400,00 kr.
– “an invaluable record of the thinking of the artists—a historical survey and essential reference book for the period”. “Lucy R. Lippard’s famous book, itself resembling an exhibition: In 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard. “Six Years”, sometimes referred to as a conceptual art object itself, not only described and embodied the new type of art-making that Lippard was intent on identifying and cataloging, it also exemplified a new way of criticizing and curating art.”
In stock
Berkeley Los Angeles: University of California Press Paperback, 2001 (1973). 8vo in softcover (18,5 x 22 cm) as issued. 272 pages. Illustrated. Fine clean copy
The classic book on Conceptual Art – including texts by and taped discussions among and with the artists involved
Jonas Mekas’s autobiography I Had Nowhere to Go describes his survival in the camps and his arrival in New York. Mekas tells a universal story, that of an émigré who can never go back, whose loneliness in his new world is emblematic of human existence. Published by Spector Books, 2020.…
Out of Stock
Bauhaus Bücher 2 Klee’s Pedagogical Sketchbook translated into English by Sybil Moholy-Nagy. New copy from Lars Müller Publishers.
Out of Stock
Black Mountain: An Interdisciplinary Experiment, 1933 – 1957, on Anni & Josef Albers, John Cage, Merce Cunningham, R. Buckminster Fuller, Charles Olson a.m.o. Spector Books, 2019. 464 pages, with black-and-white reproductions throughout. New copy.
Out of Stock
Rare original folder published on the occasion of the Soviet exhibition at Pressa Cologne 1928. The exhibition showed graphic design, publishing and press material and El Lissitzky was in charge. His design for the exhibition brought together architecture, graphics, photography, film and sound. He combined photomurals, and letters of every thickness and type running in every direction, turning the Soviet pavilion into a vast multimedia installation. The present folder is a text only and Sergey Ingulov writes on the situation of the newspaper in the Soviet Union of 1928. Cover possibly by Solomon Telingater or maybe even El Lissitsky.
In stock