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    A sequel to ‘Domebook One’, highlighting the structures that Lloyd Kahn built with students at Pacific High School, an alternative/experimental school in the Santa Cruz foothills, and providing comprehensive instructions for building shelter out of a wide range of different types of dome. Like its predecessor, it became a staple of the Whole Earth Catalog’s ‘Shelter and Land Use’ section. Also includes an extensive interview with Buckminster Fuller, conducted in Los Angeles in December 1970 by Hans Meyer, and two pages on Drop City, one of the first communities to construct domes to house its members

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    GENSTANDE ( = OBJECTS / = SEX TOYS) Copenhagen: SV PRESS / SVB, 1969. Small 12mo landscape format in original wraps. 111 pp. Illustrated with b/w photographs by John Fowlie. Text in Danish. Light wear to cover, some pages with a little wrinkling and a small tear, but no loss,…

  • Out of Stock
    200,00 kr.

    Johannesson, Sture: . S.K.O. En vetenskaplig dokumentation med fotnoter. Foto Per Roland (SKO / S.H.O.E.S.). Sweden: Bo Cavefors Bokförlag, 1975. Tall 4to in original wraps bound with plastic screws as issued 30 x 22,5 cm. [68 pages] complete with ribbon. Mainly photo-illustrated. Text in both Swedish and English. Fine clean…

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    NEGAR AZIMI & Lisa Farjam, babak radboy et al:. BIDOUN ISSUE 22 Fall 2010 : LIBRARY. New York, 2010. 4to in original magazine wraps. Around 180 pages. Some minor wavyness to pages and light wear to cover, mainly lower spine but solid and clean and complete BIDOUN: Arts and Culture…

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    “The landscape is changing; now institutional exhibitions are being outshined by smaller, independent productions. Young curators are being favored over the out of touch establishment and spontaneous art happenings preferred more than stuffy, formal functions. The Cairo Biennale, for example, was awash in the tired ideologies of identity and the “Role of the Arab” in today’s world — a theme that has been so overused that it has been pushed to the brink of irrelevance. Is this because Middle Easterners are tired of talking about who they are? No, it is because we are tired of other people telling us who we are. Instead of constantly being taken out of context by others, people are taking matters in to their own hands. From popular reality television shows like Arabic Big Brother to homegrown independent movies shot on DV, there is a whole movement of self-documentation. In this, our first issue, we try to bring together some of the people who are bringing these projects to the public. We Are Spatial because we are bringing the private into public space; because we are redefining the boundaries between inside and outside. We Are Spatial because we are transforming the spaces in which we work and live. We Are Spatial because, although we are spread all across the world, we try, in some small way, to come together here. Without judgment”

  • Out of Stock

    “The landscape is changing; now institutional exhibitions are being outshined by smaller, independent productions. Young curators are being favored over the out of touch establishment and spontaneous art happenings preferred more than stuffy, formal functions. The Cairo Biennale, for example, was awash in the tired ideologies of identity and the “Role of the Arab” in today’s world — a theme that has been so overused that it has been pushed to the brink of irrelevance. Is this because Middle Easterners are tired of talking about who they are? No, it is because we are tired of other people telling us who we are. Instead of constantly being taken out of context by others, people are taking matters in to their own hands. From popular reality television shows like Arabic Big Brother to homegrown independent movies shot on DV, there is a whole movement of self-documentation. In this, our first issue, we try to bring together some of the people who are bringing these projects to the public. We Are Spatial because we are bringing the private into public space; because we are redefining the boundaries between inside and outside. We Are Spatial because we are transforming the spaces in which we work and live. We Are Spatial because, although we are spread all across the world, we try, in some small way, to come together here. Without judgment”

  • 200,00 kr.

    NEGAR AZIMI & Lisa Farjam. – babak radboy. – (?): BIDOUN LIBRARY – FURTHER READING. Bidoun Projects, 2011. 8vo in original blue hardcover, gilt titles, no jacket as issued. 104 pages, chiefly illustrations black and white. Text in English. Fine clean copy First edition Further Reading a glossary of sort,…

  • Out of Stock
    200,00 kr.

    Omar Sosa, Marco Velardi, Nacho Alegre (ed.):. The World of Apartamento: Ten Years of Everyday Life Interiors. Abrams Inc., 2018. Large, tall, and heavy hardcover. 306 pages, illustrated. Well preserved and clean, near fine copy “The World of Apartamento: Ten Years of Everyday Life Interiors brings together some of the…

  • Out of Stock
    245,00 kr.

    Vogel, Lucien et al (ed.): LE JARDIN DES MODES, N°315, MARS 1948, Des Chapeaux, Des Tissues, Des Robes Paris, March 1948. Original magazine wraps. 56 pages, illustrated richly in bw and color. Text in French. Near fine, very good copy Original vintage magazine, complete. – Bon exemplaire du 315ème numéro…

  • Out of Stock

    Morrison, Jim. – Crumb, Robert. – Kostelanetz, Richard et al. – Goldstein, Richard. (editor) US: A Paperback Magazine # 1 Bantam Books, 1969. Apaperback original. 190 pages, richly illustrated. Well preserved and clean copy 1st edition

  • Out of Stock
    545,00 kr.

    First edition first impression of Teller’s first book designed and edited by Cornel Windlin

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    Strunge, Michael. – Camilla Høiby. – Thomsen, Søren Ulrik. – SODS. – m.fl.:. Sidegaden Nr. 1, 1981. Forlaget Fremad, 1981. Stort format. 32 pp. Illustreret. Lidt slidt Ultimativt firsermagasin med originalbidrag af bl.a. Strunge og S.U.T. samt tekster om SODS og The Au Pairs og Scatterbrain og meget mer