In this book Shore brings together 80 images (by such photographers as Walker Evans, Eugene Atget, Robert Adams, Diane Arbus, Frank Gohlke, Lee Friedlander and Jan Groover) to illustrate a process of looking at and understanding photography
New York: Phaidon, 2007. Large 8vo hardcover with fine dustjacket. 135 pages. Illustrated in bw and color. Fine clean copy.
Second edition, hardcover 1st thus.
Ursula Schulz-Dornburg & Katharina Sattler: PALACE PIER BRIGHTON. Cologne, Verlag Studio Dumont / DuMont Buchverlag, 1976. Oblong large 4to in wraps as issued. Illustrated throughout with photographs by Ursula Schulz-Dornburg and a short text in both German and English by Sattler. Upper spine and front corners lightly dented else only…
FOTO: Rdo. Limited edition exhibition poster Rdo designed by Michael Jensen of KGRAFIK Copenhagen. Bolette photographed by Richard Winther. Winther (1926-2007), important Danish painter, sculptor, writer, photographer and more, largely unknown outside Denmark . Selfmade camera styles superficially with some resemblance to Miroslav Tichy. Richard Winter however was a very…
“In the history of photography, that is to say the history of photography according to the art museum, color photography became an artistically viable medium around the early 1970s, with the emergence of such photographers as Stephen Shore and William Eggleston. However, in 1948 the Danish photographer Keld Helmer-Petersen prefigured their work by two decades or so…his aim was to make pictures that would only work in color, and not in black and white…he achieved his ends in a similar way to Shore or Eggleston, by concentrating on the mundane and the everyday…it deserves credit as a singular, remarkably early and largely successful attempt to make color photography work” Martin Parr & Gerry Badger in The Photobook, A History