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    Magnum Photo, 2007. Large heavy folio magazine format as issued (26,5 x 23,7 x 2,4 cm (11.9 x 9.5 x 0.5 inches). 212 pages, illustrated richly in color. Fine clean copy with only most minimal shelfwear First edition Alec Soth sole Editor-in-Chief, Advertising Director and photographic contributor: Featuring exquisite printing,…

  • 399,00 kr.

    Zurich: Scalo for Steidl, 1999. Small quarto hardcover with dustjacket. 160 pages, illustrated throughout. Fine clean copy First edition. By the author of “Dirty Windows”

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    “Richard Avedon – Photographs 1946-2004”. Louisiana Museum of Modern Art, 2007. Tall 4to hardcover, with dustjacket. 192 pages with 128 photos, hereof 2 in color and 126 in Triplex print. Texts in English by Helle Crenzien, Geoff Dyer, Jeffrey Fraenkel, Rune Gade, Michael Juul Holm, Christoph Ribbat, Judith Thurman et…

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    Reynaldo Luza (1893-1978), pre-eminent fashion artist, was born in Lima, Peru. He began training as an architect at the University of Louvain, Belgium, but returned to Peru at the outbreak of World War I, where he changed his studies from architecture to art. In 1918 he came to the United States, where he earned his living by contributing drawings to several fashion publications, principally VOGUE, HARPERS BAZAAR, and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist, a position he was to hold for 27 years. He divided his time between New York, Paris and London, working closely with all of the leading fashion designers of the times — Poiret, Patou, Lelong, Paquin, Douillet, Doucet, Cheruit, Worth, Drecoll, Callot Soeurs, Redfern, Martial et Amand, Premet, Reboux, Chanel, Vionnet, Molyneaux, Schiaparelli, Hartnell, Steibel, and Balenciaga, among others.
    In 1940 Luza made New York his principal base, where, over the next few years, he continued his activities at Harpers as well as creating fabric and furniture designs, and the costumes for the movie “The Bridge of San Luis Rey.” Among other distinctions, he received several honorary appointments from the government of Peru, including that of Artistic Director of the Paris Exposition of 1938 and the New York World’s Fair of 1939-40; he also did the interior design of the new Lima airport.
    In 1950 Luza returned to Peru, where he began a second career as a portrait painter, exhibiting his work over the next few years in Paris, New York, and Washington, D.C.

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    Bloch, Jacqueline et al (ed.): . DEPECHE MODE Mai 1968 – LA revue de tendances. Paris: Rue de Teheran, Impr. Grou-Radenez, 1968. 4to in original wraps. 109, (5) pp. Illustrated richly, black and white, while cover is orange and blue. Text in French, with some parts also in English and…

  • 345,00 kr.

    Curated by Robin Muir,: Terence Donovan: Speed Of Light. London: Photographers Gallery, 2016. 8vo in stiff wraps as issued. 160pp with b/w photographs in bw and colour. Near fine, clean and tight well preserved copy First (and only) edition