Jonathan Cape, London, 1995. Large extra big and heavy folio (11.75 x 12.5 inches) in hardcover with the original slipcase. 139 pp., richly illustrated with photos throughout, mostly full page, including some folding. Essays by Edmund White. Title page in red and black. Bound in original black cloth with titles, blind stamped and in red, in pictorial dustjacket. A fine copy
FIRST ENGLISH EDITION
Cologne: Published by Kunst-Station Sankt Peter, 2006. 36 pages. Text in German. Illustrated throughout. Fine copy.
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With 45 photographs of prostitutes of Copenhagen by Krass Clement. First edition. Livre photo avec 45 photographies noir et blanc pour ce reportage au sein de la prostitution à Copenhague
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“In the history of photography, that is to say the history of photography according to the art museum, color photography became an artistically viable medium around the early 1970s, with the emergence of such photographers as Stephen Shore and William Eggleston. However, in 1948 the Danish photographer Keld Helmer-Petersen prefigured their work by two decades or so…his aim was to make pictures that would only work in color, and not in black and white…he achieved his ends in a similar way to Shore or Eggleston, by concentrating on the mundane and the everyday…it deserves credit as a singular, remarkably early and largely successful attempt to make color photography work” Martin Parr & Gerry Badger in The Photobook, A History
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Copenhagen: Gyldendal, 1937. Large quarto in the original printed illustrated wraps. 217 pp. Text in Danish. 157 photographs on 128 beautifully printed plates plus 1 foldout map. Photographs finely deep gravure printed. Covers are worn, the dustjacket with some tears. Book itself very well preserved and solid and inside clean,…
