skulptur

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    Denmark: Eks-Skolens Forlag med Aarhus Kunstmuseum, 1986. Stor 8vo. 272 sider. Hft. Illustreret s/h og farver. Heftet. Text in both Danish and English. Cover with light edgewear else fine clean copy

  • Out of Stock

    “As Gavin Delahunty writes, “Carl Andre has also made an art of words.” – a retrospective monograph which presents the artist’s poems. Carl Andre lays words on paper just as he lays pieces of metals or bricks on the floor. Formed by letters piled up in blocks of words assembled together, on top of each other, these poems, which he has written since the 1960s, arise as “sculptural configurations.” In the tradition of concrete poetry, words become adjustable entities moved around and placed within the limits of the space of the sheet of paper in order to create new configurations and patterns, and eventually new works of art. “Andre [ … ] understands the word as a concrete module, similar to the squares of industrial metal, wooden timbers, or bricks in his signature three-dimensional pieces,” writes Rob Weiner. The book includes essays by art historians Gavin Delahunty and Valérie Mavridorakis, as well as curator Lynn Kost, and situates Carl Andre’s written works within their initial context in the 1960s at a time when Minimalism was being defined”

  • 299,00 kr.

    Strandberg Publishing, 2022 (1975). 8vo. 160 pp. Hft. Nyt eksemplar!

  • 199,00 kr.

    “Kasper Heiberg. Maler, billedhugger og pioner på stedets betingelser 1928-1984”. Forlaget Vandkunsten, 2013. Stort format. Hardcover, med omslag. 320 sider, illustreret. Nyt eksemplar!

  • Out of Stock

    I bogen Kartotek -en kunstsamling skildres ødelæggelse og undergang: en tre meter lang Henry Moore skulptur forsvinder sporløst, en dreng vil kramme en glasskulptur i Kentucky, en milliardær er utilfreds med et bestilt værk, en religiøs stat smadrer skulpturer af mennesker, en vred borgmester beordrer en hel udstilling fjernet, en statue smides i havnen, et Ai Weiwei-værk bliver smadret af en vred lokal kunstner i Florida, en selfie-turist vælter Portugals svar på Holger Danske, en rengøringshjælp rydder op, og en pedel smider affald ud.
    Bogen er udformet som et kartotek over en række kunstværker, der alle har det tilfælles, at de ikke længere eksisterer; nogle er blevet stjålet, nogle er ødelagte, enten med vilje eller ved et klumset uheld, andre er bare blevet væk.
    Nu findes værkerne udelukkende i kraft af katalogpostens nøgterne beskrivelse og gennem betragterens evne til at se det ikke-eksisterende værk for sig

  • 100,00 kr.

    Buchloh, Benjamin H.D. – Bois, Yve-Alain. – Krauss, Rosalind. – Crimp, Douglas et al. – Foster, Hal & Gordon Hughes (ed.):. RICHARD SERRA – October files. MIT Press / October, 2000. 8vo in wraps as issued. 204 pp. With plates bw Fine clean copy

  • 300,00 kr.

    Yve-Alain Bois – Crimp, Douglas et al. – Guse, Ernst-Gerhard (ed.): RICHASRD SERRA. English Version New York: Rizzoli, 1988. Large very heavy hardcover with fine dustjacket. 369 pages, richly illustrated. Text in Emglish by Yve-Alain Bois, Douglas Crimp, Ernst-Gerhard Guse, Richard Serra and Armin Zweite. Fine clean copy First US…

  • 300,00 kr.

    “As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra’s intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra’s drawn work, considering the artist’s investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper.”

  • 300,00 kr.

    Printed very finely at Steidl for The Museum of Contemporary Art Los Angeles, 1998. Oversized large and heavy 4to in original hardcover with jacket. 240 pages with 270 illustrations. Text in English. Light edgewear to jacket else fine clean copy 1. edition. With essay by Hal Foster. Interview by David…

  • 245,00 kr.

    Marcia Tucker: Robert Morris. New York: Whitney Museum of American Art, 1970. Small 4to in publishers grey hardcover with fine and protected dustjacket. 63 pages, illustrated. Text in English. Fine attractive copy, clean First edition Texts by exhibition curator Marcia Tucker. “The presentation of this exhibition, which consists of approximately…

  • 175,00 kr.

    Af Rolf Læssøe. Udkommet på Politikens Forlag, 1992. Lille 4to i hardcover, intet smudsomslag. 42 sider. Illustreret, delvist i farver