600,00 kr.
Out of Stock“Between the end of World War I and the Nazi assumption of power, Germany’s Weimar Republic (1919-1933) functioned as a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic and political upheaval, many artists rejected Expressionism in favour of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit – New Objectivity – its adherents turned a cold eye on the new Germany: its desperate prostitutes and crippled war veterans, its alienated urban landscapes, its decadent underworld where anything was available for a price. Showcasing 150 works by more than 50 artists, this book reflects the full diversity and strategies of this art form. Organised around five thematic sections, it mixes photography, works on paper and painting to bring them into a visual dialogue. Artists such as Otto Dix, George Grosz and Max Beckmann are included alongside figures such as Christian Schad, Alexander Kanoldt, Georg Schrimpf, August Sander, Lotte Jacobi and Aenne Biermann, as well as Albert Renger-Patzsch and Hannah Höch among many others. Also included are numerous essays that examine the politics of New Objectivity and its legacy, the relation of this new realism to international art movements of the time; the context of gender roles and sexuality; and the influence of new technology and consumer goods”
Out of stock
Barron, Stephanie & Sabine Eckmann (ed.): Munich: Prestel Publishers for Los Angeles County Museum of Art, 2015. Large heavy in publishers hardcover with dustjacket. 360 pages. Text in English, richly color illustrated. Only light edgewear to jacket and corners (see photos), overall a very good or near fine clean copy
First edition
The piece 4’33” premiered on August 29, 1952; four minutes, thirty-three seconds of performed, charged silence. Elegantly, provocatively, the piece asked: what does silence sound like? Cage’s questions about the nature of silence and sound continue to reverberate decades later; this volume-the most comprehensive on the piece to date-brings together…
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“Billedet som kampmiddel. Kvindebilleder mellem 1968 og 1977”. Med bidrag af blandt andet Lene Adler Petersen, Jytte Rex, Inge Eriksen, Ursula Reuter Christiansen, Kirsten Justesen m.m.fl. Udkommet på Informations Forlag, 1977. Stort format. 200 sider. Hft. Rigt illustreret. Grafisk smukt tilrettelagt af bl.a. Jytte Rex.
Out of Stock
Lars Müller Publishers, 2019 (1969). Paperback. 152 pages, illustrated. Text in English. New copy
Særdeles fin avantgarde publikation fra kredsen omkring Eks-skolen og tidskriftet TA’
Out of stock