• Out of Stock
    200,00 kr.

    Matthew Marks Gallery / Steidl Publishers, 2007. 8vo hardcover in slipcase as issued. 48 pages with 25 images. Fine clean copy First edition thus “After six years in Paris, Kelly returned to New York in 1954 where a friend gave him a hardcover publisher’s dummy of an old Sigfried Giedion…

  • 700,00 kr.

    Lines in Two Directions and in Five Colors on Five Colors with All Their Combinations by Sol Lewitt Minneapolis: Walker Art Center, 1988. Square large 8vo in wraps as issued. 80 pages, color illustrated. Fine copy. Artist’s book conceived by Sol LeWitt in 1981 that was ultimately published in 1988…

  • 200,00 kr.

    Edited by Jeremy Lewison. “Sol LeWitt Prints 1970-86. Screenprints, Lithographs, Etchings, Woodcuts”. London: Tate Gallery, 1986. Squarish 8vo in wraps as issued. 80 pages, illustrated in color. Fine clean copy First edition. Great introduction to the works of Lewitt, richly illustrated

  • 1.250,00 kr.

    Paris: Yvon Lambert, 1980. Oblong 8vo in original stapled wraps as issued (15.8 x 21.4 cm). 20 pages. Only most minimal wear to cover. Near fine / fine copy. More photos available upon request First edition

  • 300,00 kr.

    Seattle / Andover: University of Washington for Addison Gallery, 1993. Landscape 4to in wraps as issued (11.25″ x 9″ inch). 88 pages with essays by Jack Reynolds and Andrea Miller-Keller; Drawings in Progress and Drawings in Completed Exhibition, profusely illustrate in color and black-and-white, many full-page. Fine clean well preserved…

  • 300,00 kr.

    Edited by Nicholas Baume. MIT Press: Wadsworth Atheneum Museum of Art., Cambridge, MA, 2001. Landscape 4to in white wraps with black lettering as issued. 112 pages, with numerous illustrations. Fine clean copy First edition

  • Out of Stock

    Cooke, Lynn & Beat Wismer et al: Bridget Riley. Bilder und Zeichnungen / Paintings and Drawings 1959 – 2005. Aargauer Kunsthaus & British Council, Aarau, 2005. Large oversized folio hardcover, no jacket as issued. 228 pages, richly illustrated with text in both German and English (at end). Minor wear to…

  • 100,00 kr.

    Bridget Riley: Complete Prints 1962-2005. Second Revised Edition. London: Ridinghouse 2005 – Softcover, 110 pages; . 8vo. Stiff wraps. 110 pp. Text in English. Illustrated. Some edgewear to cover else fine, clean copy Second revised and enlarged edition.

  • Out of Stock

    “As a new movement that arose in the 1950s and 1960s, Minimalism challenged traditional ideas about art-making and the art object. A Minimal Future? Art As Object 1958-1968, which accompanies a major exhibition at The Museum of Contemporary Art in Los Angeles, offers a redefinition of Minimalism by situating it in the context of the concurrent aesthetics of modernist abstraction, pop art, and nascent ideas of conceptual art. Minimalism is presented as a range of strategies that propelled new definitions of the structure, form, material, image, and production of the art object and renegotiated its relationship to space and to the spectator.Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art’s emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called “canonization” of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s.The book includes works from the late 1950s through the late 1960s by 40 artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt, and Lawrence Weiner that reflect the shifting object status of painting and sculpture.The text features original essays by prominent art historians and scholars. Diedrich Diedrichsen addresses the relationship between minimal art and music; Jonathan Flatley focuses on Donald Judd and Andy Warhol; Timothy Martin considers perfomance in relation to minimal art; James Meyer examines East and West Coast practices of Minimalism; and Anne Rorimer discusses the relationship of minimal to conceptual art. Exhibition curator Ann Goldstein contributes an introduction. Also included are individual entries on each of the artists, an extensive bibliography, and an exhibition chronology. The 400-page book includes 300 images, most in color”

  • Out of Stock

    Hoban, Stephen & Courtney J. Martin (ed.): ROBERT RYMAN New York : Dia Art Foundation & New Haven and London : Yale University Press, 2017. Hardcover, with dustjacket. 335 pp. Richly illustrated in color. Attractive clean fine copy First edition “A comprehensive study highlighting the interplay of context and meaning…

  • Out of Stock

    Edited by Barbara Haskell: AGNES MARTIN. With essays by Barbara Haskell, Anna Chave and Rosalind Krauss. New York: Whitney Museum / Harry Abrams, 1994 (1992). Tall slim 4to in softcover. 188 pages, illustrated in color. Text in English. Fine clean copy Second printing

  • Out of Stock

    Donald Judd. New York: Paula Cooper Gallery, 1995. Landscape 8vo in staple-bound wraps as issued. 28 pages. Color illustrated. Fine clean copy   With introduction by Brydon E. Smith