Description
New York MOMA, The Museum of Modern Art, 2007 (1966). Square softcover. 156 pages with 172 b/w photographs. Fine copy
An indispensable photobook classic. Included in Parr & Badger
John Szarkowski — The Photographer’s Eye
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“In the history of photography, that is to say the history of photography according to the art museum, color photography became an artistically viable medium around the early 1970s, with the emergence of such photographers as Stephen Shore and William Eggleston. However, in 1948 the Danish photographer Keld Helmer-Petersen prefigured their work by two decades or so…his aim was to make pictures that would only work in color, and not in black and white…he achieved his ends in a similar way to Shore or Eggleston, by concentrating on the mundane and the everyday…it deserves credit as a singular, remarkably early and largely successful attempt to make color photography work” Martin Parr & Gerry Badger in The Photobook, A History
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Ursula Schulz-Dornburg & Katharina Sattler: Curtains at the Piazza San Marco in Venice / Vorhänge am Markusplatz in Venedig. Cologne, Verlag Studio Dumont / DuMont Buchverlag, 1973. Oblong large 4to in wraps as issued. Illustrated throughout with photographs by Ursula Schulz-Dornburg and a short text in both German, Italian and…
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Distance and Proximity / Distanz und Nähe: Fotografische Arbeiten von / Photographic Works by Bernd & Hilla Becher, Andreas Gursky, Candida Höfer, Axel Hütte, Simone Nieweg, Thomas Ruff, Jörg Sasse, Thomas Struth, Petra Wunderlich. Institut für Auslandsbeziehungen und Autoren / Hatje Cantz, 1996 (1992). 4to in Grey French wrappers with…
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Lasse Krog Møller: Alle frisørsalonerne på Amagerbrogade “(All the Hair Dressers on Amagerbrogade”). Forlaget Asterisk, 2019. Leporello, 42 pages, illustrated throughout with b/w photographs. 305 cm when opened. 2nd printing – one of only 150 copies.
