grafisk design

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  • 299,00 kr.

    Nele Dechmann, Nicola Ruffo & Agnieszka Sosnowska (cur.):. “Learning from Warsaw: 20 Lessons”. Warsaw Castle, Kodoji Press, 2013. Large oversized in stiff wraps as issued. 96 pages; in English. Some surface marks to back cover, else clean and crisp; no internal marks First edition. “The city of Warsaw is interesting…

  • 200,00 kr.

    “Ear Lights, Eye Sounds. Expanded Cracked Everyday Electronics”. Ediziona Periferia, Luzern, 2014. Large 4to in hardcover, no jacket as issued. 23 x 31 cm, 272 pages, illusrated richly. English text First edition “(1–3) Making the audiovisual recording for the exhibition My first sonic Lok at Bahnmuseum Albula, Bergün, 2013. Installation…

  • Out of Stock

    AZTDR (TDR A to Z of The Designers Republic) by Ian Anderson. London: Unit Editions, 2019. Large very big and heavy 4to hardcover with dustjacket. 512 pages. Richly illustrated. Fine clean copy. 1. edition

  • Out of Stock

    Bog tilrettelagt af Alfred Jacobsen & Jørgen Johansen, med tekst af John Bertelsen. Udgivet af Aktieselskabet Rockwool, Dansk Gasbeton Aktieselskab, 1958. Kvadratisk omslag. 35 sider. Illustreret med fotos og linoleumssnit Lille grafisk mesterværk af Jacobsen + Johansen. Pænt eksemplar 1. oplag

  • Out of Stock

    Bloch, Jacqueline et al (ed.): . DEPECHE MODE Mai 1968 – LA revue de tendances. Paris: Rue de Teheran, Impr. Grou-Radenez, 1968. 4to in original wraps. 109, (5) pp. Illustrated richly, black and white, while cover is orange and blue. Text in French, with some parts also in English and…

  • 100,00 kr.

    “Graphik-Design : R. J. Schmitt”. Berlin: Kunstbibliothek Berlin, Staatliche Museen Preussischer Kulturbesitz, 1975. Square 8vo in wraps as issued. 40 pp. Minor marks to cover surface else clean and fine 1. ed. Rudolf J. Schmitt (1925-2016) , a classic modernist German artist and graphic designer

  • 345,00 kr.

    Stuttgart: Kunstgebäude am Schlossplatz, 1968. Publishers hardcover with jacket (22 cm x 22 cm). 270 pages, richly illustrated. Jacket somewhat worn, now protected. Overall a good copy First edition, 2nd printing in the rare hardcover version with the beautiful dustjacket. Catalogue and dustjacket designed by Herbert Bayer and Peter Wehr

  • 600,00 kr.

    HERBERT BAYER – PAINTER, DESIGNER, ARCHITECT (Visual Communication). New York: Reinhold Publishing Corporation / London Studio Vista, 1967. Heavy 4to in publishers blue clothed hardcover with original somewhat worn dustjacket, now protected. 211 pages with 450 illustrations finely printed hereof which 25 are in color. One page (see photos) with…

  • 300,00 kr.

    “Experiment Design: More creativity throug experimental design work – Case studies from practice and training. Créativité accrue grâce à la conception formelle expérimentale – études de cas tirés de la pratique et de la formation graphique – Mehr Kreativität dur experimentelles Gestalten – Fallstudien aus der Praxis und Ausbildung”. Zürich,…

  • 175,00 kr.

    The classic finely printed, richly illustrated monograph on the Danish graphic design pioneer Knud Valdemar Engelhardt (1882–1931) “Denmark’s first industrial designer. Influenced by the architect Thorvald Bindesbøll, Engelhardt understood that successful production depended on both an industrial and a graphical approach. The font he developed for Gentofte’s road signs is sensitive and personal but also eminently readable. From 1908 to 1910, he designed electric trams for Copenhagen with intricate detail. The vehicles were functional and cleanable in all weathers, and were well manufactured. Although Engelhardt was an architect, he also exerted a considerable influence on the development of Danish billboards and graphic design traditions. More than anyone else, Engelhardt paved the way for a Danish approach to design and industrial production

  • Out of Stock

    Throughout his long career Lance Wyman kept a daily record of his creative processes: working drawings for logos; detailed specifications for urban way-finding systems; sketches for typefaces; notes to himself; records of conversations; colour swatches; Polaroids; and other forms of printed ephemera. This is the first publication of these.