200,00 kr.
Using an eclectic range of objects and elements including used furniture, outdated electric appliances, electronic materials, light and the appropriated work of other artists, Haroon Mirza creates complex audio installations which investigate the moment where noise becomes music. Mirza describes the works in this exhibition as ‘unfolding compositions in time’ with each installation generating a seemingly cyclical and distinct field of sound often in the same tempo and key. Together they combine to form a larger musical composition throughout the gallery. The viewer therefore experiences the individual works as autonomously active objects and yet the whole exhibition becomes a live group performance and unified installation Published on the occasion of the solo exhibition at Lisson Gallery, London, 2011
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Mirza, Haroon and Richard Birkett: Haroon Mirza: Movement 1. With CD
London: Lisson Gallery, 2011. Hardcover without dustjacket as issued, 96 pages, richly illustrated, light rubbing to covers; no internal marks. Overall a near fine copy. COMPLETE with cd
First edition
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Black Mountain: An Interdisciplinary Experiment, 1933 – 1957, on Anni & Josef Albers, John Cage, Merce Cunningham, R. Buckminster Fuller, Charles Olson a.m.o. Spector Books, 2019. 464 pages, with black-and-white reproductions throughout. New copy.
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Large oversized hardcover – app. 30 x 30 cm. Richly illustrated catalogue from Paris Bibliotheque Nationale, 2011. 243 pages, short text in French, illustrated throughout in color. An excellent clean and attractive copy. First edition, 1st printing.
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Rare original folder published on the occasion of the Soviet exhibition at Pressa Cologne 1928. The exhibition showed graphic design, publishing and press material and El Lissitzky was in charge. His design for the exhibition brought together architecture, graphics, photography, film and sound. He combined photomurals, and letters of every thickness and type running in every direction, turning the Soviet pavilion into a vast multimedia installation. The present folder is a text only and Sergey Ingulov writes on the situation of the newspaper in the Soviet Union of 1928. Cover possibly by Solomon Telingater or maybe even El Lissitsky.
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Donald Judd monograph exhibition catalogue for Whitney Museum of American Art, 1988. This copy is SIGNED BY THE ARTIST / INSCRIBED in hand to free front endpaper BY DONALD JUDD to Danish architect Henning Larsen, dated 1992. “Für Henning Larsen / 13.1. 92 / Köln / Don Judd”.
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