With essays by Patti Smith and Jonathan Weinberg. Los Angeles: Getty Research Institute, 2016. Large heavy 4to hardcover, no jacket as issued. (8), 239 pp. Richly illustrated. Light shelfwear and a barely visible light denting to upper front corner, see photos. Overall a clean near fine copy
First edition
Out of Stock
Forlaget Vindrose og Ny Carlsberg Glyptotek, 2006. 4to. 279 pp. Illustreret. Hft. Ikke det kønneste eksemplar : Ydre brugsspor med trykmærker på omslag og første (blanke) side ellers et acceptabelt eksemplar. Første udgave, 2. oplag.
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“In the history of photography, that is to say the history of photography according to the art museum, color photography became an artistically viable medium around the early 1970s, with the emergence of such photographers as Stephen Shore and William Eggleston. However, in 1948 the Danish photographer Keld Helmer-Petersen prefigured their work by two decades or so…his aim was to make pictures that would only work in color, and not in black and white…he achieved his ends in a similar way to Shore or Eggleston, by concentrating on the mundane and the everyday…it deserves credit as a singular, remarkably early and largely successful attempt to make color photography work” Martin Parr & Gerry Badger in The Photobook, A History
Tableaux-Vivant. Photographies 1966-1979. Maison du Danemark, 1980. Original printed wraps. With 105 photographic plates with female nudes, posing alone or together with the artist himself. text in French. Excellent tight and clean copy. Winther’s version of ‘The Male Artist and the Female Nude’. Richard Winther (1926-2007), important Danish painter, sculptor,…
Cologne: Published by Kunst-Station Sankt Peter, 2006. 36 pages. Text in German. Illustrated throughout. Fine copy.
