Photography
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New York: Aperture, 1985. Small square hardcover, with dustjacket. 48 pages. Fine clean copy, looks unread First edition, 2nd printing. Excellent copy
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Edited by Katharine Holabird: “Women on Women. Twelve Photographic Portfolios” London: Aurum Press, Inc., 1978. Large heavy 4to. Publisher’s hardcover with dustjacket. 165 pp. Illustrated throughout with photographs by D. Turbeville, Karin Szekessy, Alice Springs, Sacha, Marcia Resnick, Christa Peters, Sarah Moon, Linda Benedict Jones, Irina Ionesco, Jo Alison Feiler…
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Kaare P. or Kaare Per Johannesen:. erotisk glæde. fotofeature (‘erotic pleasure. photo-feature’). Copenhagen: Chr. Erichsens Forlag, 1969. Original white wraps. Unpaginated. App. 100 pages. Illustrated throughout with very fine black and white photographs. Edgewear to cover as always else well preserved, tight and clean Largely unknown Danish photobook with photographs…
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New York: Aperture, 2012 (1986). Original photoillustrated softcover 147 pp. Illustrated with 126 colour photographs. Text by Nan Goldin. Fine copy The Nan Goldin classic, unsurpassable ‘The book has been immensely influential (…) the first (and best) of a whole photobook genre that we might term the confessional mode’ (…)…
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New York: Farrar, Straus and Giroux, 1977. Publisher’s hardcover complete with an unclipped slightly worn, now protected, dustjacket. 207 pp. Name removed from front free andpaper else very good and clean copy 1. edition, first printing of one of the most influential books to have been published on photography
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SELF-PORTRAIT was Friedlander’s first monograph and one of the most influential monographs. As Martin Parr and Gerry Badger write of the first edition in The Photobook: A History, Vol. I, Friedlander “critiques the act of photographing, laying bare the process, and emphasizing that it is about personal point of view. SelfPortrait is a complex, subtle work that functions as an oblique document of contemporary experience.” This is a beautifully produced, faithful, and worthy edition, adding a few well-known images not originally included and John Szarkowski’s essay
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Copenhagen, Gyldendal, 1970. Large 4to in original wraps with jacket. Very fine, clean and well preserved copy. 122 pp. Richly illustrated A very beautiful and still underrated photobook by Danish architect and photographer Christian Elling. Black and white photos of buildings, roof tops, windows, details of houses and streets in…
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Zurich / Berlin / New York : Scalo Publishers, 2003. Folio. Original beige cloth with photoillustrated dustjacket, protected in acid-free archival removable mylar. 175 pages with 82 full-color, full-page photographic plates. Fine clean copy Eggleston’s earliest work, a collection of photographs shot during a series of trips across the South…
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In this book Shore brings together 80 images (by such photographers as Walker Evans, Eugene Atget, Robert Adams, Diane Arbus, Frank Gohlke, Lee Friedlander and Jan Groover) to illustrate a process of looking at and understanding photography
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“After a long period in eclipse, documentary has undergone a marked revival in recent art. This has been spurred by two phenomena: the exhibition of photographic and video work on political issues at Documenta and numerous biennials; and increasing attention to issues of injustice, violence, and trauma in the war zones of the endemically conflict-ridden twenty-first century. The renewed attention to photography and video in the gallery and museum world has helped make documentary one of the most prominent modes of art-making today. Unsurprisingly, this development has been accompanied by a rich strain of theoretical and historical writing on documentary. This anthology provides a much-needed contextual grounding for documentary art. It explores the roots of documentary in modernism and its critique under postmodernism; surveys current theoretical thinking about documentary; and examines a wide range of work by artists within, around, or against documentary through their own writings and interviews”
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New York: Congreve, 1978. Small4to. Publisher’s black cloth with well preserved dustjacket. 152 pp. Illustrated with photographs in black-and-white and colour. Text in English. Very good copy Early photo book by Helmut Newton (his sesond) and one his most well executed : A porno chic album. Included in ‘Book of…
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100,00 kr.
“Henrik Olesen’s aesthetic is reminiscent of early conceptual art: terse, stripped down, and to the point. This serves his subject matter well as he takes aim at the heterosexuality of conceptual art, history, biology and other discourses. The book gathers several of Olesen’s projects about the overt and subconscious societal constraints put on LGBT people. Inside, Olesen confronts the reader with a collection of sodomy laws from around the world, and installations of his work gathering evidence of homosexuality in birds and dogs. This is an unapologetic, forceful, and beautiful collection of thought and action.”
