500,00 kr.
Twen, 1969. Large magazine format in original wraps. 152 pages, richly illustrated. Some edgewear and minor tears to edges, overall a very good copy of this much coveted and fragile magazine issue.
Uschi Obermaier photographed by Will McBride on cover and feature inside. Also John Lennon and Yoko Ono Bed Happening and much more. Magazine design by Willy Fleckhaus. A Twen Super Issue!
Out of Stock
Lurker Grand and Andre P. Tschan: “Heute und danach – The Swiss Underground Music Scene of the 80’s”. Zurich: Edition Patrick Frey, 2012. 4to in wraps as issued. 672 pp. An amazing illustrated reference book on the Swiss alternative music scene of the 1980’s. Texts in German, Frech and English.…
Out of Stock
Lort nok (‘Enough Shit’). Copenhagen: Eks-Skolens Forlag, 1982. 8vo. Original photoillustrated wrappers. 104 unpaginated pages, illustrated throughout with b/w photographs by Soren Svendsen of the Danish punk scene 1980. Excellent clean copy with only the most minimal wear to spine and edges of cover. Inside clean and bright First edition
Frøstrup sommeren 1970: Tekst- og billedudvalg: Claus Clausen. Copenhagen: Husets Bogcafe, 1971. Large folio format in original photoillustrated stapled wraps (37 x 29 cm). Illustrated throughout with b/ w photographs. Some edgewear but overall well preserved. 1. and only printing Rather sensational copy of this Danish photobook documentary made as…
Out of Stock
The “Index” was sold during the 1967 holiday season as a “hip gift book”. It was available in both a Hardback ($ 12.95), a Softback ($4.95), and a signed boxed edition ($50.00). Both editions have the same interiors. The included flexidisc plays – not an unrecorded song by Nico and the Velvet Underground but – , a casually recorded actual conversation between Nico, Warhol, and others about producing and designing the book. Also in the original advertisement above for this book above, the “strange” rainbow nose was promoted as “a do it yourself nose job.” According to Billy Name the nose was Bob Dylan’s. The squeak that one hears on the accordion page was supposed to depict/sound like a fart. The tear off papers that some think were for dropping acid were actually designed to drop into water. Once in the water they dissolve and the name Andy Warhol floats to the top. The Castle design was pulled from a Hallmark Robin Hood promotional. The biplane came from one of Graphic International’s promo pieces. Much of the text/design was based on inside jokes between Warhol and his friends”.
