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  • 500,00 kr.

    Robert Smithson (1938-1973) – “an artist of paramount importance in postwar America, created radical new perspectives for landscape architecture, photography, art criticism, and site-specific installation. His Spiral Jetty – a 1,500-foot-long coil of rock built in 1970 at the edge of the Great Salt Lake – is widely appreciated as one of the most significant art projects of the twentieth century. Less well known is the connection between the Jetty and the nearby Golden Spike National Historic Site, location of the completion of the first U.S. transcontinental railroad. The link between these two monuments is but one facet of an entire complex of historical reference and reflection that structures Smithson’s work. Mirror-Travels encompasses the full span of Smithson’s career, offering a close analysis of the artist’s working model of history and featuring comprehensive case studies of three of his most influential works: “The Monuments of Passaic”, “Incidents of Mirror-Travel in the Yucatan”, and the Spiral Jetty. Incorporating abundant new material from Smithson’s personal papers and library, Jennifer Roberts offers surprising new interpretations about the artist and his responses to the social, ideological, and material contradictions of his time.”

  • 100,00 kr.

    Wanderlust. A History of Walking. Granta Paperback, 2014 (2002). XV, 326 pp.

  • Out of Stock
    120,00 kr.

    New York: Aperture, 2006. 8vo. Publishers hardcover with dustjacket. 95 pages. Fine copy 1. edition

  • Out of Stock

    Crime tales in pictures…for You to solve! Oscure and somehow strange book about police detection. PhotoCrimes presents the reader with the evidence of twenty-six assorted misdemeanors. They were not real incidents but reconstructions. The reader was supposed to examine the evidence and solve each crime…

  • 750,00 kr.

    Original plakat. Sjælden. NB: Trykt på begge sider! Slid ved hjørner men alt i alt meget velbevaret og helt frisk i farven Med deltagelse af Mogens Møller og andre. Se fotos for beskrivelse af udstillingsprojektet

  • 500,00 kr.

    Oslo, Norway, and Stockholm, Sweden: National Museum of Contemporary Art and Moderna Museet, 1999. 4to in softcover as issued. 303 pages. Features text contributions by Per BJ Boym, Anette Osterby, Tim Martin, Vibeke Petersen, and Stian Grogaard. Text in English throughout. Includes numerous color and some black and white illustrations…

  • Out of Stock

    Konceptuelt fotografi

  • Out of Stock
    100,00 kr.

    Sophienholm, 1982. Original heftet omslag. 133 pp. Illustreret med fotos Heri bl.a. følgende tekster ‘Passaics monumenter’ af Smithson, ‘Rekonstruktion af byen’ af Leon Krier mv.

  • 100,00 kr.

    George Braziller, 1974. Small square 8vo. Paperback issue. 166pp. Illustrated b/w. Edgewear 1. ed. SIGNED presentation copy Collection of essays by Jack Burnham including essays on Real Time Systems, Les Levine, Willoughby Sharp interview of Burnham, Ready-Mades, Duchamp, artist as shaman, etc.

  • 400,00 kr.

    Catalog of the landmark exhibition, organized by John Beardsley, of contemporary earth works or land projects by artists such as Robert Smithson, Nancy Holt, Michael Heizer, Richard Long, Charles Ross, Charles Simonds and others

  • 400,00 kr.

    Oppenheim, Dennis: Retrospective Works 1967-1977 / Retrospective de l’oeuvre Montreal: Musee d Art Contemporain, 1978. Large oversized 4to in wraps as issued. 96 pages; in both English and French. Light wear to cover, but solid and inside clean. Complete with booklet with interviews and checklist First edition

  • 175,00 kr.

    “Stuart has long been heralded as a true pioneer, known first for her nature-based art dating back to the late 1960’s and 1970’s, and one of the very few female practitioners of Land Art. In an expansive and illustrious career spanning five decades, her work seamlessly merges the fields of history, ecology and archaeology, reflecting intimate personal memory within the context of sweeping environmental and cultural events. She came of age as an artist in New York when both the feminist and environmental movements were being forged into the culture. For others, the ideals and core beliefs of these movements might have dissipated after first flush, but for Stuart the connection between humanity, the animal kingdom, our planet, and the greater spheres we revolve within, have only strengthened and solidified throughout the lifetime of her work”