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345,00 kr.PICKLES (Stephen Pickles): QUEENS. London: Quartet Books, 1984. Hardcover, w jacket. 289 pp. Minor wear to exterior. Overall a very good copy. 1st edition Queens is a novel, written in 1984 by Stephen Pickles, who at the time was working as an editor at Quartet Books, the publisher of the…
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Peter Hujar. A Retrospective. Edited by Urs Stahel and Hripsimé Visser. ENGLISH VERSION. Berlin / Zürich / New York: Scalo Publisher’s, 1994. 4to. Original hardcover with dustjacket. 207 pp. Illustrated throughout with black and white photographs. Introductory text in English. Name of previous owner handwritten to front innercover but hidden…
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169,00 kr.What makes the work of the American experimental writer Kathy Acker so utterly relevant today, almost thirty years after her passing? The articles collected in this volume aim to provide answers to this question. Indeed, through studies of both Acker’s published and unpublished works, analyses of her writing process, and pieces blurring the boundaries between critical and creative writing, these articles map the writer’s body of works and weave webs the way the “Black Tarantula” would. Kathy Acker was part of a tradition of literary radicals and rebels of the 20th century avant-garde that flourished in the Counterculture and continued in the punk culture. Through acts of literary piracy and shock tactics, she unveiled and stood against techniques of domination and control. Indeed, she appropriated others’ texts, subverted genres and genders and thus challenged the rigidity of meaning and identity to allow them to fluctuate and flow. These texts confirm the central roles of both body and language in Acker’s works as spaces of friction between power and liberation and position the writer as a radical practitioner, a visionary.
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American author Kathy Acker was one of the most influential writers of the 20th century. Working through an experimental and avant-garde tradition, she wrote numerous novels, essays, poems, and novellas from the early 1970s to the late 1990s. As a postmodernist, plagiarist, and post-punk feminist, she continues to inspire generations of writers, philosophers, and artists
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American author Kathy Acker was one of the most influential writers of the 20th century. Working through an experimental and avant-garde tradition, she wrote numerous novels, essays, poems, and novellas from the early 1970s to the late 1990s. As a postmodernist, plagiarist, and post-punk feminist, she continues to inspire generations of writers, philosophers, and artists. The book GET RID OF MEANING, edited by Anja Casser and Matias Viegener, is the first comprehensive publication on Acker’s work from an artistic and literary perspective. It includes previously unpublished material from Acker’s personal archive and other collections. The publication is the compilation of a multipart research project including an exhibition and a symposium at Badischer Kunstverein in Karlsruhe
Centered in a 1:1 format on Acker’s notebooks for Blood and Guts in High School, GET RID OF MEANING allows readers and researchers to immerse themselves in a conversation between Kathy Acker’s work and her readers, commentators, and heirs
Text: Kathy Acker, Dodie Bellamy, Hanjo Berressem, Ruth Buchanan, Anja Casser, Georgina Colby, Leslie Dick, Claire Finch, Johnny Golding, Anja Kirschner, Chris Kraus, Sylvère Lotringer, Douglas A. Martin, Jason McBride, Karolin Meunier and Kerstin Stakemeier, Avital Ronell, Daniel Schulz, Matias Viegener , McKenzie Wark.
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American author Kathy Acker was one of the most influential writers of the 20th century. Working through an experimental and avant-garde tradition, she wrote numerous novels, essays, poems, and novellas from the early 1970s to the late 1990s. As a postmodernist, plagiarist, and post-punk feminist, she continues to inspire generations of writers, philosophers, and artists
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Månens Kulør. Studier i dansk bøssehistorie 1628-1912. Bind 1 og 2 (KOMPLET). Rhodos, 1993. 872 pp. Hft. Med illustrationer. Ganske pænt sæt! “bøssernes danmarkshistorie”
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Edited by Germano Celant, Germano: “Mapplethorpe”. Electa for Louisiana Museum, 1992. Large very heavy 4to in wraps as issued 29×21,5 cm. 323 pages, richly illustrated, partly in color. Light wear to cover, spine a bit creased, inside clean and overall a very good copy First edition
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With essays by Patti Smith and Jonathan Weinberg. Los Angeles: Getty Research Institute, 2016. Large heavy 4to hardcover, no jacket as issued. (8), 239 pp. Richly illustrated. Light shelfwear and a barely visible light denting to upper front corner, see photos. Overall a clean near fine copy First edition
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Edited by Sylvia Wolff: Robert Mapplethorpe: POLAROIDS. New York: Prestel, 2007 for Whitney Museum of American Art [opening May 2008]. 8vo in wraps. 254 pages, richly illustrated. Text in English. Fine clean copy First edition
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Jonathan Cape, London, 1995. Large extra big and heavy folio (11.75 x 12.5 inches) in hardcover with the original slipcase. 139 pp., richly illustrated with photos throughout, mostly full page, including some folding. Essays by Edmund White. Title page in red and black. Bound in original black cloth with titles,…
