400,00 DKK
Iconic photobook of the sixties
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Aperture, 2014 (1968). 8vo. Hardcover with fine jacket. IX, 94 pages. Profusely illustrated
First Aperture edition. Fine copy
Included in Andrew Roth, The Book of 101 Books, page 190/191; Martin Parr, Gerry Badger, The Photobook, volume 1, page 256; Hasselblad Center, The Open Book, page 236/237
Ursula Schulz-Dornburg & Katharina Sattler: PALACE PIER BRIGHTON. Cologne, Verlag Studio Dumont / DuMont Buchverlag, 1976. Oblong large 4to in wraps as issued. Illustrated throughout with photographs by Ursula Schulz-Dornburg and a short text in both German and English by Sattler. The 2nd photobook publihsed by Ursula Schulz-Dornburg, and made…
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“In the history of photography, that is to say the history of photography according to the art museum, color photography became an artistically viable medium around the early 1970s, with the emergence of such photographers as Stephen Shore and William Eggleston. However, in 1948 the Danish photographer Keld Helmer-Petersen prefigured their work by two decades or so…his aim was to make pictures that would only work in color, and not in black and white…he achieved his ends in a similar way to Shore or Eggleston, by concentrating on the mundane and the everyday…it deserves credit as a singular, remarkably early and largely successful attempt to make color photography work” Martin Parr & Gerry Badger in The Photobook, A History
Det lyse kammer. Bemærkninger om fotografiet. Rævens Sorte Bibliotek, 2019. 159 pp. Hft. Med illustrationer. Nyt eksemplar.
Ursula Schulz-Dornburg: Ansichten von Pagan, Burma / Views of Pagan, Burma (Bagan, Myanmar). Cologne: Studio DuMont Buchverlag, 1978. Large squarish 4to hardcover with dustjacket. 80 photographs and an introductory text by Rudolf Knubel in German. Great graphic design by Tünn Konnerding. Very good copy with only minor wear to jacket.…
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