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    Antipyrine, 2023. 153 pp. Hft. Oversatte essays fra Empirismo eretico. Lidt kantslitage

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    345,00 kr.

    St. Paul – A Screenplay. Preface by Alain Badiou. Introduction by Ward Blanton. Translated by Elizabeth A. Castelli. . Verso Books, 2014. Hardcover, with jacket. XLII, 142 pp. Fine clean copy First edition thus “for the first time in English is a remarkable screenplay about the apostle Paul by Pier…

  • 70,00 kr.

    BERGDAHL, Gunnar & HEDSTRÖM, Kajsa (red.):. Pasolini lever! En antologi. Filmkonst nr 43. Göteborg Film Festival, 1996. 124 pp. Text på svensk. Lille paperback Med tegninger af Carl Johan De Geer

  • 100,00 kr.

    Paris, Éditions Pierre Belfond, 1970. In-8, broché couverture illustrée avec un portrait photographique de Pasolini, 176 pages, 12 planches photographiques hors texte en noir et blanc. Bon etat First edition

  • 100,00 kr.

    Pier Paulo Pasolini: A Future Life: A Cinema of Poetry. Associazione Fonda Pier Paolo Pasolini / Ministero del Tourismo e Dello Spetaccolo – Cinecitta, 1988. Large oversized 4to in pictorial stapled wraps as issued (11.75 x 9.25 inches). Text in English.(36) pages. Illustrated with photographs and film stills. Text in…

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    Princeton University Press, 1990. Publishers green clothed hardcover with gilt lettering and fine well preserved unclipped jacket. XI, 249 pp. With illustrations. Fine and clean First edition, 2nd printing

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    Il Vangelo secondo Matteo. Un film di Pier Paolo Pasolini (The Gospel According to St. Matthew). A cura di Giacomo Gambetti Milano: Garzanti Editore, September 1964. 8vo in original publishers hardcover, no jacket .307 pp. With black and white photographic stills from the movie. Binding with some minor wear, some…

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    Special issue of Cahiers du Cinema devoted to the Italian writer and filmmaker, Pier Paolo Pasolini

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    From today’s perspective, Pier Paolo Pasolini (1922 – 1975) comes across as one of the most productive and exhilarating talents in twentieth-century art. He continues to be both an inspiring and provocative figure not only for his wide-ranging virtuosity as a linguist, writer, journalist, and film-maker but also on account of the themes that he addressed. In modern-day Europe with all its levelling processes, regulations, and a hypocrisy protected by the code of political correctness, the loss of his voice is keenly felt. Pasolini never simply glorified the ancient ways of isolated regions and decried progress; rather, by adopting both extremes, he created an all-embracing poetics of experimental thinking. Hans Ulrich Reck’s book shows the relevance of his work today: that Pasolini was proved bitterly right in so many things is an expression of his far-sightedness”

  • Out of Stock

    From today’s perspective, Pier Paolo Pasolini (1922 – 1975) comes across as one of the most productive and exhilarating talents in twentieth-century art. He continues to be both an inspiring and provocative figure not only for his wide-ranging virtuosity as a linguist, writer, journalist, and film-maker but also on account of the themes that he addressed. In modern-day Europe with all its levelling processes, regulations, and a hypocrisy protected by the code of political correctness, the loss of his voice is keenly felt. Pasolini never simply glorified the ancient ways of isolated regions and decried progress; rather, by adopting both extremes, he created an all-embracing poetics of experimental thinking. Hans Ulrich Reck’s book shows the relevance of his work today: that Pasolini was proved bitterly right in so many things is an expression of his far-sightedness”

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    A rare and fine set of the first three (of four in all) volumes of the translation into English of the most important moments in the life of the most iconic of modern cinema publications, “Cahiers du Cinéma”