Description
Eggleston, William. – Szarkowski, John (ed.):
New York: Museum of Modern Art, 2007 (2002). Original faux leather photoillustrated with gilt title. 112 pp. Fine copy
William Eggleston’s Guide
345,00 kr.
William Eggleston’s exhibition ‘Color Photographs’ opened at the Museum of Modern Art in 1976. Photographs taken by Eggleston in his own private milieu in and around Memphis between the years of 1969 and 1971 were selected. Eggleston’s exhibition was the first presentation of a color photographer’s work at this institution after an interval of more than ten years and the accompanying catalogue ‘William Eggleston’s Guide’ was the museum’s first publication of color photograph
In stock
Related products
-
Out of Stock
-
Out of Stock
400,00 kr.Edited by Elena Filipovic, Elena. Brussels / Milan / Copenhagen: WIELS Contemporary Art Centre / Mousse in collaboration with the Kunsthal Charlottenborg, 2012. 4to in printed wraps as issued. 144 pages, richly illustrated. Text in English. 1. edition. Light edgewear. Clean copy. Overall very good. Includes texts by Elena Filipovic…
-
300,00 kr.Tableaux-Vivant. Photographies 1966-1979. Maison du Danemark, 1980. Original printed wraps. With 105 photographic plates with female nudes, posing alone or together with the artist himself. text in French. Excellent tight and clean copy. Winther’s version of ‘The Male Artist and the Female Nude’. Richard Winther (1926-2007), important Danish painter, sculptor,…
-
Out of Stock
“In the history of photography, that is to say the history of photography according to the art museum, color photography became an artistically viable medium around the early 1970s, with the emergence of such photographers as Stephen Shore and William Eggleston. However, in 1948 the Danish photographer Keld Helmer-Petersen prefigured their work by two decades or so…his aim was to make pictures that would only work in color, and not in black and white…he achieved his ends in a similar way to Shore or Eggleston, by concentrating on the mundane and the everyday…it deserves credit as a singular, remarkably early and largely successful attempt to make color photography work” Martin Parr & Gerry Badger in The Photobook, A History
In stock