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    New York: Grove Press / Evergreen Black Cat, 1967. Paperback as issued. Unpaginated. Illustrated. Light wear to wraps else fine and clean well preserved copy. First trade edition (previously as a self-published pampflet Birth Press, 1961) Kupferberg is possible best known as the bohemian poet and the co-founder of the…

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    “Listen to the Mocking Bird. Satiric Songs to Tunes You Know”. Washington: Times Change Press, 1973. Paperback as issued. 64 pages. Illustrated. Light wear to wraps and edges. Overall a very good copy First edition, 1st printing (stated) Kupferberg is possible best known as the bohemian poet and the co-founder…

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    Wood, Nancy. – Merck, Mandy. – Frith, Simon et al. – Kuhn, Annette et al (ed.):. Screen Magazine Volume 25 Number 3 May June 1984 “On the Soundtrack” . London: Screen Education Published by SEFT / BFI, 1984. Original stiff wraps. 120 pages, complete issue. Illustrated. Light werar to edges…

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    10 Cities: Clubbing in Nairobi, Cairo, Kyiv,​ Johannesburg, Berlin, Naples, ​Luanda, Lagos, Bristol, Lisbon​ 1960 – March 2020​. Spector Books, 2020. Large softcover. 560 pages with black-white and colour illustrations. A retrospective testimony to the living spirit of Club Nights. With essays by: Rui Miguel Abreu, Vitalii Bard Bardetski, Vítor…

  • Out of Stock

    Edited by Germano Celant & Lisa Dennison. New York, New York: Fifty Years of Art, Architecture, Photography, Film, and Video. Milan: Published by Skira, 2006. Large very heavy hardcover with jacket. 546 pages, richly illustrated. Text in English. Light wear to edges and jacket. Overall a very good or near…

  • Out of Stock

    “All The Things I Lost in the Flood – Essays on Picture, Language and Code”. New York; Rizzoli Electa, 2018. Squarish 8vo in wraps as issued. 319 pages, illustrated. New copy, unopened First edition, the first book on the artist’s full career to date, as curated by the artist herself:…

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    New York: Harper & Row, 1984. Laminated paperback, oblong large 8vo [21,5×28 cm]. 231 pages. Richly illustrated. A name overwritten to innercover and some edgewear. An acceptable copy, clean inside and solid First edition, paperback

  • Out of Stock

    Henningsen, Poul (PH). – :. PH – EEN PÅ LAMPEN – PH fortalt og sunget af Poul Henningsen, Tove & Grete Kemp. Vinyl LP. Exlibris / Gyldendals Grammofonplader, 1975. LP. Omslag med lidt brugsspor. Plade lyder fint Med ‘Byens Lys’ etc.

  • Out of Stock

    London: Purr Books, 1995. 4to. Original photoillustrated wrappers. Unpaginated. Illustrated throughout in colours. Fine well preserved copy with only most minimal shelfwear Classic erotic photobook and Kern’s best work and maybe the best of female nudes photobooks of the 1990’s – the original true first edition from Purr. With Introduction…

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    “Nick Knight’s debut publication presents an unflinching vision of skinhead culture. A reaction to the Hippie lifestyle of the sixties and seventies, and strongly influenced by Mods and Jamaican rude boys, the skinhead movement itself was started in the mid-sixties by working-class youths in England. Knight immersed himself in their world and was able to create a genuine portrait of the youth subculture in the early eighties.The book features both written and visual musings on the style, music and behaviour that came to define the movement. The now-iconic Skinhead has become an essential fashion reference which helps to contextualise Nick Knight’s artistic and photographic trajectory”

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    “The definitive biography of Sun Ra, a.k.a. Herman Poole “Sonny” Blount (1914-1993), a composer, keyboardist, bandleader, philosopher, poet, and self-claimed extraterrestrial from Saturn. As the leader of the “Intergalactic Arkestra,” a band of more than 30 musicians, he was unparalleled for his purposeful outlandishness and exerted a powerful influence over a vast array of artists. Considered by many to be the founding figure of Afrofuturism, he composed a musical philosophy that extends beyond the international to the interplanetary. Space Is The Place reveals the life, philosophy, and musical growth of one of the 20th century’s greatest and most outrageous avant-garde musicians”

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    IN A QU*A*RE TIME AND PLACE: Post-Slavery Temporalities, Blaxploitation, and Sun Ra’s Afrofuturism between Intersectionality and Heterogeneity . SUM magazine, in accordance with the publishing house of The Royal Danish Academy of Fine Arts, Schools of Visual Art, Copenhagen, 2014. 8vo. Softcover. 188 pp. Illustrated. As new