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  • Out of Stock

    DO IT! Scenarios of the Revolution. NY, Ballantin Books Paperback, 1970. 256 pp. Illustrated by Quentin Fiore. Initials to first page and somewhat worn on the outside (please see photo). First edition Classic in modern book design from Quentin Fiore (famous also for his work for ‘The Medium is the…

  • 1.000,00 kr.

    Melin, John & Anders Österlin. – HULTÉN, K.G. Pontus (ed.): . The Machine as Seen at the End of The Mechanical Age. New York: The Museum of Modern Art, 1968. Small 4to hardcover in the original metal binding by Anders Österlin. Illustrated in b/w and blue. 218 pages. Attractive very…

  • Out of Stock

    CALDER (Alexander). – Bellew, Peter (ed.): CALDER – 1st US edition. Chartwell Books Inc, 1969 (Poligrafa). Squarish hardcover with jacket. 18 pages text in English followed by 120 pages with full page photos in b/w and color. Only very light wear to jacket – overall a very attractive clean and…

  • Out of Stock

    Methuen: New Accents Paperback 1981 (1979). 195 pp., notes, bibliography, index; a study on the rise of youth subcultures: rastafarian, hipster, beat, teddy boy, mod, skin, and in particular, punk. Half title with a cool (?) Danish government stamp, overall very good copy

  • Out of Stock

    Lovely classic vintage Harper’s Bazaar issue from the Carmel Snow Era, an absolute Supermagazine with Alexey Brodovitch as the art director and Diana Vreeland fashion editor. Photos by Louise Dahl-Wolfe including a double spread with Marlene Dietrich. Photos also by Man Ray, and Munkacsi, Kollar, etc. Several pages of illustrations by Vertes. Legendary Cover illustration by Cassandre

  • 500,00 kr.

    Paris VOGUE Juin 1924. Paris Les Editions Conde Nast 1924. Magazine in original wraps as issued. Illustrated richly in b/w and color. pp. XXXVI, pp. 20-80 (= 96 pages = complete). Some wear to spine and foxing to cover (see photos) but complete and overall a good and solid copy.…

  • 600,00 kr.

    “Hot Weather Fashions” – Ultra rare and very beautiful original 1923 Vogue with Plank’s Jugendstil Vogue Cover

  • Out of Stock

    London, Thames and Hudson, 1987 (1969). Oblong8vo. Original wrappers with spirals intact. 120 pp.

  • Out of Stock

    JUHL, FINN. – Sommer, Anne-Louise:. Finn Juhls akvareller Forlaget Strandberg / Strandberg Publishing, 2015. Stort format. Hardcover. 190 sider, rigt illustreret. Lidt hyldeslitage

  • Out of Stock

    An exhibition in Culturgest, Porto provided the seventh occasion for Stuart Bailey to show a group of artefacts whose only shared connection was that they had appeared somewhere in the pages of Dot Dot Dot- a magazine which he has edited since its conception in 2000. The publication plays with the idea of inverting the regular hierarchy of this magazine where texts are generally treated as primary and images secondary. It contains a leporello reproduction of the exhibition wall with all the 43 artefacts, followed by subsequent reproductions of 43 previously published Dot Dot Dot articles, systematically presented as captions of these artefacts. Extended Caption (DDDG) is an artist’s book and exhibition catalogue and includes contributions by Stuart Bailey and Jan Verwoert. The project serves as a continuation of Bailey’s work with Dot Dot Dot and explores the relationship between images and text in a graphic design context

  • 120,00 kr.

    “Oomph – The Women Who Made Sweden Colorful is a book about female pioneers of Swedish design whose glassware, textiles and ceramics put Sweden at the center of the international design field in the mid-20th century. The richly illustrated work highlights female designers like Estrid Ericson, Greta Magnusson-Grossman and Marianne Westman, who started a household revolution by challenging the traditional notions of the home and household goods. The book, published by Art and Theory, has been created in collaboration with the Malmö Art Museum. Oomph is a book about the women who brought about a revolution in Swedish kitchens, linen closets and living rooms, and in the country’s textile and fashion industries. After the Second World War, new manufacturing opportunities emerged: new customs demanded new designs and materials. Many women designers were also responding to an increasingly acute housing crisis, and questioned the way homes were traditionally designed. Although many doors still remained closed to women designers, their work in glass, textiles, and ceramics, and their radical ideas about the future of domestic life put Sweden on the international design map in the middle of the twentieth century.”