a historical survey and essential reference book for the period”. “Lucy R. Lippard’s famous book, itself resembling an exhibition: In 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard. “Six Years”, sometimes referred to as a conceptual art object itself, not only described and embodied the new type of art-making that Lippard was intent on identifying and cataloging, it also exemplified a new way of criticizing and curating art.”
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1.200,00 kr.In 1966, Bochner curated an exhibition of working drawings collected from artist friends and colleagues. This landmark show of conceptual collaboration included work by Donald Judd, Robert Smithson, Eva Hesse, Sol LeWitt, Robert Mangold, Dan Graham, John Cage, and others. Also included were contributions from composers, mathematicians, choreographers, and engineers. The work was Xeroxed and then bound into four identical volumes that were then mounted on pedestals in the center of the gallery. This is a 1997 recreation of that event
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“Analytical and atmospheric insights into the architecture of the workspace with a deep plan. Featured are buildings and projects by Frank Lloyd Wright, Le Corbusier, Alison & Peter Smithson, SOM, Norman Foster, Richard Rogers, MVRDV, SANAA, and others. As a typology conceived in the twentieth century, the office building is often the architectural manifestation— not only of global capital, but also of technological might and mass production. But when we think of these buildings, we often think more of objects than of space; more of appearance than of atmosphere. In A-Typical Plan, Jeannette Kuo offers a reversal of the experience, starting from the inside out, and prioritizing space over symbol. In particular, the book reconsiders the deep plan within the European context for a discussion on density, economy and, not least, sustainability.A-Typical Plan presents a collection of projects through history that have attempted to bring character to the deep plan as a spatial experience for the workspace”













