345,00 kr.
Very scarce, eccentric photo illustrated work on public toilets and sexual graffiti. ‘Retirade Kunst’ was included in ‘802 photobooks of the M. Auer Collection’ (Auer, page 485). First (and only) edition – attractive copy
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Reti-Rade Kunst / Retiradekunst / ‘Retirade Kunst’. Copenhagen: Chr. Erichsens Forlag, 1968. Small oblong 8vo. Original black photoillustrated hardcover boards. 74 photographs by Ulrik Ross in gravure. Text (in Danish) by Michael Rütz. Near fine, very well preserved and clean copy
First and only edition
FOTO: Rdo. Limited edition exhibition poster Rdo designed by Michael Jensen of KGRAFIK Copenhagen. Bolette photographed by Richard Winther. Winther (1926-2007), important Danish painter, sculptor, writer, photographer and more, largely unknown outside Denmark . Selfmade camera styles superficially with some resemblance to Miroslav Tichy. Richard Winter however was a very…
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Distance and Proximity / Distanz und Nähe: Fotografische Arbeiten von / Photographic Works by Bernd & Hilla Becher, Andreas Gursky, Candida Höfer, Axel Hütte, Simone Nieweg, Thomas Ruff, Jörg Sasse, Thomas Struth, Petra Wunderlich. Institut für Auslandsbeziehungen und Autoren / Hatje Cantz, 1996 (1992). 4to in Grey French wrappers with…
Ursula Schulz-Dornburg: Der Tigris des alten Mesopotamien, Irak 1980 (“The Tigris of Ancient Mesopotamia, Iraq 1980”) published by Kestner-Gesellschaft, 1981. Square 8vo in wraps as issued. One of the oldest cultivated regions in the world, almost unaltered for six thousand years. A land between two rivers, the waters of the…
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“In the history of photography, that is to say the history of photography according to the art museum, color photography became an artistically viable medium around the early 1970s, with the emergence of such photographers as Stephen Shore and William Eggleston. However, in 1948 the Danish photographer Keld Helmer-Petersen prefigured their work by two decades or so…his aim was to make pictures that would only work in color, and not in black and white…he achieved his ends in a similar way to Shore or Eggleston, by concentrating on the mundane and the everyday…it deserves credit as a singular, remarkably early and largely successful attempt to make color photography work” Martin Parr & Gerry Badger in The Photobook, A History
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