• 299,00 DKK

    Nele Dechmann, Nicola Ruffo & Agnieszka Sosnowska (cur.):. “Learning from Warsaw: 20 Lessons”. Warsaw Castle, Kodoji Press, 2013. Large oversized in stiff wraps as issued. 96 pages; in English. Some surface marks to back cover, else clean and crisp; no internal marks First edition. “The city of Warsaw is interesting…

  • Out of Stock
    175,00 DKK

    Erkendelsens Døre. Dansk udgave af “The Doors of Perception”. Aschehoug Dansk Forlag, 1955. 87 p. Hft. Brugsspor på omslag. Indvendig ren. Nummeret eksemplar (Nr. 252 af ialt 500 ex.) Huxley’s klassiker hvor han redegør for sine eksperimenter med de psykedeliske stoffer peyote, LSD og meskalin, banede vejen for den psykedeliske…

  • Out of Stock

    Bibliotek Rhodos, 1970. 226 sider. Hft. Pænt eksemplar. Bogdesign ved Michael Malling.  

  • 400,00 DKK

    “Sex – Theater. Eine fotografische Dokumentation”. Munich: Mahnert-Lueg, 1981. 4°. Publishers photo-illustrated wrappers with elongated French flaps as issued. App. 120 unpaginated pages illustrated throughout with b/w photos by Gelpke. Introduction in German by Allen Porter. A fine copy with only minimal shelfwear First edition 1st printing of Gelpke’s first…

  • 200,00 DKK

    Samlerens Bogklub, 1974. 361 pp. Hft. Ryg solbleget. Rent eksemplar

  • 200,00 DKK

    Cambridge: Harvard University Press, 1982. 8vo in publishers hardcover with dustjacket well preserved. 300 pages. Fine clean copy Cover with drawing by David Levine. First edition  

  • Out of Stock

    Gyldendal, 2019. 644 pp. Hft. Bagklap med lille fold, ellers som ny. Ren og ulæst

  • Out of Stock

    “Artists Books from a Swedish Point of View with Special with Special Attention to the Contributions of Denmark and GDR” by Thomas Millroth.

  • 175,00 DKK

    Ved Aage Bohr med flere. udgivet af Atomoplysningsudvalget, 1965. Lille 8vo i original heftet omslag. 36 pp. Illustreret. Velbevaret eksemplar Originaludgave.

  • 245,00 DKK

    When American architects, designers, and cultural institutions converted wartime strategies to new ends, the aggressive promotion of postwar domestic bliss became another kind of weapon: In the years immediately following World War II, America embraced modern architecture—not as something imported from Europe, but as an entirely new mode of operation, with original and captivating designs made in the USA. In Domesticity at War, Beatriz Colomina shows how postwar American architecture adapted the techniques and materials that were developed for military applications to domestic use. Just as manufacturers were turning wartime industry to peacetime productivity—going from missiles to washing machines—American architects and cultural institutions were, in Buckminster Fuller’s words, turning “weaponry into livingry.”This new form of domesticity itself turned out to be a powerful weapon. Images of American domestic bliss—suburban homes, manicured lawns, kitchen accessories—went around the world as an effective propaganda campaign. Cold War anxieties were masked by endlessly repeated images of a picture-perfect domestic environment. Even the popular conception of the architect became domesticated, changing from that of an austere modernist to a plaid-shirt wearing homebody. Colomina examines, with interlocking case studies and an army of images, the embattled and obsessive domesticity of postwar America. She reports on, among other things, MOMA’s exhibition of a Dymaxion Deployment Unit (DDU), a corrugated steel house suitable for use as a bomb shelter, barracks, or housing; Charles and Ray Eames’s vigorous domestic life and their idea of architecture as a flexible stage for the theatrical spectacle of everyday life; and the American lawn as patriotic site and inalienable right.Domesticity at War itself has a distinctive architecture. Housed within the case are two units: one book of text, and one book of illustrations—most of them in color, including advertisements, newspaper and magazine articles, and many architectural photographs

  • Out of Stock

    London: The Harvill Press, 1995. Publishers hardcover with well preserved, protected jacket. XI, 433 pages. A hint of foxing to first and last pages, else clean and well preserved attractive copy On Valéry, Mauriac, Jean Cocteau, Breton, Georges Bataille, Klossowski, Leiris, Malraux, Lévi-Strauss, Sartre, Gide, Aragon, Camus, Blanchot, Foucault, Barthes,…

  • 300,00 DKK

    “Billedet som kampmiddel. Kvindebilleder mellem 1968 og 1977”. Med bidrag af blandt andet Lene Adler Petersen, Jytte Rex, Inge Eriksen, Ursula Reuter Christiansen, Kirsten Justesen m.m.fl. Udkommet på Informations Forlag, 1977. Stort format. 200 sider. Hft. Rigt illustreret. Lidt slidt, men solid. Grafisk smukt tilrettelagt af bl.a. Jytte Rex.