300,00 kr.
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By Gary Garrels. Brice Marden RETROSPEKTIVE. Hatje Cantz Verlag, 2007. Heavy large 4to in wraps. 337 pp., 5 gate-folds; 170 color plates; numerous bw photos of the artist and his friends and family;. Text in German; Includes 6 essays about the artist and his work, as well as a biography; From the exhibition “Brice Marden – Retrospektive” at Hamburger Bahnhof, Museum fur Gegenwart, Berlin from 12 June to 7 October, 2007. Only minor shelfwear else fine and clean
1st edition
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Large oversized hardcover – app. 30 x 30 cm. Richly illustrated catalogue from Paris Bibliotheque Nationale, 2011. 243 pages, short text in French, illustrated throughout in color. An excellent clean and attractive copy. First edition, 1st printing.
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No Beginning, No End situates Max Bill within the context of his cultural moment. With more than two hundred illustrations of works by Bill and his contemporaries,
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Rare original folder published on the occasion of the Soviet exhibition at Pressa Cologne 1928. The exhibition showed graphic design, publishing and press material and El Lissitzky was in charge. His design for the exhibition brought together architecture, graphics, photography, film and sound. He combined photomurals, and letters of every thickness and type running in every direction, turning the Soviet pavilion into a vast multimedia installation. The present folder is a text only and Sergey Ingulov writes on the situation of the newspaper in the Soviet Union of 1928. Cover possibly by Solomon Telingater or maybe even El Lissitsky.
Jonas Mekas’s autobiography I Had Nowhere to Go describes his survival in the camps and his arrival in New York. Mekas tells a universal story, that of an émigré who can never go back, whose loneliness in his new world is emblematic of human existence. Published by Spector Books, 2020.…
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