Zurich / Berlin / New York : Scalo Publishers, 2003. Folio. Original beige cloth with photoillustrated dustjacket, protected in acid-free archival removable mylar. 175 pages with 82 full-color, full-page photographic plates. Fine clean copy
Eggleston’s earliest work, a collection of photographs shot during a series of trips across the South from 1964 to 1974. With a brief introduction by Walter Hopps and an essay by Thomas Weski
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Ursula Schulz-Dornburg & Katharina Sattler: Curtains at the Piazza San Marco in Venice / Vorhänge am Markusplatz in Venedig. Cologne, Verlag Studio Dumont / DuMont Buchverlag, 1973. Oblong large 4to in wraps as issued. Illustrated throughout with photographs by Ursula Schulz-Dornburg and a short text in both German, Italian and…
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Space Poetry, 2005. 4to. Original black and white photoillustrated wrappers. Unpaginated. New copy.
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Ursula Schulz-Dornburg & Katharina Sattler: PALACE PIER BRIGHTON. Cologne, Verlag Studio Dumont / DuMont Buchverlag, 1976. Oblong large 4to in wraps as issued. Illustrated throughout with photographs by Ursula Schulz-Dornburg and a short text in both German and English by Sattler. Upper spine and front corners lightly dented else only…
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“In the history of photography, that is to say the history of photography according to the art museum, color photography became an artistically viable medium around the early 1970s, with the emergence of such photographers as Stephen Shore and William Eggleston. However, in 1948 the Danish photographer Keld Helmer-Petersen prefigured their work by two decades or so…his aim was to make pictures that would only work in color, and not in black and white…he achieved his ends in a similar way to Shore or Eggleston, by concentrating on the mundane and the everyday…it deserves credit as a singular, remarkably early and largely successful attempt to make color photography work” Martin Parr & Gerry Badger in The Photobook, A History
