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JACOBSEN, ARNE. – Solaguren-Beascoa, Felix:. Arne Jacobsen Approach to his Complete Works: 1926-1949 / 1950-1971 / Drawings 1958-1965 – COMPLETE SET in 3 volumes. The Danish Architectural Press 2002. Squarish 8vo. Three uniform volumes in softcovers as issued. Richly illustrated with English text. A fine clean, unread set First edition…
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By Willy Boesiger & Hans Girsberger: Le Corbusier 1910-65. Zurich: Les Editions d’Architecture, 1967. Large heavy landscape 4to in publishers tan clothed hardcover with original dustwrapper. 351 pages, richly illustrated in bw ans some fine color plates in between. Text in both French, German and English. Name and some soling…
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Miller, Margaret (ed.): . what is modern architecture? New York: Museum of Modern Art, 1946 (1942). Small 4to in stiff black decorative wrappers as issued. 36pp. Numerous gravure printed illustrations, floor plans. Cover and edges with some wear The first volume in MOMA’s “Introductory Series to the Modern Arts”
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David Kaminsky & Laura Cerwinske: “TROPICAL DECO. The Architecture and Design of Old Miami Beach”. Photographs by David Kaminsky. New York: Rizzoli, 1981. Squarish 8vo in wraps as issued. 95 pages, richly color illustrated. Private inscriptions to colophon pages and index page (including large dick drawings..). Sunning and light discoloring…
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“Who influenced the style of the Wiener Werkstätte (WW) from the moment it was founded in 1903? Names that immediately come to mind are those of the great male artists Josef Hoffmann, Koloman Moser, and Dagobert Peche. Yet, from the outset, women artists were also involved in the WW’s creations. Their number grew constantly until the company’s liquidation in 1932, and especially in the interwar years Mathilde Flögl, Maria Likarz, Felice Rix, or Vally Wieselthier defined the look of the WW with fantastic fabric patterns and expressive ceramics. In the course of our research, about 180 female artists were identified and approximately half of these are represented in this exhibition book. Educated at the Vienna School of Arts and Crafts and employed at the WW by Hoffmann, the women designed fabrics, fashion, home accessories, toys, and commercial art and, in addition, also took over the field of ceramics where they were able to work purely artistically. Furthermore, they also developed exceptional murals for interiors—be it flats, restaurants, or exhibition spaces. Although highly recognized at their time, the women artists were mostly forgotten after the end of the WW. The catalog and exhibition want to give them a face and raise awareness for an oeuvre that was involved in constituting the unique position of the Wiener Werkstätte between Art Nouveau and Bauhaus”
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“A comprehensive overview of the work of the designer, author, and activist Victor J. Papanek. His main work, the instructive guide ‘Design for the Real World’ published in 1971, is as much in focus as his designs and his commitment to social minorities, the so-called Third World, and the considerate use of natural resources. This book documents countless photographs, artistic works and designs, objects, drawings, letters, and other materials, some of which are published here for the first time. Papanek’s close exchange with contemporaries such as Richard Buckminster Fuller, George Nelson, and Marshall McLuhan is also examined. Contemporary work by Tomás Saraceno, Catherine Sarah Young, Gabriel Ann Maher, Thomas Thwaites, and Forensic Architecture, as well as Flui Coletivo and Questtonó, among others, rounds off the publication and demonstrates that Papanek’s interpretation of design as a tool for social transformation is as relevant as ever and continues to shape debate on social design, critical design, and design thinking. With essays by Alison J. Clarke, Amelie Klein, Jan Boelen, Felicity Scott, Jamer Hunt, Cameron Tonkinwise, among other contributors”
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Perriand, Charlotte. – Burgin, Victor et al. – . AA FILES. Annals of the Architectural Association School of Architecture – Summer 1987, Issue N. 15. London: The Architectural Association, 1987. Oversized large 4to in stiff wraps as issued. 112 pages, richly illustrated. Text in English. A very good copy, clean…
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“Hjemmets Brugskunst. Kunsthåndværk og Kunstindustri i Norden”, redigeret af Erik Zahle. Copenhagen: Hassings 1961. 4to. Large original hardcover with red topedge, complete with well preserved dustjacket. 300 pp. Richly illustrated. Text in Danish. Very good copy The big classic on Midcentury Danish and Scandinavian Design in Applied Arts / Furniture…















