Swiss graphic design and typography magazine, subtitled “Zeitschrift für Schriftsatz, Gestaltung, Sprache, Druck und Weiterverarbeitung – Revue pour la composition, la conception graphique, la langue, l’impression et l’apprêt”. Herausgegeben von der Gewerkschaft Druck und Papier zur Förderung der Berufsbildung – Editée par le Syndicat du livre et du papier pour l’éducation professionnelle. The Typografische Monatsblätter was one of the most important journals to successfully disseminate the phenomenon of Swiss typography to an international audience, as well as spread the burgeoning ideas of the New Wave style. In existence for almost eighty years, the journal was a vital forum for concepts and discussion. Throughout these years, the Swiss typographic journal witnessed significant moments in the history of typography and graphic design
HOFMANN, Armin. – Weingart, Wolfgang et al (ed.):. Typografische Monatsblätter – Schweizer Grafische Mitteilungen – Revue suisse de l’imprimerie – Swiss Typographic Monthly Magazine (TM / SGM / RSI ) Nr. 3, 1986. Armin Hofmann. St. Gallen: Zollikofer, 1986. 4to complete in original magazine wraps. (48) pages. Illustrated throughout. Well preserved
1. ed.
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In 1949 Max Bill organized an exhibition of modern design called “die gute form” on behalf of the swiss werkbund (swb). in the years 1952-1968 the label “die gute form” was used by the swiss werkbund to promote “good design”. This is the original exhibition catalogue of a 1954 exhibition in zürich and winterthur
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Classic monograph on El Lissitzky “Beyond the Abstract Cabinet: Photography, Design, Collaboration”. Edited by Margarita Tupisyn. Fine copy.
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Af Andreas Kornerup og Johan Henrik Wanscher. Politikens Forlag, 1962 (1961). 248 pp. Indbundet eksemplar med smudsomslag. Godt eksemplar. Vedlagt “papvindue”. Politiken Håndbøger.
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No Beginning, No End situates Max Bill within the context of his cultural moment. With more than two hundred illustrations of works by Bill and his contemporaries,
