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500,00 kr.“In times when cameras are ubiquitous and the general public is experimenting with the narrative possibilities of photography more than ever before, a survey of the current status and potential of the photobook is highly relevant. Not only does the photobook constitute an alternative means of display to gallery exhibitions, the book format also challenges the medium’s instantaneousness, and allows for an exploration of the language of photography. Books have been key to the distribution of avant-garde conceptual photography, as well as social documentary and political statements. But what is the status of the photobook today? Is it primarily a mainstream medium, a collector’s item, or a platform for artistic experiments? Imprint is a collection of essays that delve into current practices and address the phenomenological, technological, and aesthetic possibilities for communicating through photobooks, both printed and digital.”
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100,00 kr.Eggleston (William Eggleston: Past and Present – Colour Photograph. Catalogue with an Essay by Henning Hansen) Denmark: Louisiana Museum of Modern Art, 1992. Small4to. Original stiff wrappers. 46 pp. Illustrated in colour. Text in both Danish and English. Clean fine copy First edition. Fine copy
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175,00 kr.Gerry Johansson: The Books. Göteborgstryckeriet AB, for Landskrona Foto 2022. Format 93X466 mm. Exhibition catalogue presenting the series Sweden, America and Spain in the leporello format, with a text by Jeffrey Ladd. Edgeworn copy. SIGNED by Gerry Johansson First edition, signed NB: Because of the akward size shipping will cost…
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collectible facsimile of Frank’s very first book — made before The Americans: ” In 1946, just before he immigrated to the United States, Robert Frank constructed a handmade book of photographs titled “40 Fotos”. Although he had been photographing for only five years, the book displays a remarkable mastery of a wide range of photographic styles and genres popular in his native Switzerland during World War II – , from Bauhaus inspired explorations of light and form to commercial studies of industrial objects and journalistic records of people on the streets. With its front cover of a photomontage of an eye seen through an open camera lens and its back cover of a closed lens, the book also reveals Frank’s careful study of contemporary Swiss graphic design. When Frank immigrated to New York from Zurich in 1947, having apprenticed with commercial photographers in his hometown, he brought along this portfolio to help him secure employment. Portfolio is the facsimile version of this fascinating object. Containing Frank’s earliest original photographs as well as work by other photographers which he had retouched, the portfolio presents images of rural life in Switzerland alongside alpine landscapes, cityscapes and still-lifes. The original handmade object is held in the collection of the National Gallery of Art, Washington.”
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445,00 kr.Mirror of Venus (FIRST EDITION). London: Thomas Nelson & Sons / New York: Ridge Press, 1966. 4°. Publisher’s boards with unclipped well preserved dustjacket. Upaginated. Illustrated throughout with photographs by Wingate Paine. Text by Fellini and Sagan (in English). Very good clean and bright copy with only minor wear to…














