No Beginning, No End situates Max Bill within the context of his cultural moment. With more than two hundred illustrations of works by Bill and his contemporaries,
Af Andreas Kornerup og Johan Henrik Wanscher. Politikens Forlag, 1962 (1961). 248 pp. Indbundet eksemplar med smudsomslag. Godt eksemplar. Vedlagt “papvindue”. Politiken Håndbøger.
This publication documents Bill’s initiative in reproductions of the original display panels and layout plans for the venues visited by the exhibition, and places Die gute Form in a theoretical context that considers its reception and impact within the history of design. The international touring exhibition Die gute Form was conceived by Max Bill on behalf of the Swiss Werkbund and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 display panels, designed by Bill presenting a selection of consumer goods from all over the world chosen by Bill as examples of good design