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140,00 kr.This volume collects an extraordinary array of short pieces by Walter Benjamin that lets us see the centrality of stories, dreams, and tales to his own experimental writings. During the time in which Benjamin sought to understand the conditions of communicability between languages, he was also testing the thesis in the stories he told. Telling the tale and reflecting on its very possibility, under conditions such as war and poverty, Benjamin gives us short forms that are broken up by interruptions and sudden closure. This elegant and moving volume is beautifully edited, including an introduction that shows how these collections of short tales and dream sequences are already doing the critical work of the essay form. This volume is a marvelous gift that will reorient our reading of Benjamin in startling ways” Judith Butler
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245,00 kr.Cambridge: MIT Press, 1995. Publishers hardcover, w jacket. xvii, 233 pp. Text in English. Fine copy 1st edition. Translated by Shierry Weber Nicholsen. Contents: The Tide Taken at Its Word; Writing About Benjamin; Homo Scriptor; Joshua’s Gesture; Dispositio dialectico-Benjaminiana; Glass Architecture; Perspectives on the Atrium
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A new translation of philosopher Walter Benjamin’s work as it pertains to his famous essay, “The Storyteller,” this collection includes short stories, book reviews, parables, and as a selection of writings by other authors who had an influence on Benjamin’s work.
“The Storyteller” is one of Walter Benjamin’s most important essays, a beautiful and suggestive meditation on the relation between narrative form, social life, and individual existence—and the product of at least a decade’s work. What might be called the story of The Storyteller Essays starts in 1926, with a piece Benjamin wrote about the German romantic Johann Peter Hebel. It continues in a series of short essays, book reviews, short stories, parables, and even radio shows for children. This collection brings them all together to give readers a new appreciation of how Benjamin’s thinking changed and ripened over time, while including several key readings of his own—texts by his contemporaries Ernst Bloch and Georg Lukács; by Paul Valéry; and by Herodotus and Montaigne. Finally, to bring things around, there are three short stories by “the incomparable Hebel” with whom the whole intellectual adventure began”








