kvinder
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100,00 kr.Orlando. En biografi Gyldendals Bekkasinbøger, 1962. 228 pp. Hft. Omslag af Grandjean
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345,00 kr.Klüv”Giant Size $1.57 each” – Interviews with 11 Artists booklet Published by Experiments in Art and Technology, NY, 1981. 16mo. Printed wraps in plastic comb binding, 5-1/2 x 4-1/2 inches. 45 pages. Minimal wear only “During March 1963 I produced an hour-long record of interviews with eleven artists – Jim…
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Edition of 100. In Chronicles Vol.2, artist Kim Gordon (1953 Los Angeles, California) brings together some of her most personal and unique drawings from a collection gathered over a period of years for her daughter Coko, her nieces, Thurston, and friends. Gordon’s second release for Nieves goes beyond the photographic glimpses of the ‘musician’ Kim pictured in Chronicles Vol.1, the artist is ‘carrying’ the reader through her private compilation of drawings, collages and paintings, also containing works from projects that were never shown in public before. Together with Thurston Moore, Lee Renaldo, and Richard Edson, Kim Gordon formed Sonic Youth in 1981, a band that she has been a member of ever since. Gordon has directed videos for The Breeders, co-produced Hole’s album, “Pretty on the Inside”, and, in 1994, started the clothing line, X-girl. The artist- musician has lived and worked in New York since 1980
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175,00 kr.
Szapocznikow, Alina. – Jakubowska, Agata (ed.): Alina Szapocznikow : Awkward Objects. Muzeum Sztuki Nowoczesnej W Warszaw, 2011. 8vo in wraps as issued. 288 pages, illustrated. Text in both Polish and English. Fine copy
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Gordon, Kim et al. – Browne, David: Da Capo Press, 2008. Publishers hardcover with lightly worn dustjacket. 421 pp. With illustrations bw. Clean very good copy
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Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the artist-critics of her generation, including Mike Kelley, John Miller, and Dan Graham. In addressing key stakes within contemporary art, architecture, music, and the performance of male and female gender roles, Gordon provides a prescient analysis of such figures as Kelley, Glenn Branca, Rhys Chatham, Tony Oursler, and Raymond Pettibon, in addition to reflecting on her own position as a woman on stage. The result—Is It My Body?—is a collection that feels as timely now as when it was written. This volume additionally features a conversation between Gordon and Jutta Koether, in which they discuss their collaborations in art, music, and performance
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Forlaget Rhodos, 1975. 272 pp. Hft. Eet af Brøgger’s hovedværker og et hovedværk i dansk litteratur i det hele taget
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400,00 kr.
The catalogue from the landmark exhibition from three then-new museums, highlighting the feminist, activist, ethnic, and racial concerns of 1980s art, featuring artists such as Cindy Sherman, Faith Ringgold, Jenny Holzer, Eric Fischl, Barbara Kruger, Bruce Nauman, and many, many others
