Swiss graphic design and typography magazine, subtitled “Zeitschrift für Schriftsatz, Gestaltung, Sprache, Druck und Weiterverarbeitung – Revue pour la composition, la conception graphique, la langue, l’impression et l’apprêt”. Herausgegeben von der Gewerkschaft Druck und Papier zur Förderung der Berufsbildung – Editée par le Syndicat du livre et du papier pour l’éducation professionnelle. The Typografische Monatsblätter was one of the most important journals to successfully disseminate the phenomenon of Swiss typography to an international audience, as well as spread the burgeoning ideas of the New Wave style. In existence for almost eighty years, the journal was a vital forum for concepts and discussion. Throughout these years, the Swiss typographic journal witnessed significant moments in the history of typography and graphic design
Zelinsky, Christa. – Weingart, Wolfgang. – Hostettler, Rudolf (ed.):. Typographische Monatsblätter (TM) Schweizer Graphische Mitteilungen no 3, 1972. St. Gallen: Zollikofer / Schweizerischer Typographenbund Bern 1972. 4to complete in original magazine wraps. (94) pages, hereof more than twenty pages Christa Zelinsky special. Illustrated throughout Only minor wear to spine else clean and well preserved
Christa Zelinsky special with one of the classic Weingart experimental covers
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Published by Harry N Abrams Inc, New York (1991), reissue of the 1957 classic children’s book, and classic in mid-century graphic design.
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No Beginning, No End situates Max Bill within the context of his cultural moment. With more than two hundred illustrations of works by Bill and his contemporaries,
Naoto Fukasawa & Jasper Morrison: Super Normal. Sensations of the Ordinary. Zurich: Lars Müller Publishers, 2020. Small softcover. 128 pages, 264 illustrations. New copy.
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Classic monograph on El Lissitzky “Beyond the Abstract Cabinet: Photography, Design, Collaboration”. Edited by Margarita Tupisyn. Fine copy.
