300,00 kr.
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Monroe, Marilyn. – Wynn, Dan. – Rose, Ben. – Kane, Art (ed.):. Seventeen Magazine, July 1953: JUST FOR YOU. Seventeen Magazine, 1953. Large magazine format in original wrappers. 120 pages. Complete magazine. Only minimal edgewear. Excellent copy
A rare original vintage Seventeen Magazine issue in super condition, very rare thus. This issue is an utter joy to behold.. A perfect example of Art Kane’s graphic design greatness. Including Lustre-Creme ad featuring Marilyn Monroe
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Fristaden Christiania’s Stemme. 1. årgang, nr. 3, april 1974. Christinia, 1974. 8vo i original løst heftet omslag. 24 sider inklusiv omslag. Rigt illustreret med duplikerede fotos og tegninger. Lidt slidt men ikke slemt Uhyre sjældent original udgivelse hvor christianitterne kommer til orde og diskuterer retningslinierne for deres samfund samt forholder…
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The first extensive monograph on the most important book and magazine designer Willy Fleckhaus: known especially for TWEN Magazine and Suhrkamp. Texts by Hans-Michael Koetzle and Carsten Wolff in both German and English. 240 pages w 660 illustrations. New copy.
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Author explores the sexual impact of clothes, bodily modification as foot-binding and head-flattening, on modern man, the enjoyment of discomfort of clothes, reviewing all kinds of penintential or captive gear.
Bernard Rudofsky (Austrian-American, 1905–1988) was an architect, curator, critic, exhibition designer, and fashion designer whose entire oeuvre was influenced by his lifelong interest in concepts about the body and the use of our senses. He is best known for his controversial exhibitions and accompanying catalogs, including Are Clothes Modern? (Museum of Modern Art [MoMA], 1944), Architecture without Architects (MoMA, 1964), and Now I Lay Me Down to Eat (Cooper-Hewitt Museum, 1980). He was also famous for his mid-20th-century Bernardo sandal design
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“Muhammad Ali, Zurich, 26.12.1971 shows the iconic American smooth-talking rhymester-boxer before and during his prize fight in Zurich against German heavyweight Jürgen Blin on December 26, 1971. Hans-Ruedi Jaggi, a Swiss hustler and promoter, succeeded in bringing the champ to Zurich for the fight. At Zurich’s Playboy Bar, Jaggi made a bet with Jack Starck, a society reporter for the Swiss tabloid Blick, for a bottle of Ballantine’s that, after having already got Jimi Hendrix and the Rolling Stones to give concerts in Zurich, he would now lure the mighty Muhammad Ali to town for a fight. He subsequently flew to the States three times but couldn’t get an “in” with Ali. Eventually he made it through to Ali’s Black Muslims. When asked by the clan’s spiritual leader Herbert Muhammad, “What’s with the dough?” he pulled $10,000 — pretty much all the money he had at the time — out of his silver ankle-boots and a preliminary deal was promptly signed and sealed on a sheet of hotel stationery. Zurich photographer Eric Bachmann accompanied Ali during his ten-day stay, on his winter jog through Zurich’s woods or buying shoes in a working-class neighborhood, going through his training drills and, finally, during the big fight, which rapidly climaxed in the seventh round when he knocked out the blond German giant Jürgen Blin. Muhammad Ali, Zurich, 26.12.1971 documents the events in brisk chronological order, as befits a boxer who “floats like a butterfly, stings like a bee,” in a rapid-fire succession of impressively intimate and humorous shots against the placid urban backdrop of mid-’70s Zurich. The book is richly illustrated with a great many facsimiled boxing match program pages and newspaper clippings”
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