Uhyre sjældne originale dokumenter fra Thy-Lejren udgivet af medlemmer af Det Ny Samfund, Thylejren eller Frøstrup Lejren, herunder reklameskriftet Regnbueavisen og reklame for Sommerlejren og numre af “Kraka”, alle fra 1970
Alle i A 4 format, klammeheftede, nogle løse. De fleste velbevarede dog er enkelte med tidstypiske brugsspor og nogle af Kraka er jordslåede (alle dog uden lugt)
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Cy Twombly (English Version), edited by Jonas Storsve. Paris: Centre Georges Pompidou / Sieveking 2020 (2016). Oversized squarish 4to hardcover with dustjackeyt. 320 pages with over 200 illustrations in color. Text in English. New copy Great retrospective from the Centre Pompidou show
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Edited by Germano Celant & Lisa Dennison. New York, New York: Fifty Years of Art, Architecture, Photography, Film, and Video. Milan: Published by Skira, 2006. Large very heavy hardcover with jacket. 546 pages, richly illustrated. Text in English. Light wear to edges and jacket. Overall a very good or near…
Twen, 1969. Large magazine format in original wraps. 152 pages, richly illustrated. Some edgewear and minor tears to edges, overall a very good copy of this much coveted and fragile magazine issue. Uschi Obermaier photographed by Will McBride on cover and feature inside. Also John Lennon and Yoko Ono Bed…
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“Who influenced the style of the Wiener Werkstätte (WW) from the moment it was founded in 1903? Names that immediately come to mind are those of the great male artists Josef Hoffmann, Koloman Moser, and Dagobert Peche. Yet, from the outset, women artists were also involved in the WW’s creations. Their number grew constantly until the company’s liquidation in 1932, and especially in the interwar years Mathilde Flögl, Maria Likarz, Felice Rix, or Vally Wieselthier defined the look of the WW with fantastic fabric patterns and expressive ceramics. In the course of our research, about 180 female artists were identified and approximately half of these are represented in this exhibition book. Educated at the Vienna School of Arts and Crafts and employed at the WW by Hoffmann, the women designed fabrics, fashion, home accessories, toys, and commercial art and, in addition, also took over the field of ceramics where they were able to work purely artistically. Furthermore, they also developed exceptional murals for interiors—be it flats, restaurants, or exhibition spaces. Although highly recognized at their time, the women artists were mostly forgotten after the end of the WW. The catalog and exhibition want to give them a face and raise awareness for an oeuvre that was involved in constituting the unique position of the Wiener Werkstätte between Art Nouveau and Bauhaus”
